With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

    It's a thrilling story of adventure and rescue, of escape and revenge, set in New England in the early days of Prohibition. Written in the great storytelling tradition, 'Warm Moonlight' has all the intensity of a got-to-hear-how-it-ends campfire yarn, but with a decidedly adult sophistication and sensibility. The ending is unique and satisfying, but leaves the audience, like one of the characters in the story, wondering - how much of it was true? How much invented? Can such things be? Maybe it's a ghost story or . . . . maybe it isn't.

    Robert Swartwood was inspired by Ernest Hemingway's possibly apocryphal six-word story—"For Sale: baby shoes, never worn"—to foster the writing of these incredibly short-short stories. He termed them "hint fiction" because the few chosen words suggest a larger, more complex chain of events. Spare and evocative, these stories prove that a brilliantly honed narrative can be as startling and powerful as a story of traditional length. The 125 gemlike stories in this collection come from such best-selling and award-winning authors as Joyce Carol Oates, Ha Jin, Peter Straub, and James Frey, as well as emerging writers.

    They pine for lost loves and pop music romances, Hollywood heartthrobs, and sunnier towns. They flee from failed relationships and looming violence, adulthood and other deaths. Written with dark humor and incisive, voice-driven prose, Kara Vernor's stories will stick in your head like a song. "Kara Vernor's "Because I Wanted To Write You A Pop Song" is hilarious, dark, and beguiling. These wonderful stories crackle with hard-earned wisdom and wit and will, like all the very best songs, become forever etched on your heart." --John Jodzio, author of Knockout "Reading Kara Vernor is like being in a fast car that reveals the deepest secrets of its passerby. You rubberneck and yearn for more. You're spinning, you're flying, you're exhilarated and sad and brimming with thrill. Hail this book and hold on tight." --Lindsay Hunter, author of Ugly Girls "Kara Vernor says so much in so few words with these stories that I felt myself becoming a better reader as I read them. Her writing feels like a knife, cutting through so many of the falsehoods of American life and leaving only the truth, somehow leaving it both gently and determinedly at the same time. The stories in Because I Wanted to Write You a Pop Song do not flinch and do not seem to even remember how." --Siamak Vossoughi, author of Better Than War (winner of the Flannery O'Connor Award for Short Fiction) "The stories in "Because I Wanted to Write You a Pop Song" dazzle and tenderize. They are strange little worlds that invite you in...Kara Vernor writes with gut, heart, and striking beauty." --Jensen Beach, author of Swallowed by the Cold "If I could leave a few things in a capsule for the civilization coming next, I think I’d maybe pick Kara Vernor’s stories. Beings of the future might know us that way: how we thought; how our words arranged themselves on our tongues when we were only half thinking; what we were after, and how messed up that all was, but how vital in a deeper way. Like some of my favorite writers, Vernor is able to bring to the page a voice you’re shocked to recognize, for it seems so totally new. All of the stars, is what I’m trying to say. All of the hearts and cherries."--Scott Garson, author of Is That You, John Wayne?

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    Gilroy won the Pulitzer Prize for his play "The Subject Was Roses," and 43 years since he began work on "Lake." In the vein of Edgar Lee Masters's "Spoon River Anthology," Gilroy tells the story of a summer vacation community in Northern New Jersey over the course of 25 years, the early 1920's through the late '40's. Each chapter is the voice of another character; some are monologues, some more interior than that. The story works its way around the lake, catching a vignette/snapshot/moment from each turn of the wheel. It's a remarkable read from an 86-year-old writer, still at the top of his game.

    Fifty-five acclaimed and emerging writers—including Emma Bolden, Ron Carlson, Kelly Cherry, Stuart Dybek, Blake Kimzey, Roland Leach, Bobbie Ann Mason, Diane Williams, and Hiromi Kawakami—have made the debut of The Best Small Fictions 2015 something significant, something worthwhile, and something necessary. Featuring spotlights on Pleiades journal and Michael Martone, this international volume—with Pulitzer Prize–winning author Robert Olen Butler serving as guest editor and award-winning editor Tara L. Masih as series editor—is a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words. ................................................."Whatever one calls them—flash fictions, microfictions, short shorts—the number of outlets where such pieces are published continue to grow along with the interest of readers and writers in the form. The time is right for a Best of the Year anthology."—Stuart Dybek, author of The Coast of Chicago and Ecstatic Cahoots"These small fictions are small only in length, not in impact. Their minuteness provides a different lens upon life—one that illuminates the telling yet elusive moments that bigger stories often overlook. A different slant on the truth emerges not in spite of their length, but because of it. Short shorts often seem like the quiet stepchild in the fiction family—overshadowed by vociferous novels, not quite dressed in the right attire as conventional short stories. A series celebrating these tiny gems is long overdue."—Grant Faulkner, cofounder of 100 Word Story, author of Fissures"The loud and long message of the seemingly quiet and the definitely short is in ample supply in The Best Small Fictions 2015. From a mother’s fury over misspelled words in Dee Cohen’s ‘By Heart’, to a father’s disintegration in David Mellerick Lynch’s ‘Lunar Deep’, there is pathos, depth, and welcome language-fireworks in these small gems. Chekhov would be proud of how briefly these writers manage to speak on lengthy subjects."—Nuala Ní Chonchúir, author of Miss Emily"The Best Small Fictions 2015 is essential reading for anyone who enjoys not just small fiction, but fiction in general. Don't miss it!"—Robert Swartwood, editor of Hint Fiction:An Anthology of Stories in 25 Words or Fewer

    An amicable deal is struck between the two young opposing bidders, but it will take time to pay off a loan. And as the months go by, the two discover they have secrets in common—secrets that just might change everythingOriginally published as "Going Once, Going Twice..." in A Kiss is Still a Kiss

     Daisy McDare is busy nursing a broken heart, trying to build up her interior decorator business, and baking cookies when murder strikes Cozy Creek. At first she leaves the investigation to Chris Crumple, the local bumbling police detective. But when Crumple arrests the wrong suspect, Daisy takes the investigation into her own hands. Cracking the case won't be easy. She'll need help from her pastry-baking best friend Samantha, her wise-cracking Granny Annie, and her trusty West Highland Terrier Shamus.

    "Stop That Girl" chronicles Ann's colorful coming-of-age travails, from her childhood in a disjointed family through her tender adolescence and beyond. In the captivating title story, our eight-year-old heroine is sent by her pregnant mother on a whirlwind jaunt to Europe with her iconoclast grandmother—known even to her family as Dr. Frost—and comes home to find her family completely reconfigured. In "SOS," Dr. Frost returns to haunt Ann in college, her visit colliding with a famous poet's appearance on campus. "We Know Where We Are, But Not Why" is set during a summer at the Grand Canyon and contrasts Ann's angst-ridden yearning for a philosophical schoolmate back home to her mother's happier pursuits of a lively Australian activist.Along the way, Ann discovers the absurdities that lurk around every corner of a young woman's life, by way of oafish neighbors, overzealous boyfriends, prurient vegetable salesmen, and sour landlords.In these keenly funny, highly original stories, Ann and the people around her are forced to reassess their complex relationships and, along the way, find happiness on the brink of calamity. "Stop That Girl" is a brilliant examination of the exigencies of love and the fragile fabric of family, and heralds the emergence of a remarkable new voice in fiction.

    Three books in one!With the atmosphere of urban decline and inner-city violence, these three murder mysteries are set in the metropolitan area of Salford, Manchester - one of the most deprived areas in England.Ex-rugby player turned social worker Gus Keane is a man who, faced with the disinterest of the Police, becomes a private investigator in order to find out who murdered his boss. Not surprisingly, law enforcement don't want someone meddling in the case, but increasingly they turn to Keane's local knowledge to bring the culprit to justice.Three related detective mysteries in one bumper volume on KindleAs reviewers have remarked, these books form a trilogy but each can be read on its own, without having read the others. This is partly because Gus Keane is an immediately likeable detective: he has his faults, and is always getting into trouble; but he has a way of getting the truth out of people and, hardened to the rough world of Salford, his local knowledge is key.THE THREE BOOKS IN THE TRILOGYTACKLING DEATH: A pacey pulp Private Eye thriller set in a northern English townEx-rugby football player turned social worker Gus Keane is getting ready for retirement when his boss gets murdered. Finding himself under suspicion, Keane turns private detective to find out the truth. But when he closes in on the killer will Keane come out on top or fall victim to the murderer’s desperate moves?DEAD CERTAINTY: Social worker turned Private Eye Gus Keane returns in this gripping murder mysteryIf something happens in Salford, Manchester, it is generally bad news and when two dead bodies turn up within a few hours of one another, it is no exception. With the local force stretched to the limits and firing blanks ex-rugby player Gus Keane is asked to step in to help find the culprits. What follows is an ever thickening plot as Keane gradually begins to unravel a mystery from Salford's shady past.FALLING FOUL: Private investigator Gus Keane is back with a difficult new case to solveWith his ex-wife appearing back on the scene and relations with his girlfriend Marti troubled, the murder of one of Gus Keane's colleagues comes at a really bad time. Yet when his friend Jimmy is accused of the murder, he really must step up to the plate. With his knowledge of the local area, and a healthy suspicion that nothing anyone says is true, private investigator Keane must find the killer before Jimmy is convicted.These books are also available as individual titles on Kindle and are FREE on Kindle Unlimited.

    But he discovers that there is more than a ghost causing mayhem. The Mansion is a fast-paced supernatural story about 10,000 words long.

    and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging.

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.

    Entwhistle may look like your sweet, old granny...but things happen to her: she's caught up in the witness protection program, stuck in an elevator with an assortment of strangers, her house is burglarized and her dog is kidnapped. But Mrs. Entwhistle is dauntless; she didn't get to be a fesity seventy-eight by wimping out. Come join her on her porch swing, meet her best friend, Maxine, and her dog, Roger. Maxine will probably offer you a bowl of her homemade soup. Sit a while. Come back when you can.