In fourteen linked essays, If You Knew Then What I Know Now reinvents the memoir with all-encompassing empathy—for bully and bullied alike. A father pitches baseballs at his hapless son and a grandmother watches with silent forbearance as the same slim, quiet boy sets the table dressed in a blue satin dress. Another essay explores origins of the word "faggot" and its etymological connection to "flaming queen." This deft collection maps the unremarkable landscapes of childhood with compassion and precision, allowing awkwardness its own beauty. This is essay as an argument for the intimate—not the sensational—and an embrace of all the skinned knees in our stumble toward adulthood.Ryan Van Meter grew up in Missouri and studied English at the University of Missouri-Columbia. After graduating, he lived in Chicago for ten years and worked in advertising. He holds an MA in creative writing from DePaul University and an MFA in nonfiction writing from the University of Iowa. His essays have appeared in The Gettysburg Review, Indiana Review, Gulf Coast, Arts & Letters, and Fourth Genre, among others, and selected for anthologies including Best American Essays 2009. In the summer of 2009, he was awarded a residency at the MacDowell Colony. He currently lives in California where he is an assistant professor of creative nonfiction at the University of San Francisco.

     After a terrifying cliff fall nearly claims her life, a fellow wanderer comes to her aid. The nameless Islander, imposing and aloof, isn’t an ideal traveling companion, let alone someone Owl wants to get close to after her last devastating relationship. But there are worse dangers around each bend of the road—putrid trashdogs, blood-thirsty highwaymen, and foreign drones—and inviting him along as protection is safer than going it alone. When an encroaching slaver army threatens to destroy not only Owl’s intended destination, but her childhood home, it seems there are no more places of comfort left in the wasteland… except the enigmatic man traveling with her. He’s offered to take her farther than intended, to a place the army can’t reach. Despite her growing feelings, the pain and mistrust from old wounds is hard to heal. Following him to somewhere as mysterious as he is could lead to danger. But there might be a chance at a new home and fresh shot at love, if Owl can break down the walls around her heart. Book I of the Travelers Series by Alia Hess. Fans of the cozy, optimistic apocalypse of Carrie Vaughn's Bannerless, the character-driven journeys in Station Eleven, and Fallout's Wild Wasteland perk, will love TRAVELERS.

    What must we do to work out who we are, and where we belong? How do we find the space to grow, unite and confront the systems of oppression? This conflict can be found in the fissures between the body, gender and identity. Too often, the glitch is considered a mistake, a faulty overlaying, a bug in the system; in contrast, Russell compels us to find liberation here. In a radical call to arms Legacy Russell argues that we need to embrace the glitch in order to break down the binaries and limitations that define gender, race, sexuality.Glitch Feminism is a vital new chapter in cyberfeminism, one that explores the relationship between gender, technology and identity. In an urgent manifesto, Russell reveals the many ways that the Glitch performs and transforms: how it refuses, throws shade, ghosts, errs, encrypt, mobilizes and survives. Developing the argument through memoir, art and critical theory, Russell also looks at the work of contemporary artists who travel through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.

    It can help us do things faster and more efficiently than ever before, from tracking wolves through Minnesota by GPS to predicting which crimes are likely to happen where. Mega data has led to scientific and social achievements that would have been impossible just a few years ago. But being too dazzled by the scale, the speed, and the geeky jargon can lead us astray. It's big, but it's not always clever.Timandra Harkness cuts through the hype to put data science into its real-life context using a wide range of stories, people, and places to reveal what is essentially a human science--demystifying big data, telling us where it comes from and what it can do. BIG DATA then asks the awkward questions: What are the unspoken assumptions underlying its methods? Are we being bamboozled by mega data's size, its speed, and its shiny technology?Nobody needs a degree in computer science to follow Harkness's exploration of what mega data can do for us--and what it can't or shouldn't. BIG DATA asks you to decide: Are you a data point, or a human being?

    Comic-book retailers, auctioneers, and conventioneers from around North America, as well as Green's collecting rivals, weigh in on the man and his vast collection of comic books. Are Green's intentions honorable? Does he truly love comics or is he driven by the need to conquer? Lastly, is he really even Wimbledon Green?A charming and amusing caper where comic-book collecting is a world of intrigue and high finance. Part riotous chase, part whimsical character sketch, Wimbledon Green looks at the need to collect and the need to reinvent oneself.

    Yet those meager remains showed such power and genius that they captured the imagination of readers through the ages. But within the last century, dozens of new pieces of her poetry have been found written on crumbling papyrus or carved on broken pottery buried in the sands of Egypt. As recently as 2014, yet another discovery of a missing poem created a media stir around the world.The poems of Sappho reveal a remarkable woman who lived on the Greek island of Lesbos during the vibrant age of the birth of western science, art, and philosophy. Sappho was the daughter of an aristocratic family, a wife, a devoted mother, a lover of women, and one of the greatest writers of her own or any age. Nonetheless, although most people have heard of Sappho, the story of her lost poems and the lives of the ancient women they celebrate has never been told for a general audience.Searching for Sappho is the exciting tale of the rediscovery of Sappho’s poetry and of the woman and world they reveal.

    Following poems chronologies Wyoming grass blues, a punk-rock sonnet, personal grave musing, Manhattan landscape hypertension, lovelorn heart thumps, mantric rhymes, Neruda’s tearful Lincoln ode retranslated to U.S. vernacular oratory, Nagasaki Bomb anniversary haikus, Zen Bluegrass raunch, free verse demystification of sacred fame, Reznikoffian filial epiphanies, hot pants Skeltonic doggerel, a Kerouackian New Year’s eve ditty, professional homework, New Jersey quatrains, scarecrow haiku, improvised dice roll for high school kids, English rock-and-roll sophistications, an old love glimpse, little German movies, old queen conclusions, a tender renaissance song, ode to hero-flop, Peace protest prophecies, Lower East Side snapshots, national flashed in the Buddhafields, Sapphic stanzas in quantitative idiom, look out at the bedroom window, feverish birdbrain verses from Eastern Europe for chanting with electric bands, Beethovinean ear strophes drowned in rain, a glance at Cloud Castle, poems 1977-1980 end with International new wave hit lyric Capitol Air"“Plutonian Ode” has the best of intentions . . . [I]t is perhaps the most complete package of political action from poem to protest." —Marc Olmstead, Sensitive Skin MagazineFamous Beat poet Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote "Kaddish" 1959, made tape to leave behind & fade in Orient awhile." His other famous poetry collections including The Fall of America, Howl, Mind Breaths, Plutonian Ode, and Reality Sandwiches are also published by City Lights Publishers.

    Long before Stonewall and Gay Pride, there was such a thing as gay culture, and it was recognized throughout Europe and America. Graham Robb, brilliant biographer of Balzac, Hugo, and Rimbaud, examines how homosexuals were treated by society and finds a tale of surprising tolerance. He describes the lives of gay men and women: how they discovered their sexuality and accepted or disguised it; how they came out; how they made contact with like-minded people. He also includes a fascinating investigation of the encrypted homosexuality of such famous nineteenth-century sleuths as Edgar Allan Poe's Auguste Dupin and Sherlock Holmes himself (with glances forward in time to Batman and J. Edgar Hoover). Finally, Strangers addresses crucial questions of gay culture, including the riddle of its relationship to religion: Why were homosexuals created with feelings that the Creator supposedly condemns? This is a landmark work, full of tolerant wisdom, fresh research, and surprises.

    So says the Marquis de Sade, philosopher and pornographer. His virtuous Justine, who keeps to the rules, is rewarded with rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality.With brilliance and wit, Angela Carter takes on these outrageous figments of de Sade's extreme imagination and transforms them into symbols of our time: The Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes.Author Bio: Angela Carter (1940-1992) was best known for her subversive short stories, including her most famous collection, The Bloody Chamber. Carter translated the fairy tales of Charles Perrault, and wrote the screenplay for Neil Jordan's 1984 film, The Company of Wolves, based on her short story.

    The stable hand and the single dad. First times and friendship turn to love.TobyThere’s nothing attractive about a twenty-four year old virgin, especially not one who blushes every time a hot dude looks his way. But I can’t help the heat that ripples through me every time I see Cole Maguire. And the clench of my heart when I realise how unhappy he is. He’s a city boy with a baby on his hip—we have nothing in common—but if he can teach me how to own my sexuality, perhaps I can teach him he’s worth loving.ColeI don’t like horses. But I love my daughter, and there’s nothing I won’t do for her, including leaving the city for life on a farm. I’m ready for that, but I’m not ready for blushing stable hands who make my heart race and my blood run hot. Toby has no idea how beautiful he is. I can teach him that, if he can handle the heat, but after one night with him…damn.Maybe it’s me that has a lot to learn.The Sex Coach is an MM summer romance with first times, a virgin stable hand, a single dad pilates teacher, and guaranteed happy ending.

    Here, Freud outlines the core features of libido theory, his grand view of the psychology of sexuality: sexual perversion is a matter of human nature and "normal" sexual behavior only appears later in life, sexual urges begin in infancy, and these urges turn their attention outward as we mature through puberty. Freud first wrote Three Essays on the Theory of Sexuality in 1905 and spent the next two decades making major revisions to the text. This edition offers Freud's complete vision of the sexual self, in the definitive James Strachey translation.

    Only a generation ago, female adolescence as we know it in the West did not exist in the Middle East. There were only children and married women. Today, young Arab women outnumber men in universities, and a few are beginning to face down religious and social tradition in order to live independently, to delay marriage, and to pursue professional goals. Hundreds of thousands of devout girls and women are attending Qur’anic schools—and using the training to argue for greater rights and freedoms from an Islamic perspective. And, in 2011, young women helped to lead antigovernment protests in the Arab Spring. But their voices have not been heard. Their stories have not been told.In Syria, before its civil war, she documents a complex society in the midst of soul searching about its place in the world and about the role of women. In Lebanon, she documents a country that on the surface is freer than other Arab nations but whose women must balance extreme standards of self-presentation with Islamic codes of virtue. In Abu Dhabi, Zoepf reports on a generation of Arab women who’ve found freedom in work outside the home. In Saudi Arabia she chronicles driving protests and women entering the retail industry for the first time. In the aftermath of Tahrir Square, she examines the crucial role of women in Egypt's popular uprising. Deeply informed, heartfelt, and urgent, Excellent Daughters brings us a new understanding of the changing Arab societies—from 9/11 to Tahrir Square to the rise of ISIS—and gives voice to the remarkable women at the forefront of this change.

    In a dazzling work of graphic fiction, a surreal journey through a wonderland eerily like real life, The Book of Leviathan chronicles an infant's investigations into life's great mysteries. Endowed with a preternatural interest in metaphysics and philosophy, yet as confused as any innocent by the vagaries of adult behavior, little Levi bears the added burden of living in a world that can literally change at the stroke of a pen.Aided by a wise pet ("Cat") and a favorite toy ("Bunny"), Levi encounters a frothing ectoplasmic Hegel and a woefully off-the-mark Freud. In less heady adventures, Levi contemplates why his parents disappear at night (and whether he is wholeheartedly pleased when they return each morning); the regrettable liberties taken with the English language; and the relationship between Bennetton and Pablo Neruda.Peter Blegvad's Book of Leviathan assembles the cream from Levi and Cat's adventures, published in The Independent on Sunday newspaper in the twilight years of the old Millennium. Blegvad's darkly humorous work has been described by Matt Groening as "one of the weirdest things I've ever stared at". Quirky and referential, dark and droll by turn, it follows the faceless baby Levi's journeys into and out of the world. They are escapes, but as some sage once observed, only a jailer would consider the term "escapist" pejorative.

    Our societies are saturated with images of unreal, idealised female beauty whilst real female bodies and the women who inhabit them are alienated from their own personal and political potential. Under modern capitalism, women are both consumers and consumed: Meat Market offers strategies for resisting this gory cycle of consumption, exposing how the trade in female flesh extends into every part of women's political selfhood.

    "Hero/heroine Glen Marker sits on Death Row and offers to tell his life story in all its sordid detail in exchange for his last wish: to die in drag! In vivid pulp style, the author paints a portrait of the luscious Glenda on a one-way trip to the Big House."