Hijack by Robert L. Fish 2. Tomorrow and ... Tomorrow by Adobe James 3. Funeral in Another Town by Jerry Jacobson 4. A Case for Quiet by William Jeffrey 5. A Good Head for Murder by Charles W. Runyon 6. The Invisible Cat by Betty Ren Wright 7. Royal Jelly novelette by Roald Dahl 8. Light Verse by Isaac Asimov 9. The Distributor by Richard Matheson 10. How Henry J. Littlefinger Licked the Hippies' Scheme to Take Over the Country by Tossing Pot in Postage Stamp Glue by John Keefauver 11. The Leak by Jacques Futrelle 12. All the Sounds of Fear by Harlan Ellison 13. Little Foxes Sleep Warm by Waldo Carlton Wright 14. The Graft Is Green novelette by Harold Q. Masur (This is volume 1 of Stories to Be Read with the Door Locked. It should not be combined with volume 2, or with the complete work.)

    The only kind of fairy tales that brought a smile to his childish lips had the ogres and dragons winning, and instead of wanting to know about the birds and the bees, he kept asking about the vipers and the vultures. Since then, Hitchcock's taste for terror and appetite for evil has more than made his parents' nightmares come true. And now he's out to share his satanic knowledge and pleasure with you in these thirteen super-shivery spellbinders by:John Collier - Gerald Kersh - F. Scott Fitzgerald - Andrew Benedict - Grace Amundson - Robert Arthur - Shirley Jackson - George Hitchcock - George Mandel - Jane Rice - Don Stanford - Richard Matheson - Richard Edward Wormser

    Clair [writing as Idris Seabright ]• Henry Martindale, Great Dane (1954) • shortstory by Miriam Allen deFord• The Microscopic Giants (1936) • shortstory by Paul Ernst• The Young One (1954) • novelette by Jerome Bixby• Doomsday Deferred (1949) • shortstory by Murray Leinster [as by Will F. Jenkins ]• "Shadow, Shadow, on the Wall ..." (1951) • shortstory by Theodore Sturgeon• The Desrick on Yandro (1952) • shortstory by Manly Wade Wellman• The Wheelbarrow Boy (1950) • shortstory by Richard Parker• Homecoming (1946) • shortstory by Ray Bradbury (variant of The Homecoming)

    Sophie Dunston knows all too well how dreams can kill. As one of the nation’s top sleep therapists, she specializes in the life-threatening night terrors that her ten-year-old son, Michael, suffers from. But she is also an expert in another kind of terror–the kind that can turn a dream life into a living nightmare in the blink of an eye.Someone is watching. He’s a shadowy figure from out of her darkest fears and he hasn’t forgotten her. In one shocking moment of violence, he’d shattered Sophie’s world forever and left her with only one thing to live for: her son. But the nightmare isn’t over for Sophie Dunston. It’s just begun. He’s been waiting. Sophie was supposed to die the first time around, but fate intervened. This time he’ll make sure that not even a miracle will save her.It wasn’t a miracle that saved Jock Gavin, but it was pretty close. A semiretired hit man, commando, and jack-of-all-deadly-trades, he knows what Sophie is up against–and that she’ll need help. But the man he’s chosen for the job is as unpredictable as he is dangerous. Matt Royd is a wild card–hard, cool, merciless–and putting him into play changes the game completely. But to whose advantage?Sophie will soon find out. She will have to trust Royd because she has no choices left. Because the bogeyman haunting her dreams is all too real and he’s on the hunt again. Because the nightmare he’s got planned for Sophie won’t end when she wakes up screaming. It won’t end. Ever.From the Hardcover edition.

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter.Now, in present day, nineteen-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister. Alice has always insisted that they live off the grid, a decision that has weighty consequences when Ruthie wakes up one morning to find that Alice has vanished. In her search for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked into the historical mystery, she discovers that she's not the only person looking for someone that they've lost. But she may be the only one who can stop history from repeating itself.

    Seventeen all-new stories illuminate the steampunk world of fog and fear!Modern masters of the supernatural weave their magic to revitalize the chilling Victorian and Edwardian ghostly tale: here are haunted houses, arcane inventions, spirits reaching across the centuries, ghosts in the machine, fateful revelations, gaslit streets scarcely keeping the dark at bay, and other twisted variations on the immortal classics that frighten us still.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    These ten absorbing stories, selected by a famed anthologist of science-fiction and the supernatural, prove that even after a century Poe's imagination still works it macabre magic.--back coverContains:The Murders in the Rue Morgue The Purloined Letter The Tell-Tale Heart The Facts in the Case of M. Valdemar The Pit and the Pendulum A Tale of the Ragged Mountains A Descent Into the Maelstrom The Black Cat "thou Art the Man" Metzengerstein The Haunted Palace The City in the Sea To Helen Annabel Lee The Bells

    It's easy to see why when you read his latest tour de force, Nightshade, a chillingly creepy tale that will have you looking over your shoulder every chance you get. Stunningly crafted, with a plot that has more twists than a bag full of pretzels, Nightshade promises to be Saul's most compelling novel yet. And given his backlist of grimly horrifying but riveting fare, that's no small accomplishment. In a small New England town, Joan Hapgood is content with her life until the events of one fateful afternoon trigger a long string of tragedies that threaten both her future and her sanity. It starts when Joan's mother, Emily, who has been steadily deteriorating under the effects of Alzheimer's disease, accidentally starts a fire while trying to cook. To say Joan's relationship with her mother is strained would be a gross understatement. In Emily's eyes, Joan has always been a poor second to her sister, Cynthia, who was beautiful, devoted, and bright. Despite Cynthia's death many years before, Joan still lives in her big sister's shadow whenever Emily is around. Not only has Joan never been pretty enough, bright enough, or loving enough, but she has a bastard son whose father remains unknown -- all unforgivable sins to Emily.Against the wishes of her husband, Bill, and her son Matt, Joan moves her mother into the Hapgood family home where she and Bill have lived for ten years. Emily's insistence that Cynthia is not only still alive, but present, combined with her viciously acerbic attitude toward Matt and Joan, strains Joan's marriage to the breaking point, forcing Bill to move out. Given that Bill is the only father Matt has ever known, the boy takes the separation hard, becoming understandably angry. When Bill ends up dead during a hunting trip -- possibly shot by Matt himself -- the town begins to wonder just how angry Matt has become.The death of Bill Hapgood is followed by several mysterious disappearances, including that of Joan's mother, Emily. In each case, the bulk of the evidence points to young Matt, and soon the entire town is close to forming a lynch mob. Matt himself isn't sure what the truth is, for he keeps suffering odd fugue states and imagining that he sees, hears, and smells his dead Aunt Cynthia. For Joan, the intense grief brought on by her husband's death must be set aside as she fights to prove her son's innocence. But no one suspects the real truth, which is so bizarre, so horrifyingly twisted, it will haunt those who survive forever.For those who like their plot lines well-crafted and convoluted, Nightshade is sure to please. From the unnerving first pages of the prologue to the final sentence on the last page, Saul tosses in enough red herrings and ambiguities to keep readers guessing. Horror fans won't be disappointed either; while the body count is a bit lighter than in some of Saul's other works, there is plenty of blood and gore to be had, and a ghost or two (or are they?) to liven things up.—Beth Amos

    Omnibus collection of four early Bachman novels (Rage, The Long Walk, Roadwork, The Running Man) and the essay "Why I Was Bachman"

    Including "The Red-Headed League" by Sir Arthur Conan Doyle; "The Treasure in the Cave" by Mark Twain; "Jimmy Takes Vanishing Lessons" by Walter R. Brooks; "The Forgotton Island" by Elizabeth Coatsworth; "The Water Ghost of Harrowby Hall"; and more. Illustrations by Fred Banbery.

    But once he's met the enigmatic Simone, Harry is intrigued. Just what did happen to Simone's twin sister who disappeared without trace several years before? And what is the Anderson sisters' connection to another set of twin girls, Viola and Sorrel Quinton, born in London on 1st January 1900? All Harry's lines of enquiry seem to lead to the small Shropshire village of Weston Fferna and the imposing ruin of Mortmain House, standing grim and forbidding on the Welsh borders. As Harry delves into the violent and terrible history of Mortmain, in an attempt to uncover what happened to Simone and Sonia and, a century before them, to Viola and Sorrel Quinton, he finds himself drawn into a number of interlocking mysteries, each one more puzzling -- and sinister -- than the last.

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.