The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In "The Birth of Classical Europe," the latest entry in the Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, "The Birth of Classical Europe" provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

    Now in paperback, the book explores the history of the Septuagint, the various versions available, and its importance for biblical studies. "Admirably delivers what it promises: it is a clearly written and organized introduction to the Greek-language Hebrew Scriptures. . . . Highly recommended."--Library Journal

    Based on the life of St. Helena, mother of the Emperor Constantine and finder of the true cross, this spiritual adventure brings to life the political intrigues of ancient Rome and the early years of Christianity.

    Yet although no other individual has attracted so much speculation across the centuries, Alexander himself remains an enigma. Curtius' History offers a great deal of information unobtainable from other sources of the time. A compelling narrative of a turbulent era, the work recounts events on a heroic scale, detailing court intrigue, stirring speeches and brutal battles--among them, those of Macedonia's great war with Persia, which was to culminate in Alexander's final triumph over King Darius and the defeat of an ancient and mighty empire. It also provides by far the most plausible and haunting portrait of Alexander we possess: a brilliantly realized image of a man ruined by constant good fortune in his youth.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans, who were caught in a world of marauding barbarians, and economic collapse.The book recaptures the drama and violence of the last days of the Roman world, and reminds us of the very real terrors of barbarian occupation. Equally important, Ward-Perkins contends that a key problem with the new way of looking at the end of the ancient world is that all difficulty and awkwardness is smoothed out into a steady and positive transformation of society. Nothing ever goes badly wrong in this vision of the past. The evidence shows otherwise.Up-to-date and brilliantly written, combining a lively narrative with the latest research and thirty illustrations, this superb volume reclaims the drama, the violence, and the tragedy of the fall of Rome.From Back Cover:For decades, the dominant view amongst historians has been that the 'fall of Rome' was a largely peaceful transition to Germanic rule, within a period of positive cultural evolution. Now, Bryan Ward-Perkins argues for what you always thought but didn't dare say: the Roman Empire really did fall to violent invasion; the 'transformation' of the Roman world saw a catastrophic collapse of living standards; and the 'Dark Ages' were genuinely sombre.

    In English translations that achieve a lively readability without sacrificing the dramatic and comic impact of the original Latin, this volume presents all six comedies: The Girl from Andros (Andria), The Self-Tormentor (Heautontimorumenos), The Eunuch (Eunouchus), Phormios, The Brothers (Adelphoe), and Her Husband's Mother (Hecyra).

    

    In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

    Tensions sometimes flared, but tolerance largely prevailed until the twentieth century when the Greek army marched in, Muslims were forced out, and the Nazis deported and killed the Jews. As the acclaimed historian Mark Mazower follows the city’s inhabitants through plague, invasion, famine, and the disastrous twentieth century, he resurrects a fascinating and vanished world.

    Thoroughly enjoyed it' -- ***** Reader review'Highly enjoyable read' -- ***** Reader review'Brilliant.' -- ***** Reader review'Holds your interest from [the first] to the last page' -- ***** Reader review********************************************************************AN ASSASSIN IS ON THE LOOSE...AND AN EMPIRE STANDS IN PERILByzantium, 1096: When a mysterious assassin fires his arrow at the Emperor, he has more than a man in his sights; as the keystone of a crumbling empire, if he falls, then the mightiest power in Christendom will be torn apart. Aware of the stakes, the Emperor hires Demetrios Askiates, the unveiler of mysteries, to catch the would-be-killer.But Demetrios is entering an unknown and mysterious world and must edge his way through a glittering maze of treachery and deceit before time runs out. Nor are all enemies within the city walls. With the Turks rampant across Asia, the Emperor has sent to the west for mercenaries to reinforce his position.When a great army, tens of thousands strong, appears before the gates, he gets more than he bargained for. The first crusaders have arrived, intent on making their fortunes in war, and they have no allegiance to an empire they eye with jealousy and suspicion.As the armies of east and west confront each other, and the assassin creeps ever closer to his prey, Demetrios must untangle the golden web of intrigue which surrounds the Emperor before the city - and the empire - are drowned in blood.

     A man murders his wife and goes on the run. In the most dangerous decision of her life, a lonely young mother takes pity on him and offers him refuge. The man is Jimmy Randall, who, in The Throwaway Children, murders Rita and Rosie's mother, Mavis, before disappearing. This is the story of what happened next, as he borrows his father's army uniform and masquerades as a soldier, fooling lonely Elsie Tarrant into thinking she has found a wonderful new lover, little knowing that he is a wanted man and a murderer.

    But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical mythology. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from Arabic poetry and Hollywood films, to psychoanalysis, the Bible, and New Age spiritualism.#167

    Based upon the Bible, archaeological notebooks, and the writings of scribes, this work chronicles the six thousand years of Jewish history from Sumer, through medieval Christendom, to modern secular societies.

    His Epigrams can be affectionate or cruel, elegiac or playful; they target every element of Roman society, from slaves to schoolmasters to, above all, the aristocratic elite. With wit and wisdom, Martial evokes not “the grandeur that was Rome,” but rather the timeless themes of urban life and society.

    Introduction by Moses HadasGallic War, I-VIIICivil War, I-IIIAlexandrine, African & Spanish WarsFragmentsGazetterMap of the Roman Empire at his DeathMap of Gaul