Newly reissued with a fresh cover, Grimm's Grimmest presents nineteen original, unsanitized, wholly unholy tales as they were first collected by the Brothers Grimm circa 1822all fiendishly illustrated. The tales harken back to a time when travelers risked roasting or worse, and bad manners yielded frightful consequences. An insightful introduction makes sense of the mayhem, shedding light on how the Grimm brothers went from macabre to mainstream in fairly short order. From the true horror of Aschenputtel (the original Cinderella story) to Rapunzel's dark secret, Grimm's Grimmest features the authentic stories born long ago in the land of the Black Forest, at a time when fairy tales never ended happily ever after.

    It’s a disaster!Luckily, there’s a spare suit of armour and a very small boy called Ralph who’s willing to fill it. Together with Fortnight the Friday knight and Fossfiddle the wizard, Ralph sets out to defeat the fearsome fire-breathers.But there's a teeny weeny surprise in store . . .Fourteen fantastically funny stories from master storyteller Sir Terry Pratchett, full of time travel and tortoises, monsters and mayhem!‘So funny I dropped my spoon laughing!’ – King Arthur

    An influential novella by one of the most best-known writers of fantasy and horror, set in a place and time Blackwood knew well.

    In this rendition a tiger is proven to be a princess.

    Wealthy cannibals who dine on the discarded limbs of peculiars. A fork-tongued princess. The origins of the first ymbryne. These are but a few of the truly brilliant stories in Tales of the Peculiar—known to hide information about the peculiar world—first introduced by Ransom Riggs in his Miss Peregrine’s Peculiar Children series.Riggs now invites you to share his secrets of peculiar history, with a collection of original stories, as collected and annotated by Millard Nullings, ward of Miss Peregrine and scholar of all things peculiar.

    - The adventures of the Wishing Chair- The Wishing Chair Again- More Wishing Chair Tales

    The smoothly told story contains the familiar details and a happy ending in which Cinderella forgives her stepfamily." - The Horn Book Club -"This satisfying tale never grows old. Koopman's illustrations are jewel-toned and Cinderella herself is attractive as a person and figure." - Yellow Brick Road -

    16,000 words in length.

    A hungry Curious George snatches a pail of bananas from the zoo keeper. Though he shouldn't have taken the bananas, George soon changes the zookeeper's shouts to praise with his clever, helpful ways.

    Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.

    Initially published as a serial story in 1910 in The American Magazine, it was brought out in novel form in 1911. The plot centers round Mary Lennox, a young English girl who returns to England from India, having suffered the immense trauma by losing both her parents in a cholera epidemic. However, her memories of her parents are not pleasant, as they were a selfish, neglectful and pleasure-seeking couple. Mary is given to the care of her uncle Archibald Craven, whom she has never met. She travels to his home, Misselthwaite Manor located in the gloomy Yorkshire, a vast change from the sunny and warm climate she was used to. When she arrives, she is a rude, stubborn and given to stormy temper tantrums. However, her nature undergoes a gradual transformation when she learns of the tragedies that have befallen her strict and disciplinarian uncle whom she earlier feared and despised. Once when he's away from home, Mary discovers a charming walled garden which is always kept locked. The mystery deepens when she hears sounds of sobbing from somewhere within her uncle's vast mansion. The kindly servants ignore her queries or pretend they haven't heard, spiking Mary's curiosity. The Secret Garden appeals to both young and old alike. It has wonderful elements of mystery, spirituality, charming characters and an authentic rendering of childhood emotions and experiences. Commonsense, truth and kindness, compassion and a belief in the essential goodness of human beings lie at the heart of this unforgettable story. It is the best known of Frances Hodgson Burnett's works, though most of us have definitely heard of, if not read, her other novel Little Lord Fauntleroy. The book has been adapted extensively on stage, film and television and translated into all the world's major languages. In 1991, a Japanese anime version was launched for television in Japan. It remains a popular and beloved story of a child's journey into maturity, and a must-read for every child, parent, teacher and anyone who would enjoy this fascinating glimpse of childhood. One of the most delightful and enduring classics of children's literature, The Secret Garden by Victorian author Frances Hodgson Burnett has remained a firm favorite with children the world over ever since it made its first appearance. Initially published as a serial story in 1910 in The American Magazine, it was brought out in novel form in 1911."

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    But her heart is moved when she sees the Christmas Angel kicked aside. Remembering all the years it graced her family mantel, she rushes to rescue it. Back inside, the Christmas Angel comes to life, and reveals the actual destiny for each toy, and for Miss Terry, that she could have never imagined. "The Christmas Angel, " part of the Focus on the Family Great Stories collection, includes an in-depth introduction and discussion questions by Joe Wheeler. It is a stirring reminder of what really matters at Christmas and throughout the year.