After serial publication in Spirou the complete story was published, along with the Marsupilami short story Touchez pas aux rouges-gorges, in a hardcover album in 1957.

    

    

    It first appeared in the May 1941 issue of Astounding Science Fiction and was reprinted in the collections I, Robot (1950) and The Complete Robot (1982). It was Asimov's third published positronic robot story. Although the word "robot" was introduced to the public by Czech writer Karel Čapek in his 1920 play R.U.R. (Rossum's Universal Robots), Asimov's story "Liar!" contains the first recorded use of the word "robotics" according to the Oxford English Dictionary. In 1969 "Liar" was adapted into an episode of the British television series Out of the Unknown, although only a few short clips of this episode are known to exist. The events of this short story are also mentioned in the novel The Robots of Dawn written by the same author.

    Here, a priceless piece of furniture is the subject of a deceitful bargain . . . Parson's Pleasure is taken from the short story collection Kiss Kiss, which includes ten other devious and shocking stories, featuring the wife who pawns the mink coat from her lover with unexpected results; the young man in need of room who meets a most accommodating landlady; a wronged wife taking revenge on her dead husband, and others. 'Unnerving bedtime stories, subtle, proficient, hair-raising and done to a turn.' (San Francisco Chronicle ) This story is also available as a Penguin digital audio download read by Derek Jacobi. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    

    In this rare volume of poetry, Aldous Huxley is characteristically, uncompromisingly erudite; yet surprisingly forceful, passionate, and erotic.

    In a folksy narration peppered with sailor's jargon, the amiable, altogether down-to-earth merchant marine describes a series of amusingly disconcerting revelations about the next world.Sitting on a cloud strumming a harp all day turns out to be insufferably boring; being eternally youthful also has its drawbacks when the captain finds himself not mixing well with a crowd of insipid teenagers; and Native Americans so outnumber whites in the North American district of Paradise that the average white Anglo-Saxon male has trouble finding someone to talk to. In fact the outlandish dimensions and characteristics of heaven utterly explode every human conception.This funny, satirical spoof on human pretensions about the importance of our species in the grand scheme of things was the last published work by Mark Twain. The main character and plot were inspired by the dream of an actual sea captain whom Twain had known. Published at the beginning of the 20th century, when astronomy had just begun to reveal the huge expanse of outer space and traditional religious concepts of our place in the universe had become inadequate, Twain's humorous vision of the afterlife seems to reflect the new scientific awareness of the awesome cosmos that confronts us and the feelings of insignificance that this discovery produced.Two years after publication of this "extract," originally planned as a six-chapter book, Twain himself shipped off to follow in Captain Stormfield's wake.

    One man's rebellion against the sensory overload brought on by ubiquitous electronics.

    This short story is taken from one of Steinbeck's early works, "The Pastures of Heaven."

    Finn's Hotel is a luminous and often funny work, and it reveals Joyce's creative process during the transition between Ulysses and Finnegans Wake.

    Lovecraft. Written in August–September 1923, it was first published in Weird Tales, March 1924.The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    A delightful tale of a Christmas sacrifice by renowned storyteller Lucy Maud Montgomery, author of Anne of Green Gables.Beautifully Illustrated short story.