“I am looking for the artful way any given story is conveyed,” writes Roxane Gay in her introduction to The Best American Short Stories 2018, “but I also love when a story has a powerful message, when a story teaches me something about the world.” The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we “need to know about the lives of others.”

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    It is an alluring, irresistible book. And it was written by xTx. That should be all you need to know. She is a master and we are her grateful subjects." -Lindsay Hunter, author of Ugly Girls

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Lost, teetering on the edge of normalcy, Puchner's characters seek to define themselves in a frequently absurd and hostile world -- a world that threatens to make outcasts of us all. Caught up in loneliness or solitude, they can't quite hear the music of their own lives.In "Children of God," a young loner becomes the caretaker and companion for two mentally retarded men, seeking solace in their outsider status. "Essay #3: Leda and the Swan" is told in the forlorn, be-nighted, and tragically funny voice of a high school girl who longs more than anything to be loved. In "Mission," an idealistic ESL teacher is faced with the inscrutable wrath of one of his immigrant students. And in the unsettling "Child's Play," Puchner explores the price of nonconformity by following a pack of boys wreaking havoc on Halloween.Writing from an impressive range of perspectives -- men and women, children and adults, immigrants and tourists -- Puchner deftly exposes the dark, ten-der undersides of his characters with arresting beauty and precision. Here are people fumbling for identity in a depersonalized world, captured in moments that are hilarious, shocking, and transcendent -- sometimes all at once. Unfailingly true, surprisingly moving, and impossible to forget, these nine stories mark the arrival of a brilliant young writer and one of our most promising literary voices.

    In his tales of terror, ordinary people find themselves in the most extraordinary circumstances—and, as readers, we share their spine-tingling tension every step of the way. Here, collected for the first time, are four of his most nail-biting novellas.Eyes That Watch YouGreedy Vera Miller plots her husband’s murder right under the nose of her mute, paralyzed mother-in-law. After all, the old lady won’t be able to tell anyone about the crime. Or will she?The Night I DiedNice guy Ben Cook, goaded by his scheming common-law wife, fakes his own suicide and moves to another town—all to trick his life insurance company into making a large payout. No one en route or at the new address will recognize him, will they?You’ll Never See Me AgainEd Bliss’s new bride, miffed by her husband’s insults about her biscuits, promises that Ed will never have to see her again—and storms out! When she doesn’t return within a few days, Ed begins to suspect foul play—but when he reports the crime to the police, he’s the first one they suspect!Murder Always Gathers MomentumFor his wife’s sake, Dick Paine approaches a former employer for back wages he is owed—but things go terribly wrong and the old boss ends up dead. Now the guilt-ridden Paine, who’d never before committed a crime, is convinced that people will figure out what happened. As his paranoia gathers momentum, anyone he meets is at risk of becoming his next victim.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    Chaon mines the psychological landscape of his characters to dazzling effect. Each story radiates with sharp humor, mystery, wonder, and startling compassion. Among the Missing lingers in the mind through its subtle grace and power of language.

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    A preacher bathes his ill and elderly mother, not knowing that she has mistaken him for the long-lost cousin she watched murder his brother in her father’s tobacco field. In six stories that read like novels in miniature, Kyle Minor plumbs the depths of human mystery, where they meet our kindnesses and our cruelties, our generosities and our pettiness.Kyle Minor’s work has appeared widely in magazines and anthologies, among them Best American Mystery Stories 2008, The Southern Review, The Gettysburg Review, Surreal South, and Twentysomething Essays by Twentysomething Writers: The Best New Voices of 2006. His work has been twice nominated for the Pushcart Prize. Kyle received his MFA from Ohio State University and is currently a visiting professor at the University of Toledo.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    In Susan Perabo's world, nothing can be taken for granted: here, a retired grocer takes up jewel theft in his twilight years; a data processor squanders her inheritance on one of Princess Diana's gowns; a mugging victim feigns amnesia to win back his wife. In the tradition of Lorrie Moore, Susan Perabo's slightly off-center lens looks hard at the banal and the bizarre, and at the human condition, where she finds extraordinary magic within the smallest of gestures. Sharply written and overlaid with a mischievous wit, Who I Was Supposed to Be is an unforgettable homage to laughter, love, and wonder.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.