“Fascinating, brave & sometimes infuriating” (Time), this dark history is more than a chronicle of religion. It's the central tragedy of Western civilization, its fault lines reaching deep into our culture to create “a deeply felt work” (San Francisco Chronicle) as Carroll wrangles with centuries of strife & tragedy to reach a courageous & affecting reckoning with difficult truths.

    He is watched by the cold, hard eyes of peasants living long enough at a subsistence level to know exactly where the line is drawn between poverty and destitution. He looks like a beggar yet his eyes lack the proper cringe, his voice the proper whine, his walk the proper shuffle. He speaks about the rule of God and they listen as much from curiosity as anything else. They know all about rule and power, about kingdom and empire, but they know it in terms of tax and debt, malnutrition and sickness, agrarian oppression and demonic possession. What, they really want to know, can this kingdom of God do for a lame child, a blind parent, a demented soul screaming its tortured isolation among the graves that mark the edges of the village?"–– from "The Gospel of Jesus," overture to The Historical Jesus The Historical Jesus reveals the true Jesus––who he was, what he did, what he said. It opens with "The Gospel of Jesus," Crossan's studied determination of Jesus' actual words and actions stripped of any subsequent additions and placed in a capsule account of his life story. The Jesus who emerges is a savvy and courageous Jewish Mediterranean peasant, a radical social revolutionary, with a rhapsodic vision of economic, political, and religious egalitarianism and a social program for creating it.The conventional wisdom of critical historical scholarship has long held that too little is known about the historical Jesus to say definitively much more than that he lived and had a tremendous impact on his followers. "There were always historians who said it could not be done because of historical problems," writes Crossan. "There were always theologians who said it should not be done because of theological objections. And there were always scholars who said the former when they meant the latter.'With this ground–breaking work, John Dominic Crossan emphatically sweeps these notions aside. He demonstrates that Jesus is actually one of the best documented figures in ancient history; the challenge is the complexity of the sources. The vivid portrayal of Jesus that emerges from Crossan's unique methodology combines the complementary disciplines of social anthropology, Greco–Roman history, and the literary analysis of specific pronouncements, anecdotes, confessions and interpretations involving Jesus. All three levels cooperate equally and fully in an effective synthesis that provides the most definitive presentation of the historical Jesus yet attained.

    Good Book is what happens when a regular guy—an average Job—actually reads the book on which his religion, his culture, and his world are based. Along the way, he grapples with the most profound theological questions: How many commandments do we actually need? Does God prefer obedience or good deeds? And the most unexpected ones: Why are so many women in the Bible prostitutes? Why does God love bald men so much? Is Samson really that stupid?

    Nowadays, it is widely argued that Israel’s religion mirrors that of other West Semitic societies. What accounts for this radical change, and what are its implications for our understanding of the Old Testament?Dr. John N. Oswalt says the root of this new attitude lies in Western society’s hostility to the idea of revelation, which presupposes a reality that transcends the world of the senses, asserting the existence of a realm humans cannot control.While not advocating a “the Bible says it, and I believe it, and that settles it” point of view, Oswalt asserts convincingly that while other ancient literatures all see reality in essentially the same terms, the Bible differs radically on all the main points.The Bible Among the Myths supplies a necessary corrective to those who reject the Old Testament’s testimony about a transcendent God who breaks into time and space and reveals himself in and through human activity.

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    (Practical Life)

    Nearly forty scholars worldwide contributed to the translation and interpretation of the Jewish Study Bible, representing the best of Jewish biblical scholarship available today. A committee of highly-respected biblical scholars and rabbis from the Orthodox, Conservative, and Reform Judaism movements produced this modern translation.No knowledge of Hebrew is required for one to make use of this unique volume. The Jewish Study Bible uses The Jewish Publication Society TANAKH Translation.Since its publication, the Jewish Study Bible has become one of the most popular volumes in Oxford's celebrated line of bibles. The quality of scholarship, easy-to-navigate format, and vibrant supplementary features bring the ancient text to life.* Informative essays that address a wide variety of topics relating to Judaism's use and interpretation of the Bible through the ages. * In-text tables, maps, and charts. * Tables of weights and measures. * Verse and chapter differences. * Table of Scriptural Readings. * Glossary of technical terms. * An index to all the study materials. * Full color New Oxford Bible Maps, with index.

    But the Bible's story comes not from humanity, but from God. Author, T. Desmond Alexander, suggests that God has given us the reasons for creation and our existence in the Bible. "by resolving an intricate plot that sheds light on the entire story," Alexander writes. Using this theory to start from the denouement, or resolution, in Revelation's last verses and work backward, Alexander pieces together the Bible's overarching plot. The resulting picture reveals the reasons for creation and life that have eluded those who seek to answer life's biggest questions without first placing themselves in God's story.

    Now revised and updated to include all the book of the Old Testament.

    Here he discusses the seeming scientific naiveté behind the creation story, God’s love and goodness, and humanity’s creation, its free will, and its blessedness. Bonhoeffer also tackles difficult questions that are raised from the first book of the Bible, questions about the seemingly redundant second story of creation, about God’s own beginning, about the source of the light that was created the first day. The author then expounds upon Adam and Eve’s fall from grace: How could they, creatures made in God’s image, have thought to oppose God so foully? Where did the first evil come from? How did humanity lose its right to live in paradise?In “Temptation,” Bonhoeffer questions how temptation appeared in the midst of Eden’s innocence, and he explores the very nature of evil. Bonhoeffer explains that Jesus Christ helps us to understand and conquer physical and spiritual temptation through His grace and goodness.

    We know him as the brave young man who defeated Goliath, the first king of a united Israel, the composer of the beloved Psalms, and, for Christians, the messianic forerunner to Jesus. And yet for all the glory we attribute to David's legend, the historical reality is both fascinating and disturbing.In The Historical David, Joel Baden reveals that, in David's case, the Bible is political spin, "the goal of which is to absolve David of any potential guilt and to show him in a positive light." Through deep textual analysis, Baden reveals how the historical David has been painstakingly and successfully diminished, replaced by the portrait of a glorious king we are now familiar with.To question David's legend opens up a debate about what it means to be a descendant of David--be it nationally, ethnically, or religiously. In The Historical David, Baden confronts this challenge, bringing the historical David vibrantly to life, and ultimately revealing that the flesh-and-blood man was far more complex and interesting than the mythical king.

    Ellis R. Brotzman explains the significance of scripts and writings of the ancient Near East, the Dead Sea Scrolls, and Hebrew manuscripts for students of Hebrew exegesis.

    Gospel and Kingdom is concerned with finding the gospel principles inherent in the Pentateuch and historical books of the Old Testament

    Brueggemann focuses on the metaphor and imagery of the courtroom trial in order to regard the theological substance of the Old Testament as a series of claims asserted for Yahweh, the God of Israel. This provides a context that attends to pluralism in every dimension of the interpretive process and suggests links to the plurality of voices of our time.

    This compelling blend of clear writing plus dramatic images offers an appeal that crosses all age boundaries. Brazilian artist Sergio Cariello has created attention-holding illustrations marked by rich coloring, dramatic shading and lighting, bold and energetic designs, and emotionally charged figures. Let this epic rendition draw you into all the excitement of the world’s most awesome story.