The ribald, high-spirited book prompted Diderot to hail Sterne as 'the English Rabelais.' An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, Tristram Shandy is both a joyful celebration of the infinite possibilities of the art of fiction and a wry demonstration of its limitations. Many view this picaresque masterpiece as the precursor of the modern novel.A Sentimental Journey, which came out in 1768, begins as a travelogue. Yet it ends as a treasury of portraits, sketches, and philosophical musings, for as Virginia Woolf observed: 'A Sentimental Journey, for all its levity and wit, is based upon something fundamentally philosophic--the philosophy of pleasure.'

    Traven's politically charged novels about life among the downtrodden, which have sold more than thirty million copies in thirty-six languages. Next to The Treasure of the Sierra Madre, it is his most celebrated work

    Safe in Palestine during World War II, she volunteered for a mission to help rescue fellow Jews in her native Hungary. She was captured by the Nazis, endured imprisonment and torture, and was finally executed at the age of twenty-three. Like Anne Frank, she kept a diary from the time she was thirteen. This new edition brings together not only the widely read and cherished diary, but many of Hannah's poems and letters, memoirs written by Hannah's mother, accounts by parachutists who accompanied Hannah on her fateful mission, and insightful material not previously published in English.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The inspiration for Leonardo DiCaprio’s web movie Global Warning, The Last Hours of Ancient Sunlight details what is happening to our planet, the reasons for our culture’s blind behavior, and how we can fix the problem. Thom Hartmann’s comprehensive book, originally published in 1998, has become one of the fundamental handbooks of the environmental activist movement. Now, with fresh, updated material and a focus on political activism and its effect on corporate behavior, The Last Hours of Ancient Sunlight helps us understand--and heal--our relationship to the world, to each other, and to our natural resources.

    With both wit and sobriety, he depicts the trials of a Web site salesman who cannot connect with others, an artist whose career is going nowhere, a failed cowboy, a has-been solicitor, and a stand-up comedienne who has fallen from grace. Laced with exuberant narrative and matchless comic invention, I Like Being Killed reveals the struggle of intelligence to make sense of our modern world.

    In this collection of short stories the author of In Cold Blood explores worlds of fear and doubt: the menacing Deep South, the impenetrable private realms of childhood -- beautiful yet frightening.The book features a total of eight short stories: "Master Misery" "Children on Their Birthdays" "Shut a Final Door" "Jug of Silver" "Miriam" "The Headless Hawk" "My Side of the Matter" "A Tree of Night"

    Never have two great writers set down their ideas so candidly and over so long a period of time on the most varied topics, including the genesis of their own writings. The elements of this correspondence been available for over a century, but never in a form accessible the general reader. For this edition, Alphonse Jacob has re-created the atmosphere in which the letters were written and has revived this masterpiece by two of France's greatest novelists: their intimate correspondence.

    Dalloway (which was published the following year). It is possible that it was originally to have been a chapter in the novel with which it shares some characters and events. It was not published until 1927 when it appeared in the May edition of the New York magazine The Forum. It appeared again in A Haunted House and Other Short Stories published in 1944, and in "Mrs Dalloway´s Party"published in 1973.

    These are the core of our ritual practice. Dream, lunar and, critically, menstrual magic are explored as a path to this knowledge. The wolf, the Devil, and the Goddess of witchcraft are then encountered in a landscape that ultimately reveals the witch to her or himself. These are not separate threads, but arise from a deep mythic structure and are woven together into a single unifying vision. Alternating between polemic, poetic and ecstatic prose, an harmonious course is revealed in a sequence of elegant stratagems. The book is threaded together with a cycle of hymns to Inanna, pearls on the tapestry of night. Seemingly disparate aspects are joined into a vision which is neither afraid of blessing nor curse. This is a daring undertaking, born from both urgency and need. It offers a renewed sense of purpose and meaning for a witchcraft that has seen many of its treasured ideas about itself destroyed. An apocalyptic age demands an Apocalyptic Witchcraft, and this is a book which is offered up to revolutionise the body of the craft, a way out of the dark impasse.

    This unsparing portrait of a childhood in 1939 Hungary--told in the voice of a brave and unforgettable nine-year-old Jewish girl--is the best sort of memoir, revealing not only a compelling story, but also the bruised yet still bold self which bears the weight of its story in memory (The New York Times Book Review).

    Chapters include "Poetic Images of the Flame in Plant Life," ''The Solitude of the Candle Dreamer," and "The Light of the Lamp." THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with Jose Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language.

    In his Josephus Trilogy (Josephus, 1932; The Jew of Rome, 1935; & Josephus & the Emperor, or The Day Will Come, 1942) he deals with the theme of nationalism versus cosmopolitanism by describing the development of Flavius Josephus, a Jewish historian of the first century. Toward the his life's end he took up the theme by writing about Raquel, the Jewess of Toledo (1955), who for seven years prevented Alfonso VIII of Castile from warring against the Moors. In Jefta & His Daughter (1957) he wrote about a man from the Hebrew bible who kept an oath to god by sacrificing his daughter.

    The story is a sprawling, episodic adventure story, a comedy of brash manners and something of a detective mystery.It revolves around the abandoned wreck of the Flying Scud at Midway Island.

    Under local anesthesia, the patient projects onto the screen his past and present with the fluidity and visual quality of the movies. A satirical portrait of social confusions. Translated by Ralph Manheim. A Helen and Kurt Wolff Book