Sula Peace has rejected the life Nel has embraced, escaping to college, and submerging herself in city life. When she returns to her roots, it is as a rebel and a wanton seductress. Eventually, both women must face the consequences of their choices. Together, they create an unforgettable portrait of what it means and costs to be a black woman in America.

    His job in a bank puts him next to, but not in possession of, money. As a clerk he learns the principles of Double-Entry Bookkeeping and adapts them in his own dramatic fashion to settle his personal account with society.Under the column headed 'Aggravation' for offences received from society (unpleasantness of Bank Manager; general diminution of life caused by advertising), debit Christie; under 'Recompense' for offences given back to society (general removal of items of stationery; Pork Pie Purveyors Ltd. bomb hoax), credit Christie. All accounts are to be settled in full, and they are - in the most alarming way.B.S. Johnson was one of Britain's most original writers and Christie Malry's Own Double-Entry is his funniest book.

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele’s mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives.Natalia Ginzburg’s most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.

    It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes−in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, searing acute, STATE OF GRACE bears the inimitable stamp of one of our fines and most provocative writers.

    Fiction

    As We Are Now tells the story of Caroline Spencer, a 76-year-old retired schoolteacher, mentally strong but physically frail, who has been moved by relatives into a "home." Subjected to subtle humiliations and petty cruelties, sustained for too short a time by the love of another person, she fights back with all she has, and in a powerful climax wins a terrible victory.

    Their plans were conceived in a drunken excitement and resulted in more horror than any of them could have imagined.  There was the poet able to retreat into beatific reveries of superb fishing in cold, fast streams; the Vietnam vet consumed by uppers, downers and violence; and the girl who loved only one of them -- at first.  With their ideals ostensibly in order, they set out from Florida to save the Grand Canyon from a dam they believed was being built.  Along with the tapedeck for the car, the liquor and the drugs, there was also a case of dynamite.

    In 1973 this book was banned by the Apartheid South African Government.Looking On Darkness tells the story of black actor Joseph Malan as he awaits execution for the murder of his white lover.

    In this taut, chilling novel, Lester Ballard--a violent, dispossessed man falsely accused of rape--haunts the hill country of East Tennessee when he is released from jail.  While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

    Confined in the palace of King Creon, and longing to return to his rightful kingdom Iolcus, Jason asks his wife, the sorceress Medeia, to use her powers of enchantment to destroy the tryrant King Pelias. Out of love she acquiesces, only to find that upon her return Jason has replaced her with King Creon’s beautiful daughter, Glauce.   An ancient myth fraught with devotion and betrayal, deception and ambition, Jason and Medeia is one of the greatest classical legends, and Gardner’s masterful retelling is yet another achievement for this highly acclaimed author.

    Set against the early days of the feminist movement, it tells of two women and the choices they must make. Intelligent, sensual Miriam Berg trades her doctorate for marriage and security, only to find herself hungry for a life of her own but terrified of losing her husband Shy, frightened Beth runs away from the very life Miriam seeks to a new world of different ideas, and a different kind of love--the love of another woman...

    These stories are told with the freshness and directness one has come to expect of Michael Anthony.

    Dalloway said she would buy the gloves herself. Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach."-from "Mrs. Dalloway in Bond Street"The landmark modern novel Mrs. Dalloway creates a portrait of a single day in the life of Clarissa Dalloway as she orchestrates the last-minute details of a grand party. But before Virginia Woolf wrote this masterwork, she explored in a series of fascinating stories a similar revelry in the mental and physical excitement of a party. Wonderfully captivating, the seven stories in Mrs. Dalloway's Party create a dynamic and delightful portrait of what Woolf called "party consciousness." As parallel expressions of the themes of Mrs. Dalloway, these stories provide a valuable window into Woolf's writing mind and a further testament to her extraordinary genius.

    With a fruitful marriage (and a quick, astonishing adulterous bounce) behind her, comfortable, amiable Mrs Aidallbery - Elizabeth - is in hospital for a hysterectomy.'So is Sylvie Clapper, with false teeth and bleached hair, young witless, cheery. She lives with a slippery Irishman: no children yet and now no chance. Likewise confined, devout Miss Samson with the raw blackberry birthmark worries about her boarding-house, for believers only, and the discovery that her Christian mentor died in disbelief. And Lily Drucker, after repeated abortions, is in for childbirth, while her clawed mother-in-law tries to bait back her son with sausage rolls and Lincoln Creams... And there is William Trevor, taking relays from flies on a hundred walls, snipping, linking, shaping his material with delicate understanding, respect and a sparing trickle - just enough - of humour... A finely observed, gently sensitive comedy, delightful to read, like lived experience to remember' - Daily Telegraph

    Joan, twenty poems by Hardy, thirty by Yeats, Conrad's Heart of Darkness, and Lawrence's The Prussian Officer, the complete St. Mawr, Pornography and Obscenity, and eleven poems. It also features Joyce's The Dead, excerpts from The Portrait of the Artist, Ulysses, and Finnegan's Wake, and works by T. S. Eliot, including The Waste Land and Little Gidding.