It remains as fresh as when it was first published.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    All he knows about solving mysteries comes from the reports he's filed for the illustrious detective Travis Sivart. When Sivart goes missing and his supervisor turns up murdered, Unwin is suddenly promoted to detective, a rank for which he lacks both the skills and the stomach. His only guidance comes from his new assistant, who would be perfect if she weren't so sleepy, and from the pithy yet profound Manual of Detection (think The Art of War as told to Damon Runyon). Unwin mounts his search for Sivart, but is soon framed for murder, pursued by goons and gunmen, and confounded by the infamous femme fatale Cleo Greenwood. Meanwhile, strange and troubling questions proliferate: why does the mummy at the Municipal Museum have modern-day dental work? Where have all the city's alarm clocks gone? Why is Unwin's copy of the manual missing Chapter 18? When he discovers that Sivart's greatest cases - including the Three Deaths of Colonel Baker and the Man Who Stole November 12th - were solved incorrectly, Unwin must enter the dreams of a murdered man and face a criminal mastermind bent on total control of a slumbering city. The Manual of Detection will draw comparison to every work of imaginative fiction that ever blew a reader's mind - from Carlos Ruiz Zafón to Jorge Luis Borges, from The Big Sleep to The Yiddish Policeman's Union. But, ultimately, it defies comparison; it is a brilliantly conceived, meticulously realized novel that will change what you think about how you think.

    We are currently seeking 10 individuals to participate in a research study. Participants shall receive a sum to be discussed during initial telephone interview. Interested parties should email us via our contact page, subject11.webs.com, providing their telephone number and a brief biography of approximately 100 words, describing themselves in terms of gender, age, race, and occupation if any. The study will take place in a series of abandoned buildings rented for this purpose. Note: subjects involved in this test may find themselves experiencing certain psychological distortions. They may experience lapses in memory regarding others and themselves. Subjects may even forget how long this test is supposed to go on for. And please disregard any additional people you may feel you've sighted in the complex, beyond those in the test group. We thank you for your interest in our research. “Cutting right to the chase, SUBJECT 11 is one of the best novellas I've read all year. Jeffrey Thomas is at his best in this eerie story following a group of ten people (five women and five men) taking part in a mysterious experiment...The mysteries are enticing, and Thomas brings them together for an ending that is sure to linger long in the minds of readers.” - Justin Steele, THE ARKHAM DIGEST

    The fishermen call him The Spuddy. The only person to care for him is Andy, a young dumb boy. For both of them their meeting brings friendship after loneliness. But when they become friends with Jake, skipper of the Silver Crest, events take an unexpected turn...

    Rita Hayworth and Shawshank Redemption--the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo.Apt Pupil--a golden California schoolboy and an old man whose hideous past he uncovers enter into a fateful and chilling mutual parasitism.The Body--four rambunctious young boys venture into the Maine woods and in sunlight and thunder find life, death, and intimations of their own mortality.The Breathing Method--a tale told in a strange club about a woman determined to give birth no matter what.source: stephenking.com

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    D. Salinger. In the mid-1960s, the revered creator of The Catcher in the Rye suddenly stopped publishing and withdrew from public life. In David Morrell’s haunting “The Architecture of Snow,” an author similar to Salinger submits a manuscript after a four-decade absence. Why has he abruptly resurfaced? What caused his long-ago disappearance? When editor Tom Neal embarks on a search to a remote New England town, he uncovers the disturbing truth behind a tragic mystery that changes his life in unimaginable ways.

    Their stainless-steel kitchen is newly installed, and their Mercedes is parked curbside. After Sophie is bitten on the hand while trying to feed a stray, perhaps rabies-infected cat, a series of small and ominous disasters begin to plague the Bentwoods' lives, revealing the fault lines and fractures in a marriage—and a society—wrenching itself apart.First published in 1970 to wide acclaim, Desperate Characters stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature — a novel that, according to Irving Howe, ranks with "Billy Budd, The Great Gatsby, Miss Lonelyhearts, and Seize the Day."

    Link has won an ardent following for her ability to take readers deep into an unforgettable, brilliantly constructed fictional universe with each new story. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll. Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids...These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded in sly humor and an innate generosity of feeling for the frailty--and the hidden strengths--of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.

    (Think: Barton Fink crossed with Patricia Highsmith)In this atmospheric, suspenseful novel, an American couple travels to a strange, snowy European city to adopt a baby, who they hope will resurrect their failing marriage. Their difficult journey leaves the wife, who is struggling with cancer, desperately weak, and her husband worries that her apparent illness will prevent the orphanage from releasing their child.The couple check into the cavernous and eerily deserted Borgarfjaroasysla Grand Imperial Hotel where the bar is always open, the restaurant serves thirteen-course dinners from centuries past, and the doors of the guest rooms have been salvaged from demolished opera houses. Their attempt to claim their baby is both helped and hampered by the people they encounter: an ancient, flamboyant chanteuse, a debauched businessman, an enigmatic faith healer, and a stoic bartender who dispenses an addictive, lichen-flavored schnapps. Nothing is as it seems in this mysterious, frozen world, and the longer the couple endure the punishing cold the less they seem to know about their marriage, themselves, and life itself. What Happens at Night is a "masterpiece" (Edmund White) poised on the cusp of reality, told by "an elegantly acute and mysteriously beguiling writer" (Richard Eder, The Boston Globe).

    As We Are Now tells the story of Caroline Spencer, a 76-year-old retired schoolteacher, mentally strong but physically frail, who has been moved by relatives into a "home." Subjected to subtle humiliations and petty cruelties, sustained for too short a time by the love of another person, she fights back with all she has, and in a powerful climax wins a terrible victory.

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.