A destitute man has been found dead on the property of a wealthy socialite. Who is he? Why did he go there to die? A reporter investigates the man's identity--and is swiftly ensnared in a web of deception as tangled and complex as the hearts and minds that spun it...--back cover

    Following the first rule of their manifesto—"To understand the nature of a thing, it must be taken apart"—these daring misfits spend the summer after graduation in a remote cabin in the Vermont woods committing acts of meaningful vandalism and plotting elaborate, often dangerous, pranks. But everything changes when one particularly twisted experiment ends in Suz's death and the others decide to cover it up.Nearly a decade later, Henry and Tess are living just an hour's drive from the old cabin. Each is desperate to move on from the summer of the Dismantlers, but their guilt isn't ready to let them go. When a victim of their past pranks commits suicide—apparently triggered by a mysterious Dismantler-style postcard—it sets off a chain of eerie events that threatens to engulf Henry, Tess, and their inquisitive nine-year-old daughter, Emma.Is there someone who wants to reveal their secrets? Is it possible that Suz did not really die—or has she somehow found a way back to seek revenge?Full of white-knuckle tension with deeply human characters caught in circumstances beyond their control, Jennifer McMahon's gripping story and spine-tingling plot prove that she is a master at weaving the fear of the supernatural with the stark realities of life.

    Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior—until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls’ past and future.Sisters is a one-two punch of wild fury and heartache—a taut, powerful, and deeply moving account of sibling love and what happens when two sisters must face each other’s darkest impulses.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    Haunted by her absence--and her ghost--Aaron goes through her belongings, where he finds a receipt for a motel room in another part of the country. Piloted by grief and an increasing sense of curiosity, Aaron embarks on a journey to discover what Allison had been doing in the weeks prior to her death.Yet Aaron is unprepared to discover the dark secrets Allison kept, the death and horror that make up the tapestry of her hidden life. And with each dark secret revealed, Aaron becomes more and more consumed by his obsession to learn the terrifying truth about the woman who had been his wife, even if it puts his own life at risk.

    In the manner typical of the Golden Age whodunnit, the solution is only presented in the final pages of the novel. Throughout the book, an amateur sleuth and a Scotland Yard detective vie with each other to solve the riddle, with only one of them successful in the end. It should be noted that Was It Murder? remained Hilton's only detective novel-a brief youthful foray into crime fiction he shares with writers such as C. S. Forester (Payment Deferred, 1926; Plain Murder, 1930) and C. P. Snow (Death Under Sail, 1932). Plot summary:Oakington is one of the lesser-known public schools in England, and Dr Roseveare, its headmaster, has been trying hard for seven years to improve its reputation. When, in the winter term of 1927-28, one of the pupils is killed in his sleep by an old gas fitting falling down from the ceiling he contacts Colin Revell, an Old Boy, to discreetly investigate the matter. Not entirely convinced that there was no foul play involved but unable to pin down a motive on anyone, Revell leaves again after a few weeks, and most of the evidence is destroyed by the installation of electricity in the whole building. A few months later Revell is shocked to learn that the deceased boy's brother has also died under mysterious circumstances-he seems to have jumped into the school's indoor swimming pool late at night after the water had been drained-and travels to Oakington of his own accord. Now it turns out that the closest relative of the two brothers, who have been orphans for years, is actually a teacher at Oakington, and that he stands to inherit a small fortune. At the same time Revell falls in love with that teacher's beautiful young wife. source: Wikipedia

    Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    What really happened, out there in the woods--and who has Cassie been protecting all along? Read on, if you dare...

    As girls, they invented Mirrorland, a dark, imaginary place under the pantry stairs full of pirates, witches, and clowns. These days Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband Ross.But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which has scarcely changed in twenty years. The grand old house is still full of shadowy corners, and at every turn Cat finds herself stumbling on long-held secrets and terrifying ghosts from the past. Because someone—El?—has left Cat clues in almost every room: a treasure hunt that leads right back to Mirrorland, where she knows the truth lies crouched and waiting...A twisty, dark, and brilliantly crafted thriller about love and betrayal, redemption and revenge, Mirrorland is a propulsive, page-turning debut about the power of imagination and the price of freedom.

    When Elly Swift, an agitated passenger beside her on a train, leaves a locket in Anna’s bag before jumping onto the tracks, Anna starts asking awkward questions. But everything points to suicide and the police close the case. Anna, however, believes Elly’s fears for Toby, her young nephew, missing since being snatched from St Stephen’s church six months ago, fail to explain the true reason behind Elly’s distress. Through a series of cryptic clues Elly left behind, Anna starts asking awkward questions, embarking on a dangerous crusade to track down Toby and find Elly’s killer. But nothing is as it seems and Anna opens a can of worms that throws into question the death of her husband, five years earlier - before the threads of the mystery converge in an astonishing conclusion.

    The ghost of murdered Sylvia Whichcote has been sighted prowling the grounds by Frank Oldershaw, a disturbed fellow commoner. When his anxious mother employs John Holdsworth, author of The Anatomy of Ghosts- a stinging account of why ghosts are mere delusion - to investigate the sighting, the uneasy status quo at Jerusalem is rapidly torn apart. Holdsworth grows to realise that the sinister Holy Ghost Club governs the privileged life at Jerusalem with a rigour far more effective than anything the Master, Dr. Carbury, could muster. And when Holdsworth finds himself haunted - not only by the ghost of his dead wife, Maria, but also Elinor, the very-much-alive Master's wife - his fate is sealed. He must unravel the circumstances surrounding Sylvia's death ... or the hauntings will continue.

    With a tragic history, Cwm Pot has been off-limits for decades, and unfortunately for Simon, the guide he's hired is as unpredictable and dangerous as the watery caverns that lurk beneath the earth. After a brutal struggle for survival, Simon barely escapes with his life, but predictably, the gruesome footage he managed to collect down in the earth's bowels goes viral. Ignoring the warning signs of mental trauma, and eager to capitalize on his new internet fame, Simon latches onto another escapade that has that magic click-bait mix of danger and death - a trip to Everest. But up above 8000 feet, in the infamous Death Zone, he'll need more than his dubious morals and wits to guide him, especially when he uncovers the truth behind a decade-old tragedy - a truth that means he might not be coming back alive. A truth that will change him - and anyone who views the footage he captures - forever.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?