Twirty-Something: A Young Woman's Guide to Giant Underwear is a hilarious new Kindle Single from Award-Winning and Amazon Best-Selling author and humorist Ingrid Reinke.On the cold January day when Ingrid Reinke turned 30, she looked back upon the last decade of her life in deep thought before finally shaking her head and mumbling to herself the following insight: "Wow, what a shit show."So, she sat down, braless and alone, and penned a collection of laugh-out-loud essays about the ridiculous, shocking and occasionally horrifying things that happen to us as we ungracefully age from 20 to 30, try, semi-successfully, to leave our clueless years behind and become mature, responsible grown-up women.From weird hairs to boob sweat, OCD to weddings, Twirty-Something swings between a no-holds-barred conversation and a cautionary tale about aging and all the crap that comes along with it.Sometime instruction manual, sometime commiseration partner, get ready for Reinke's honest and occasionally potty-mouthed accounts of this tumultuous decade.So hike up your yoga pants, plop another ice cube in your Pinot Grigio and get ready to laugh at the author, young women in general, and most of all at yourself.

    Just as Nicks (and Lindsay Buckingham) gave Fleetwood Mac the shot of adrenaline they needed to become real rock stars--according to Christine McVie--Gold Dust Woman is vibrant with stories and with a life lived large and hard: ●How Nicks and Buckingham were asked to join Fleetwood Mac and how they turned the band into stars ●The affairs that informed Nicks' greatest songs ●Her relationships with the Eagles' Don Henley and Joe Walsh, and with Fleetwood himself ●Why Nicks married her best friend's widower ●Her dependency on cocaine, drinking and pot, but how it was a decade-long addiction to Klonopin that almost killed her ●Nicks' successful solo career that has her still performing in venues like Madison Square Garden ●The cult of Nicks and its extension to chart-toppers like Taylor Swift and the Dixie Chicks

    A gripping first-hand account of midwife Penny Armstrong’s journey from student midwife in Glasgow to running her own practice among the Amish in rural Pennsylvania, A Midwife’s Story never fails to enlighten, inform and surprise.Going far beyond mere biography, Armstrong’s journey of self-discovery is ultimately very moving, and it is the honesty with which she describes the world she discovers which makes this book a classic, and essential reading not just for aspiring midwives but to anyone interested in natural birth.

    Includes new information onwater birth, labor aids, and epidural anesthesia. 35 illustrations.

    England fans heralded the dawn of a new era.Instead, it turned out to be the start of England's arguably worst streak in any sport--a decade of frustration, dismay, and comically bungling performances that no fan will ever forget. The English cricket team became infamous for their ineptitude and a byword for British failure. By 1999, the team had reached its nadir, losing at home to New Zealand to become, officially, the worst test team in the world, ranking below even Zimbabwe.With spectacularly poor timing, fourteen-year-old Emma John chose 1993 to fall in love with cricket and, mystifyingly, with that terrible English cricket team. One day, with nothing better to do, she asked her sports-fanatic mother to explain the rules of the game on TV. Within a fortnight, Emma was a full-fledged cricket geek.Nearly a quarter of a century later, she goes back to England to meet her teenage heroes and find out just what was going on in the Worst English Cricket Team of All Time. As she traipses back through her adolescence, Following On is also a personal memoir of what it was like to grow up following a team that always lost--and why on earth anyone would choose to do it.

    It’s the feminist issue nobody’s talking about.For too long women have been told, ‘a healthy baby is all that matters’. This book dares to say women matter too.Finally blasting the feminist spotlight into the labour ward, Milli Hill encourages women everywhere to stand and deliver, insisting that birth is no longer left off the list in discussions about female power, control and agency.From the importance of birth plans to your human rights in childbirth, and including birth stories from women across the world, this call-to-arms will help you find your voice, take an active role in your choices, and change the way you think about childbirth.Praise for Give Birth Like a Feminist‘I feel so lucky to have read Milli’s book while pregnant, she completely changed my way of looking at giving birth’ Ella Mills, author of Deliciously Ella

    She wrote of three day blizzards, forty ton trains stuck in the snow, houses buried in snowdrifts and a town that nearly starved.Was Laura's story just fiction, or was that one winter stranger than fiction? Was that winter really that bad, or was it just a typical old time winter stretched a bit to make a good tale?Author Dan L. White examines the reality of the long, hard winter. White uses contemporary newspaper articles, autobiographies and historical accounts of those who lived through that time to weave a fascinating story of the incredible winter of 1880-81.

    Neale McShane The Birdsville police posting is one of the most remote in Australia. It can be extremely lonely and incredibly busy at the same time. Nothing might happen for weeks or months, then problems come crawling out of the woodwork.There aren't many who can handle the job for long - unless you're Senior Constable Neale McShane, who has single-handedly taken care of this beat the size of the UK for the past ten years. Recently retired from this 'hardship posting', Neale now has a stock of stories and adventures from his life and colourful times living with his family in Birdsville.In recounting these tales to his good friend and bestselling author Evan McHugh, Neale delights us with yarns that could only come from the furthest corner of our country. Here are stories of desert dangers, dead bodies, droughts and floods, drinkers and dreamers - and, of course the infamous Birdsville Races, when the town's population swells from 50 to 500.So if Birdsville has remained just a little too far off the beaten track for you, sit back and let Birdsville come to you.

    With insight and thoughtful analysis, Felix explores the tenacity that makes Sotomayor a sharp, fearless judge; the sense of compassion that drives her to seek justice for the underprivileged; and her strong community ties, which never let her forget where she came from. Drawing on candid interviews with figures from Sotomayor's personal and professional life as well as speeches, interviews with Sotomayor, and published papers-Felix paints a revealing portrait of the woman who would come to meet President Obama's rigorous criteria for a Supreme Court justice and whose appointment would make history.

    Her debut work of fiction, what purpose did i serve in your life, examines the nature of sex and the possibility of real connection in the face of degradation and blankness. Its interlocking stories follow a chronological arc from innocence to sexual experience, taking in the humiliations of one night stands with male strangers, the perils of sex work, and the caustic reception that greets a woman working and writing in public. It is a brave and pitiless examination of yearning in an era of hyper-exposure and a riveting account of the moments of transcendence seized from an otherwise blank world."Marie Calloway has a very specific literary personality that the reader is intrigued by: she's masochistic, loves to experiment, is quickly bored and intermittently self-hating, very hip, rebellious. Figuring her out is a gripping adventure." -Edmund WhiteI have never read a book like this before. It’s painful, shocking, and compellingly written, composed with great sensitivity to which details should be revealed and which must stay concealed. Its genre-muddle and formal complexity make for a completely unforgettable, profoundly contemporary, and plainly great work of courage and art. Here’s a terrifying proposal: could this be The Great American Novel for the twilight of �'Great' America?" - Sheila Heti (author of "How Should a Person Be?")"'�This society hates feelings,' Kathy Acker said about a million times. A chain of regulation controls us by making us fear that we will be expelled from the human club for being the wrong kind of person. Marie Calloway breaks that chain of regulation by displaying her body like a beggar displays her wounds, by asserting awkwardness and shame (for the body, for ambition). Her book should be called, Portrait of the Artist as a Young Woman Who Can’t Be Controlled. Or is she the fiction, Holden Caulfield, Lolita, or Mme. Merteuil? How does a questing intelligence live inside the commodity?—searching for identity or personal branding? And if she is an attention whore, am I the attention john? Yes--but Calloway wonders as strongly as I do about what she might be, and she invites misunderstanding into her work. One thing is certain, though—She can really write about sex!" - Robert Glück"what purpose did i serve in your life is moving, unprecedented, threatening, and surreal—the exciting, rare work of someone with nothing to lose. It's intuitive and overpowering, concise and extreme. And, like a plant or a comet, it doesn't pause to explain what it's doing, defend or rationalize its existence, or attempt to obscure or distort its intentions. If you're attentive toward it—and earnest and open-minded and non-malicious in your attention—you will likely question and examine what you yourself are doing and why, and how to change." — Tao Lin"'Adrien Brody' is riveting, fresh, and written with a distinctive new voice." — Stephen Elliott"That's the most incredible thing I've ever seen.""What is?" I asked, though I knew."Your face right now."I was vaguely aware my eyes were open very wide.Marie Calloway's fiction debut, what purpose did i serve in your life, is both a portrait of American youth and a gamble, a chance taken, in answer to the following: for a young woman, is there such a thing as the soul, a life more than the organs, or is she forever recalled to her body? Marie does not answer this question but instead acts it out through a series of intertwined stories. The result is a fusillade of brutally self-aware and insightful pieces that take on the meaning of sex, art, and, most of all, survival in the age of Internet-based sex work and love that can flame and turn to ash in the space of a tweet.Marie Calloway (b. 1990) is interested in sexuality and gender. She rose to prominence in 2011 with her controversial story, "Adrien Brody," which was published by Muumuu House.

    She lived through the war in Germany, as a German citizen, under the horrors of Nazi rule and Allied bombings. Closely associated with resistance circles, her husband was arrested after the failure of the plot against Hitler's life on 20th July 1944, and she herself was interrogated by the Gestapo. Not only do we meet her friends whose tragic bravery shines from the book, but dozens of everyday Germans, from the simple-minded Nazi official who was also her odd-job gardener, to the good-hearted Black Forest villagers who sheltered her till the liberation. They are presented with humour and sympathy, allowing the reader a remarkable insight into their character. All the more haunting, then, is her night-time encounter with an SS man from Riga who searches desperately for death on the battlefield. The human dimension of her writing brings about an unforgettable portrait of an evil time.

    With every birth, she encounters another woman-turned-goddess: Catherine rides out her labor in a car careening down a mountain road. Sofia spends hers trying to keep her hyper doctor-father from burning down the house. Susannah gives birth so quietly that neither husband nor midwife notice until there's a baby in the room. More than a collection of birth stories, however, Baby Catcher is a provocative account of the difficulties that midwives face in the United States. With vivid portraits of courage, perseverance, and love, this is an impassioned call to rethink technological hospital births in favor of more individualized and profound experiences in which mothers and fathers take center stage in the timeless drama of birth.

    The highway is known as the 'Highway of Tears', and it has come to symbolize a national crisis.Journalist, Jessica McDiarmid, investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference have created a climate where Indigenous women are over-policed, yet under-protected. Through interviews with those closest to the victims--mothers and fathers, siblings and friends--McDiarmid offers an intimate, first-hand account of their loss and relentless fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada--now estimated to number up to 4,000--contextualizing them within a broader examination of the undervaluing of Indigenous lives in this country.Highway of Tears is a powerful story about our ongoing failure to provide justice for missing, and murdered, Indigenous women, and a testament to their families and communities' unwavering determination to find it.

    She buys the book and her fate becomes inextricably linked with the four women in the photos.Richly atmospheric and featuring a memorable cast of characters, Out of Time is a delightful novel about history, love, and the persistence of passion.

    This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class black women are at a much higher risk of premature birth than low-income white women in the United States. D�na-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.While poor and low-income black women are often the "mascots" of premature birth outcomes, this book focuses on professional black women, who are just as likely to give birth prematurely. Drawing on an impressive array of interviews with nearly fifty mothers, fathers, neonatologists, nurses, midwives, and reproductive justice advocates, D�na-Ain Davis argues that events leading up to an infant's arrival in a neonatal intensive care unit (NICU), and the parents' experiences while they are in the NICU, reveal subtle but pernicious forms of racism that confound the perceived class dynamics that are frequently understood to be a central factor of premature birth.The book argues not only that medical racism persists and must be considered when examining adverse outcomes--as well as upsetting experiences for parents--but also that NICUs and life-saving technologies should not be the only strategies for improving the outcomes for black pregnant women and their babies. Davis makes the case for other avenues, such as community-based birthing projects, doulas, and midwives, that support women during pregnancy and labor are just as important and effective in avoiding premature births and mortality.