It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    In this newest translation of The Art of War readers will benefit from the interpretations from other translators and strategist, as well as the 50 strategic rules, including: -- How to look for strategic turns to meet the competition-- How to attain strategic superiority and crush the competition-- How to plan surprise and stay ahead of the game-- And more timeless wisdom that will allow you to compete and win in the dynamic business environment!Business managers around the world have tapped into this ancient wisdom; it is time to master The Art of War for Manager for the existence and growth of your business!

    This guide introduces and sets in context, the range of critical arguments that have been generated by this work.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    G. Wodehouse Biography NovelsThe Adventures of SallyThe Clicking of CuthbertA Damsel in DistressThe Coming of BillThe Gem CollectorThe Girl on the BoatThe Gold BatThe Head of Kay'sIndiscretions of ArchieThe Intrusion of JimmyJill the Reckless or The Little WarriorThe Little NuggetLove Among the Chickens Illustrated by Armand BothMike Illustrated by T. M. R. WhitwellMike and PsmithA Man of MeansMy Man JeevesNot George Washington. An Autobiographical NovelPiccadilly JimThe PothuntersA Prefect's UncleThe Prince and BettyPsmith in the CityPsmith, JournalistRight Ho, JeevesSomething NewThe Swoop! or How Clarence Saved EnglandTales of St. Austin'sThree Men and a MaidUneasy MoneyThe White FeatherWilliam Tell Told Again Illustrated by Philip Dadd Stories Collections Death At The ExcelsiorJeeves Takes Charge and Other Stories The Man Upstairs and Other StoriesThe Man With Two Left Feet And Other StoriesThe Politeness of Princes and Other School Stories StoriesAhead of Schedule Archibald's BenefitAt Geisenheimer's The Autograph Hunters The Best SauceBill the BloodhoundBlack for LuckBy Advice of Counsel Concealed Art A Corner in Lines Crowned Heads Death at the ExcelsiorDeep WatersDisentangling Old Duggie Extricating Young Gussie The Goal-Keeper and the Plutocrat The Good Angel The Guardian An International Affair In AlcalaJeeves and the Chump Cyril Jeeves in the Springtime Jeeves Takes Charge The Making of Mac's The Man, the Maid, and the Miasma The Man with Two Left FeetThe Man Upstairs The Man Who Disliked CatsThe Mixer Misunderstood One Touch of Nature Out of School Pillingshot, Detective The Politeness of Princes Pots O'Money The Romance of an Ugly Policeman Rough-Hew Them How We WillRuth in Exile A Sea of Troubles Shields' And the Cricket Cup Sir Agravaine a Tale of King Arthur's Round Table Something to Worry About The Test Case Tom, Dick, and Harry Three from Dunsterville The Tuppenny Millionaire When Doctors Disagree When Papa Swore in Hindustani Wilton's Holiday ArticlesSome Aspects of Game-Captaincy An Unfinished Collection The New AdvertisingThe Secret Pleasures of Reginald My Battle with Drink In Defense of AstigmatismPhotographers and Me A Plea for Indoor Golf The Alarming Spread of Poetry My Life As a Dramatic Critic The Agonies of Writing a Musical Comedy On the Writing of Lyrics The Past Theatrical Season PoemsDamon and Pythias The Haunted Tram

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Not being happy all the time makes them stressed out of their tights. Carol practises uninhibited sex which ends with her panty liner stuck to the bottom of someone's shoe. Donnie, after a mystery bite in a third world country, thinks he's incubating a nest of spiders up his bum. Daphne gets fat. She makes soup all the time and wonders if Woolworth's sell a hose pipe to fit a Vauxhall Vectra. Pierce is a poet; a fat balding womaniser who's only steady relationship is with a cup at the sperm bank. He's the only one not on anti-depressants, and he's the hero.

    #1 New York Times bestselling author Chris Colfer invites readers to join Alex and Conner on their fairy tale adventures from the beginning in this gorgeous hardcover gift set, which includes all five books in the Land of Stories series: The Wishing Spell, The Enchantress Returns, A Grimm Warning, Beyond the Kingdoms, and An Author's Odyssey.

    I, Maloti Mukherji, someone’s wife, and someone’s mother—I did it. Did it with Jayanto. Jayanto wanted me, and I him … How did it happen? Easy. In fact I don’t know why it didn’t happen before—I’m surprised at my self-restraint, at Jayanto’s patience.’ Banned when it was first published in the Bengali in 1967 on charges of obscenity, It Rained All Night went on to become a best-seller. Maloti, an attractive middle-class Bengali girl, marries the bookish college lecturer Nayonangshu only to find him insecure, sexually timid and unable to satisfy her. She discovers passion in the arms of the confident, earthy journalist Jayanto whose love provides her solace from the demands of her wifely duties. Maloti and Jayanto’s growing intimacy does not go unnoticed by Nayonangshu, but his pride restrains him from reaching out to his wife. Bold, explicit and shockingly candid, It Rained All Night is an unforgettable tale of desire, adultery, jealousy and love.

    Her new life is strange and confusing and sometimes frightening. Amanda can barely understand Arabic and the treatment of the women of the family seems wrong to a girl raised in Wales. To add to her problems, Mohammed proves to be verbally and physically abusive - especially once they have their own flat away from the protection of the wider family. Somehow Amanda must escape, but not without her children.

    But what’s the real purpose behind their visit?

    Sequel to This Can't Be Life

    Haunted by her past and unable to let go of what was, she struggles to achieve inner peace while wreaking mayhem on the streets of New York. Renee is queen of the city and runs it with an iron fist, but everything changes when people from her past resurface to seek revenge. They will stop at nothing until she’s dead. Will Renee find happiness and let go of her demons? Or will she allow her past to finish what it started?

    A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the century captures the songs, speech, rituals, and rhythms of a once self-sufficient community and culture swept away by natural catastrophe, modernization, and political conflict.Both historical documents and work of art, this lyrical novel provides an intimate view of a community of Hindu fishers and Muslim peasants, coexisting peacefully before the violent partition of Bengal between India and East Pakistan (now Bangladesh). Mallabarman's story documents a way of life that has all but disappeared.