Her best friend Drew helps her look for answers, but all she finds are troubling questions.With every clue, she discovers that Greg may not be the man she thought she married.While battling her growing feelings for Drew and raising her two young children, Claire must learn to live with the knowledge that the truth behind Greg’s disappearance may never be revealed.

    But now things are splintering apart, for one reason, it seems: Edie's enormous girth. She's obsessed with food--thinking about it, eating it--and if she doesn't stop, she won't have much longer to live. When Richard abandons his wife, it is up to the next generation to take control. Robin, their schoolteacher daughter, is determined that her father pay for leaving Edie. Benny, an easy-going, pot-smoking family man, just wants to smooth things over. And Rachelle-- a whippet thin perfectionist-- is intent on saving her mother-in-law's life, but this task proves even bigger than planning her twin children's spectacular b'nai mitzvah party. Through it all, they wonder: do Edie's devastating choices rest on her shoulders alone, or are others at fault, too?With pitch-perfect prose, huge compassion, and sly humor, Jami Attenberg has given us an epic story of marriage, family, and obsession. The Middlesteins explores the hopes and heartbreaks of new and old love, the yearnings of Midwestern America, and our devastating, fascinating preoccupation with food.

    but there is no peace in Mt. Jefferson.In a small town where everybody seems to know everybody, there are still a few secrets. Three families find they are connected in ways they never suspected: an angry teen, a dying man, a lonely wife, a daughter in trouble . just ordinary people, muddling their way through ordinary challenges. Illness. Marriage. Bad decisions. Friendship. Faith. Forgiveness.Spanning three generations, O Little Town is a tender tale of love and redemption . and a lonely gravesite where roses mysteriously appear every Christmas. It will touch your heart.

    “An absurd, hilarious romp through the haunted house of late-stage capitalism.”—Carmen Maria Machado, author of In the Dream House Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is The Office for a new world.Gerald, a mid-level employee of a New York–based public relations firm has been uploaded into the company’s internal Slack channels—at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from . . . wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists his co-worker Pradeep to help him escape, and to find out what happened to his body. But the longer Gerald stays in the void, the more alluring and absurd his reality becomes. Meanwhile, Gerald’s colleagues have PR catastrophes of their own to handle in the real world. Their biggest client, a high-end dog food company, is in the midst of recalling a bad batch of food that’s allegedly poisoning Pomeranians nationwide. And their CEO suspects someone is sabotaging his office furniture. And if Gerald gets to work from home all the time, why can’t everyone? Is true love possible between two people, when one is just a line of text in an app? And what in the hell does the :dusty-stick: emoji mean? In a time when office paranoia and politics have followed us home, Calvin Kasulke is here to capture the surprising, absurd, and fully-relatable factors attacking our collective sanity…and give us hope that we can still find a human connection.

    At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he’d ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.“It’s in my interests to know about my parents’ mental problems,” he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command–not to mention his formidable, uninhibited powers of imagination–in order to put things right again. But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his “worldly” school chum Chips can teach him. Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment . . . and whatever lies beyond. And his boy-detective exploits have set him on a collision course with the New Age old flame who’s resurfaced in his mother’s life to lead her into temptation with lessons in surfing, self-defense . . . and maybe seduction. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, yesterday’s daydreams and tomorrow’s decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

    But it's not easy. She deserted them all—and her high school sweetheart—five years before with little explanation, and they've got questions. Sunday is determined to rebuild her life back on the east coast, even if it does mean tiptoeing around resentful brothers and an ex-fiancé. The longer she stays, however, the more she realizes they need her just as much as she needs them. When a dangerous man from her past brings her family's pub business to the brink of financial ruin, the only way to protect them is to upend all their secrets—secrets that have damaged the family for generations and will threaten everything they know about their lives. In the aftermath, the Brennan family is forced to confront painful mistakes—and ultimately find a way forward, together.In the vein of Mary Beth Keane's Ask Again, Yes and Cynthia D'Aprix Sweeney's The Nest, Tracey Lange's We Are the Brennans explores the staying power of shame—and the redemptive power of love—in an Irish Catholic family torn apart by secrets.

    Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family's future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging. Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.

    Her father has another family which includes a mistress and a daughter. Determined to uncover the truth behind her father's secret life, Christine heads to Magdalena, prepared to hate the people who have caused her to question everything she thought she knew about her father. But what she finds is a woman who understands her, a half sister who cherishes her, and a man who could love her if she'll let him. The longer she's around them, the more she questions which family is the real one. . . Attention Book Clubs! Included on my website is a Book Club Discussion Guide for A Family Affair. This story is filled with moral ambiguity, difficult choices, and second chances--all great topics for conversation and contemplation. Truth in Lies Series: Book One: A Family Affair Book Two: A Family Affair: Spring Book Three: A Family Affair: Summer Book Four: A Family Affair: Fall Book Five: A Family Affair: Christmas Book Six: A Family Affair: Winter (TBA) Book Seven: A Family Affair: The Promise (TBA)

    In the days following the end of the Second World War, the world seems to offer itself up, and the two women are on the cusp of their 'real lives': Helena is off to Hollywood and a new marriage, while Nick is heading for a reunion with her own young husband, Hughes, about to return from the war. Soon the gilt begins to crack. Helena's husband is not the man he seemed to be, and Hughes has returned from the war distant, his inner light curtained over. On the brink of the 1960s, back at Tiger House, Nick and Helena—with their children, Daisy and Ed—try to recapture that sense of possibility. But when Daisy and Ed discover the victim of a brutal murder, the intrusion of violence causes everything to unravel. The members of the family spin out of their prescribed orbits, secrets come to light, and nothing about their lives will ever be the same.Brilliantly told from five points of view, with a magical elegance and suspenseful dark longing, Tigers in Red Weather is an unforgettable debut novel from a writer of extraordinary insight and accomplishment.

    Yet here she is, back in her quaint northern Michigan hometown of Trillium Bay, divorced, flat broke, and dragging along her precocious twelve-year-old. It’s a simple arrangement: Emily, a house flipper, will renovate one of her grandmother’s rental properties in exchange for a much-needed loan. Once a wild child, the reformed Emily also hopes to remodel her reputation and show her family she’s all grown up.But coming home is never simple. Emily’s dad is more distant than ever. Her younger sister is dating a much older man, and Emily’s worried it’s a mistake. The cottage remodel grows increasingly daunting. And then there’s handsome out-of-towner Ryan Taggert…Ryan has his own family drama. A smart, ambitious land developer, he’s come to Wenniway to rescue his father from the grips of a new girlfriend and protect their family business. But he’s quickly distracted by gorgeous, witty Emily Callaghan.There’s no denying the attraction between Emily and Ryan. But will their conflicting interests destroy any chance at love? Or will Emily finally get the chance to rebuild her life—and repair her heart?

    But Dan doesn’t just want to save his failing bookstore and his family’s finances he wants to do something special.Dan is an obsessive list maker; his story unfolds entirely in his lists, which are brimming with Dan’s hilarious sense of humor, unique world-view, and deeply personal thoughts. When read in full, his lists paint a picture of a man struggling to be a man, a man who has reached a point where he’s willing to do anything for the love of his life.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    When her nursing job brings her back to Fairfleet, her childhood home, to care for an elderly refugee, she is forced to confront the ghosts that have haunted her for so long.Her patient, Benny Gault, first came to Fairfleet, England, in 1939, having fled Nazi Germany on a Kindertransport train.As his health fails, he and Rosamond begin to confide in each other. At first their tentative friendship revolves around the love they both shared for Rosamond’s glamorous grandmother, Harriet, but as their trust in each other grows, guilty secrets are exposed and history is turned on its head.From the acclaimed author of Playing with the Moon and Restitution comes a beautiful and haunting tale of friendship, redemption and forgiveness across generations.

    She doesn't remember anything from her past or the circumstances that brought her there. Her family and friends surround her with love, helping her to recover and return to her life. But, for Rose, life has begun at the age of sixteen; she doesn't remember her childhood, her parents, nor David, her childhood sweetheart. The years pass. Rose lives a life no different from that of thousands of other women. The choices she makes at different junctures in her life affect her and those around her. She experiences moments of crisis and success, joy and sadness. Sixteen years after she loses her memory, her life is subjected to a surprising twist, which makes her think again about the choices she made in her life. Deja Vu is Michal Hartstein's third novel. It was preceded by Confessions of an Abandoned Wife and Hill of Secrets. Deja Vu won the Israeli Nanowrimo contest, raising these comments from the judges: "A real 'page turner, '... honest and free from self-righteousness... centered around a fascinating concept. The writer has a rare talent for telling a compelling story."

    . . Gracie Burton is a grandmother, living quietly in Devon. She has rarely left the village over the past forty years. Her daughter, Carina, is immensely high-powered with her own fast-paced business in London. She has very little time for her 17-year-old daughter, Anastasia, away at boarding school, and even less time for her aging mother. In many ways, the three of them barely know each other. Then Gracie stumbles upon an advertisement for a weeklong cookery course in the heart of the Tuscan countryside. She cannot resist and ploughs her life savings into the trip. Carina and Anastasia accompany her. They have no idea why Gracie has been drawn to this venture. They have no sense of her past; she has never spoken about it. They have no idea that Gracie is harbouring the secret of an extraordinary life that preceded them . . .