After all, he was the heir to the biggest clay works in all of Cornwall, and she was but the daughter of one of their workmen.For just as an unexpected passion began to blossom between Morwen Tremayne and Ben Killigrew, the fates seemed determined to stifle its growth. A long, bitter struggle between owner and workforce brought about Charles Killigrew’s sudden illness, and with it Ben’s summons to the head of the family firm.Morwen and Ben, innocent victims of other men’s antagonisms, find themselves party to a conflict not of their making, that threatens to cut them off not only from their families, but from each other…A touching, heartbreaking tale of a love that conquers all, Killigrew Clay is perfect for fans of Rosie Goodwin, Lesley Pearse and Linda Finlay

    In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.

    Gooch presents an unforgettable story of a man who was struck down at the height of his powers. 55 photos.

    “It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.Born in France in 1897, Georges Bataille was a radical philosopher, novelist, and critic whose writings continue to exert a vital influence on today's literature and thought.

    P. Lovecraft, the seminal, enigmatic horror writer of the early 20th century. Houellebecq’s insights into the craft of writing illuminate both Lovecraft and Houellebecq’s own work. The two are kindred spirits, sharing a uniquely dark worldview. But even as he outlines Lovecraft’s rejection of this loathsome world, it is Houellebecq’s adulation for the author that drives this work and makes it a love song, infusing the writing with an energy and passion not seen in Houellebecq’s other novels to date.

    was Apollinaire's first book, and reportedly remained his favourite. Making full use of his encyclopedic knowledge of obscure historical, ecclesiastical, and geographical information, Apollinaire's stories rely neither on the dream, nor on juxtaposition, but nonetheless represent a technique that André Breton called a "formula" for Surrealism; its "music," he said, is "like gold pebbles rolled in a torrent." Apollinaire himself wrote about IThe Heresiarch Co.,/I "This is a book for those who love literature, powerful and disturbing, strange and logical. The author, amid so many fantastic, tragic, and sometimes sublime inventions, intoxicates himself with a charming erudition with which he also intoxicates his readers."

    Cocteau never formally acknowledged the book, except in so far as he allowed it to appear in the 'authorized' bibliography drawn up in connection with his

    In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.

    (...) By transcribing the events of his daily life as if they were episodes in an ongoing dream, by recording his dreams as if they embodied the true narrative of his waking existence, Leiris in effect defuses the distinction between two.

    From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

    With her mother Florrie missing, and her spineless father no use at all, it fell to Kate to look after the family. But life in East London at the end of the nineteenth century had never been easy, and with her cruel half-brother Alex becoming more and more difficult, she despaired of ever seeing her beloved mother again. Her fortunes change when one day, searching for Florrie around the docks, she meets a friendly face in the form of John Kelly, a cheery Irishman who rescues her from a tricky situation. Together with his grandparents, John reminds her how good life can be – and she soon dreams of happiness with him. But the dark shadow of Alex hangs over her still, and when he learns of her new friendship, his cruelty slides into madness. Harbouring unnatural desires for his beautiful half-sister, he will never allow the Irishman to take her away – but Kate has inherited her mother’s spirit as well as her looks, and vows to forge her own way: discovering what became of Florrie, and giving herself a deserved chance of love… Bow Belles is an unputdownable saga from a master of the genre, sure to enthral readers of Dilly Court, Sally Warboyes, and Katie Flynn.

    She had no idea her life, and that of her comrades, was in jeopardy because a traitor lurked in their midst, one who would wreak havoc on her life.Sixty years later and with time running out, the traitor is exposed. As Dottie’s whole world is turned upside down, will her final mission be one of revenge or can she forgive and forget?Weaving expertly between past and present, this moving tale of one woman’s incredible journey will stay with you for a long after you’ve turned the final page.

    Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern.Ricoeur finds a "healthy circle" between time and narrative: time is humanized to the extent that it portrays temporal experience. Ricoeur proposes a theoretical model of this circle using Augustine's theory of time and Aristotle's theory of plot and, further, develops an original thesis of the mimetic function of narrative. He concludes with a comprehensive survey and critique of modern discussions of historical knowledge, understanding, and writing from Aron and Mandelbaum in the late 1930s to the work of the Annales school and that of Anglophone philosophers of history of the 1960s and 1970s."This work, in my view, puts the whole problem of narrative, not to mention philosophy of history, on a new and higher plane of discussion."—Hayden White, History and Theory "Superb. . . . A fine point of entrance into the work of one of the eminent thinkers of the present intellectual age."—Joseph R. Gusfield, Contemporary Sociology

    The appearance and contents of this proof may not resemble the finished book and under no circumstances may it or any of its contents be reproduced before publication of the finished book without the publisher's consent.'Comes with a set of five artwork postcards introducing the reader to four of the main characters.

    Make room for Carlo (Emily Dickinson's giant Newfoundland). Or Flush (Elizabeth Barrett Browning's golden cocker spaniel). Or, maybe, Keeper (Emily Bronte's intimidating mastiff mix). In self-contained chapters of "Shaggy Muses," the work of each author is viewed intimately within the context of the canine companions who provided love, comfort and inspiration." - Elizabeth Taylor, Literary Editor, The Chicago Tribune “With this book, Adams has created a niche that will thrill those who love literature, biography and dogs.” - Bark Magazine “Dog lovers and literary groupies alike will adore SHAGGY MUSES.” -Bookpage “These concise biographies are affecting and engaging.” -Kirkus Reviews“Written with lively, accessible prose, this absorbing, wholly unique book is a must-read for literature- and dog-lovers alike.” -Booklist“Lovers of both dogs and classic writers will identify with this sweet, quirky book.” -Publishers Weekly “An intimate look into the lives of famous women authors whose lives were more difficult than we would ever have imagined. Their dogs helped them to survive and create their great works of classic English literature. Lovers of literature and all of those interested in the human/animal bond should read this fascinating book.” — Temple Grandin , author of Animals in Translation “I so enjoyed SHAGGY MUSES. It manages very successfully to bring into focus exactly why these dogs were important to these writers—an intriguing mixture of providing some with confidence, some with love, some with protection and all of them with a curious sense of identification with another spirit which, sometimes, fuelled their writing. No mean feat.” — Margaret Forster, author of Elizabeth Barrett Browning: The Life and Loves of a Poet"Adams, a clinical psychologist, explores the many roles - companions, objects of affection, witnesses, protectors, guides - these dogs played in their owners' lives and their appearances in their work. How charming to visualize delicate Emily Dickinson with amiable Carlo, her Newfoundland, living their lives in Amherst, or Edith Wharton, traveling through Europe with her Pekes." - The Times-Picayune"Adams, an English professor-turned-clinical-psychologist, shows verve and just the right amount of playfulness. Deftly, she places these furry inspirations into the environments that nurtured and restricted their 19th and 20th century mistresses. The result are five entertaining and insightful minibiographies, exquisite as the 19th century miniature of Barrett Browning and her lapdog Flush included in the text." - The Cleveland Plain Dealer"These stories - based on diaries, letters and contemporary accounts with several photographs, many told here for the first time - reveal intimate details and new perspectives on these giants of English and American literature, made even more memorable by Adams' lively writing." - The Providence Journal"Shaggy Muses' is readable and interesting. . .full of facts and insights. Adams goes beyond the superficial and provides real information." - The Oregonian"Adams writes these concise biographies with intelligence, verve and tenderness, and her background in literature and psychology makes her uniquely qualified. She does not avert her gaze from each of her subject's troubles but rather shows how each became a greater writer partially through unconditional canine friendship and devotion." - Times-Dispatch“You’ll call this sentimental–perhaps–but then a dog somehow represents the private side of life, the play side,” Virginia Woolf confessed to a friend. And it is this private, playful side, the richness and power of the bond between five great women writers and their dogs, that Maureen Adams celebrates in this deeply engaging book. In Shaggy Muses, we visit Elizabeth Barrett Browning and Flush, the golden Cocker Spaniel who danced the poet away from death, back to life and human love. We roam the wild Yorkshire moors with Emily Brontë, whose fierce Mastiff mix, Keeper, provided a safe and loving outlet for the writer’s equally fierce spirit. We enter the creative sanctum of Emily Dickinson, which she shared only with Carlo, the gentle, giant Newfoundland who soothed her emotional terrors. We mingle with Edith Wharton, whose ever-faithful Pekes warmed her lonely heart during her restless travels among Europe and America’s social and intellectual elite. We are privileged guests in the fragile universe of Virginia Woolf, who depended for emotional support and sanity not only on her human loved ones but also on her dogs, especially Pinka–a gift from her lover, Vita Sackville-West–a black Cocker Spaniel who became a strong, bright thread in the fabric of Virginia and Leonard Woolf’s life together.Based on diaries, letters, and other contemporary accounts–and featuring many illustrations of the writers and their dogs–these five miniature biographies allow us unparalleled intimacy with women of genius in their hours of domestic ease and inner vulnerability. Shaggy Muses also enchants us with a pack of new friends: Flush, Keeper, Carlo, Foxy, Linky, Grizzle, Pinka, and all the other devoted canines who loved and served these great writers.