A feminist critique of Judaism as a patriarchal tradition and an exploration of the increasing involvement of women in naming and shaping Jewish tradition.

    But in history’s eyes, they became the first Christians.In this electrifying social and intellectual history, Paula Fredriksen answers this question by reconstructing the life of the earliest Jerusalem community. As her account arcs from this group’s hopeful celebration of Passover with Jesus, through their bitter controversies that fragmented the movement’s midcentury missions, to the city’s fiery end in the Roman destruction of Jerusalem, she brings this vibrant apostolic community to life. Fredriksen offers a vivid portrait both of this temple‑centered messianic movement and of the bedrock convictions that animated and sustained it.

    From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel–Palestine conflict, this is the epic history of 3,000 years of faith, slaughter, fanaticism and coexistence.How did this small, remote town become the Holy City, the ‘centre of the world’ and now the key to peace in the Middle East? In a dazzling narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem’s biography is told through the wars, love affairs and revelations of the men and women – kings, empresses, prophets, poets, saints, conquerors and whores – who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient city of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Rasputin and Lawrence of Arabia.Drawing on new archives, current scholarship, his own family papers and a lifetime’s study, Montefiore illuminates the essence of sanctity and mysticism, identity and empire in a unique chronicle of the city that is believed will be the setting for the Apocalypse. This is how Jerusalem became Jerusalem, and the only city that exists twice – in heaven and on earth.

    One day, a mysterious package arrives on his doorstep, pulling him into a mesmerizing adventure to uncover the tangled history that binds the two sides of his family. For generations, the men of the al-Raqb family have served as watchmen of the storied Ibn Ezra Synagogue in Old Cairo, built at the site where the infant Moses was taken from the Nile. Joseph learns of his ancestor Ali, a Muslim orphan who nearly a thousand years earlier was entrusted as the first watchman of the synagogue and became enchanted by its legendary--perhaps magical--Ezra Scroll. The story of Joseph's family is entwined with that of the British twin sisters Agnes and Margaret, who in 1897 depart their hallowed Cambridge halls on a mission to rescue sacred texts that have begun to disappear from the synagogue.The Last Watchman of Old Cairo is a moving page-turner of a novel from acclaimed storyteller Michael David Lukas. This tightly woven multigenerational tale illuminates the tensions that have torn communities apart and the unlikely forces--potent magic, forbidden love--that boldly attempt to bridge that divide.Praise for The Last Watchman of Old Cairo"A beautiful, richly textured novel, ambitious and delicately crafted, The Last Watchman of Old Cairo is both a coming-of-age story and a family history, a wide-ranging book about fathers and sons, religion, magic, love, and the essence of storytelling. This book is a joy."--Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman

    From National Jewish Book Award Winner and author of Israel, a bold reevaluation of the tensions between American and Israeli Jews that reimagines the past, present, and future of Jewish life

    Ever since Gabriela can remember, she and Luna have struggled to connect. But when tragedy strikes, Gabriela senses there's more to her mother than painted nails and lips.Desperate to understand their relationship, Gabriela pieces together the stories of her family's previous generations—from Great-Grandmother Mercada the renowned healer, to Grandma Rosa who cleaned houses for the English, to Luna who had the nicest legs in Jerusalem. But as she uncovers shocking secrets, forbidden romances, and the family curse that links the women together, Gabriela must face a past and present far more complex than she ever imagined.Set against the Golden Age of Hollywood, the dark days of World War II, and the swingin' '70s, The Beauty Queen of Jerusalem follows generations of unforgettable women as they forge their own paths through times of dramatic change. With great humor and heart, Sarit Yishai-Levi has given us a powerful story of love and forgiveness—and the unexpected and enchanting places we find each.

    On the ground above her crouches Itzik Leiber, a reclusive, unbelieving fourteen-year-old whose fatal mistake has spurred the town's angry residents to violence. The childless Friedl rises to guide him to safety -- only to find she cannot go back to her grave. Now Friedl is trapped in that thin world between life and death, her brash decision binding her forever to Itzik and his family: she is fated to be forever restless, and he, forever haunted by the ghosts of his past. Years later, after Itzik himself has gone to his grave, his son, Nathan, knows nothing of his bitter father's childhood. When he begrudgingly goes to Poland on business, Nathan decides on a whim to visit his ancestral town. There, in Zokof, he meets the mysterious Rafael, the town's last remaining Jew, who promises to pass on all the things Itzik had failed to teach his son - about Zokof, about his faith, and about himself.

    Here are Miriam, Esther, Dinah, Lilith and many other women of the Torah in dialogue with Jewish daughters, mothers and grandmothers, past and present. Together these voices examine and debate every aspect of a Jewish woman's life -- work, sex, marriage, her connection to God and her place in the Jewish community and in the world. The Five Books of Miriam makes an invaluable contribution to Torah study and adds rich dimension to the ongoing conversation between Jewish women and Jewish tradition.

    Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos. In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains - of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming. Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.

    This rememberance of Singer's pious father, his rational yet adoring mother, and the never-ending parade of humanity that marched through their home is a portrait of a magnificent writer's childhood self and of the world, now gone, that formed him.

    She has never had physical contact with a man, but is bound to marry a stranger. The rabbi's wife teaches her what it means to be a Jewish wife, but Rivka has her own questions to answer. Soon buried secrets, fear and sexual desire bubble to the surface in a story of liberation and choice; not to mention what happens on the wedding night.

    A retired investment advisor, he lives alone (his first wife and baby daughter were killed by the Nazis; he divorced his shrewish second wife several years ago) and spends his time laboring over his unpublished novels. Irena is the unmarried thirty-six-year-old daughter of Holocaust survivors who has been taking care of Ernst since his surgery two years ago; she arrives every morning promptly at eight and leaves every afternoon precisely at three. Quiet and shy, Irena is in awe of Ernst's intellect. And as the months pass, Ernst comes to depend on the gentle young woman who runs his house, listens to him read from his work, and occasionally offers a spirited commentary on it. But Ernst's writing gives him no satisfaction, and he is haunted by his godless, communist past; his health, already poor, begins to deteriorate even more. As he becomes mired in depression, Ernst seems to lose the will to live. But he has reckoned without the devoted Irena. As she becomes an increasingly important part of his life--moving into his home, encouraging him in his work, easing his pain--Ernst not only regains his sense of self but realizes, to his amazement, that Irena is in love with him. And, even more astonishing, he discovers that he is in love with her.

    . . about Judaism. And no one is more surprised than she is.Hurwitz was the quintessential lapsed Jew—until, at age thirty-six, after a tough breakup, she happened upon an advertisement for an introductory class on Judaism. She attended on a whim, but was blown away by what she found: beautiful rituals, helpful guidance on living an ethical life, conceptions of God beyond the judgy bearded man in the sky—none of which she had learned in Hebrew school or during the two synagogue services she grudgingly attended each year. That class led to a years-long journey during which Hurwitz visited the offices of rabbis, attended Jewish meditation retreats, sat at the Shabbat tables of Orthodox families, and read hundreds of books about Judaism—all in dogged pursuit of answers to her biggest questions. What she found transformed her life, and she wondered: How could there be such a gap between the richness of what Judaism offers and the way so many Jews like her understand and experience it?Sarah Hurwitz is on a mission to close this gap by sharing the profound insights she discovered on everything from Jewish holidays, ethics, and prayer to Jewish conceptions of God, death, and social justice. In this entertaining and accessible book, she shows us why Judaism matters and how its message is more relevant than ever, and she inspires Jews to do the learning, questioning, and debating required to make this religion their own.

    The stories range from Grossman’s first success, “In the Town of Berdichev,” a piercing reckoning with the cost of war, to such haunting later works as “Mama,” based on the life of a girl who was adopted at the height of the Great Terror by the head of the NKVD and packed off to an orphanage after her father’s downfall. The girl grows up struggling with the discovery that the parents she cherishes in memory are part of a collective nightmare that everyone else wants to forget. The Road also includes the complete text of Grossman’s harrowing report from Treblinka, one of the first anatomies of the workings of a death camp; “The Sistine Madonna,” a reflection on art and atrocity; as well as two heartbreaking letters that Grossman wrote to his mother after her death at the hands of the Nazis and carried with him for the rest of his life. Meticulously edited and presented by Robert Chandler, The Road allows us to see one of the great figures of twentieth-century literature discovering his calling both as a writer and as a man.

    In what may be the world’s first religious, scholarly comic book, Waldman tells the epic tale of exile and redemption in graphic form.When Esther, a Jewish woman, is made Queen of Persia she must keep her identity hidden, all the while maneuvering to save her people from annihilation. This is a story familiar to many Jews who have heard it recounted every year on the holiday of Purim. But readers of all backgrounds will be entranced by what artist Waldman depicts in his interpretation of the text. At once traditional and groundbreaking Megillat Esther will challenge secular assumptions about the Bible.Each page of Megillat Esther is a visual tour de force and features the Hebrew text with original English translation, as well as opulent drawings depicting the story of the Persian Queen. Traditional interpretations of the story are woven throughout the panels.Megillat Esther presents the reader with a topsy-turvey world in which fortunes reverse and nothing is what it seems. This vibrant, edgy retelling of a classic Biblical tale is sure to amaze and intrigue scholars and laypeople of all religions and comic book lovers alike.