His dream of a united kingdom of all England will stand or fall on one field—on the passage of a single day.At his side is the priest Dunstan of Glastonbury, full of ambition and wit (perhaps enough to damn his soul). His talents will take him from the villages of Wessex to the royal court, to the hills of Rome—from exile to exaltation. Through Dunstan's vision, by his guiding hand, England will either come together as one great country or fall back into anarchy and misrule . . .From one of our finest historical writers, The Abbott’s Tale is an intimate portrait of a priest and performer, a visionary, a traitor and confessor to kings—the man who can change the fate of England.

    And, cut off from Rome by the barbarian invasion of Gaul, and needing every penny to pay the army, he soon finds it impossible. Preoccupied with status and finances, he barely notices that his wily father-in-law Gratianus, with the help of Felix's sadistic wife is engineering a coup - one which embroils Felix dangerously in politics. Forced to flee for his life, Felix finally understands that lax etiquette is the least of Britain's problems...

    The end to hostilities will bring her violent husband Charlie home. It also sets off a chain of events that brings more strife and destruction to the people of Paradise Gardens, Hackney - including Zeldas squabbling family and the mysterious local healer, Zinnia Makepeace - than did the Blitz.That's not all. A new boss is making Zelda's life difficult. Zelda's nephew, Tony, is hanging around Brian Hole, a one-boy crime wave and only child of Ma Hole, leader of the local spivs.But Tony can sing - he has, in fact, the voice of an angel - and Miss Makepeace knows a voice coach in Soho. The people Zelda meets there change her life. Bert and Maggie Featherby offer her a way out of Hackney and her failed marriage, while the local hood, Maltese Joe, decides to take on Ma Hole.

    So, it is fair to say that his heart isn't really in it. Conrad is also clever, charming, entirely self-serving, self-absorbed and almost completely without scruple — but in Anglo-Saxon England, when the Danish invaders come calling, those are very helpful attributes to have. And so it comes to pass that Conrad finds himself constantly dodging death by various means, some reasonable, some... less so. His tricks include selling his brother monks into slavery, witnessing the death of a king, juggling his loyalties between his own people and the Danes, robbing corpses and impersonating a bishop. By his side throughout is the gentle and honourable Brother Odo, a man so naturally and completely good that even animals sense it. He is no match of wits for the cunning Conrad but can he, perhaps, at least encourage the wayward monk to behave a little better? Conrad Monk and the Great Heathen Army takes the reader on a hugely entertaining and highly informative trip through the Anglo-Saxon world, in the company of a persuasive and likeable — if frequently despicable — tour guide. It is a story that combines painstakingly accurate depictions of history with a fast-moving and often hilarious plot, and as such is bound to appeal to lovers of history, historical fiction and character-driven fiction alike. Edoardo Albert is a writer of Sri Lankan and Italian descent based in London. He has written a number of full length novels, as well as shorter stories for publications ranging from Daily Science Fiction to Ancient Paths. He has written features for papers and magazines including Time Out, Sunday Times and History Today. 'I loved this book as a total immersion historical adventure. Conrad – the hero - is selfish, opportunistic, amoral, and he made me laugh over and over again.' - John Drake, bestselling author of the Fletcher series 'The pagans are coming...but Conrad is one shameless con man who will keep one step ahead of them, and charm you while he does it. He lies—he cheats—and I loved every minute of it.' - Wendy Bertsch, author of Once More, from the Beginning

    Several problems. Her childhood love, Ethan, has returned home from the Crusades, but he’s more interested in winning his land back than wooing her. She has to rescue a pair of nuns who are being held prisoner in Derby Castle’s tower by the sadistic Sheriff Buxton. And to top it all off, she’s developing scandalous feelings for Buxton’s lackey, the dark and devilish Crispin. Faced with all that what’s a girl to do but don her disguise as the Derbywood Bandit and take matters into her own hands?Sir Crispin is at his wit’s end. Not only does he have his hands full keeping Buxton from killing half the shire, now his arch nemesis, the Derbywood Bandit, has joined forces with his old rival Ethan. And that’s nothing compared to the burning torch he carries for his ex-fiancé, Lady Aubrey. He would do anything to win Aubrey’s love …… until he suspects that there could be a closer connection between Aubrey and the Derbywood Bandit than anyone knows.

    From the huge jolly Beavis family with whom he had lodgings in Newington Butts, to Mr George Singleton, Charing Cross Road bookseller, who employed Joe in a little lucrative and harmless forgery, Sergeant Joe was a univeral favourite. Quite a few people wondered why he didn't get married. But it wasn't until he bumped into Dolly Smith - quite literally in a London pea-souper - that he met a girl who made an impression on him. Dolly was quick, lively, and full of cockney cheek. She was also a little frightened - running from a vicious-looking thug and a sinister foreigner who seemed to think she had stolen something valuable. When Joe took Dolly under his wing he thought he was just helping her in a momentary predicament. He didn't realise his peaceful existence was going to be wrecked. For Dolly was both bewitching and beguiling - and she was also involved in something quite dangerous that was finally to give Sergeant Joe the surprise of his life.

    Six ravens are feasting on the corpses. It is springtime in 1413 and Henry V is now on the throne of feudal England. The Peasants’ Revolt of 1381 had begun the great shift towards democracy and the country is recovering from the ravages of the Black Death. Wat Baudin is a man on the up in this brave new world and is returning from his duties as an alderman at the assizes in Maidstone. He can sit in judgement on the lower classes but the noble families of the land remain a law unto themselves. When Wat and his colleagues happen upon the unfortunate murder victims, he is only too aware of the superstition that still surrounds the macabre presence of that posse of birds. They are a sign of more death to follow. Wat is glad to get back home where his wife Rosalind in expecting their second child. But his joy is short-lived as he is suddenly summoned by the Earl of Rochester, Lord John Ridley. It appears that the earl’s nephew, young Sir Hugh Montmorency, has mysteriously disappeared and Wat is tasked to get to the bottom of the matter. It is not long before Wat finds himself heading a murder investigation. Not one murder, but two… then three. The ravens’ augury seems to be true as a knight and a member of castle staff are added to the body count. Even Wat himself comes under attack as he works his way through the suspects within the walls of Rochester Castle. What part can the earl’s doe-eyed daughter, Lady Susanna, possibly have in these evil crimes? And where might the unflappable earl’s wife, the Lady Joan Ridley, fit into the equation? Can Wat trust the earl’s steward Ralph or his chaplain Father Anthony? The Ravens’ Augury is a classic tale of intrigue and plotting at a time in England’s history when the stakes were sky-high and skulduggery the default position in their ruthless pursuit. LJ Shea resides in her native rural Australia with her two sons, where she teaches English and history. She spends her spare time studying history, reading historical fiction, and spoiling her dogs, cats and horses, whom she counts amongst her dearest friends.

    A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

    They set the fashions, encouraged the arts, and, in some cases, ruled nations. Eleanor Herman's Sex with Kings takes us into the throne rooms and bedrooms of Europe's most powerful monarchs. Alive with flamboyant characters, outrageous humor, and stirring poignancy, this glittering tale of passion and politics chronicles five hundred years of scintillating women and the kings who loved them.Curiously, the main function of a royal mistress was not to provide the king with sex but with companionship. Forced to marry repulsive foreign princesses, kings sought solace with women of their own choice. And what women they were! From Madame de Pompadour, the famous mistress of Louis XV, who kept her position for nineteen years despite her frigidity, to modern-day Camilla Parker-Bowles, who usurped none other than the glamorous Diana, Princess of Wales.The successful royal mistress made herself irreplaceable. She was ready to converse gaily with him when she was tired, make love until all hours when she was ill, and cater to his every whim. Wearing a mask of beaming delight over any and all discomforts, she was never to be exhausted, complaining, or grief-stricken.True, financial rewards for services rendered were of royal proportions -- some royal mistresses earned up to $200 million in titles, pensions, jewels, and palaces. Some kings allowed their mistresses to exercise unlimited political power. But for all its grandeur, a royal court was a scorpion's nest of insatiable greed, unquenchable lust, and vicious ambition. Hundreds of beautiful women vied to unseat the royal mistress. Many would suffer the slings and arrows of negative public opinion, some met with tragic ends and were pensioned off to make room for younger women. But the royal mistress often had the last laugh, as she lived well and richly off the fruits of her "sins."From the dawn of time, power has been a mighty aphrodisiac. With diaries, personal letters, and diplomatic dispatches, Eleanor Herman's trailblazing research reveals the dynamics of sex and power, rivalry and revenge, at the most brilliant courts of Europe. Wickedly witty and endlessly entertaining, Sex with Kings is a chapter of women's history that has remained unwritten -- until now.

    A weak king, Ethelred II, rules the Anglo-Saxons. He tries to pay off each Viking attack with a steep tax called the “Danegald,” but again and again the pagans return. A masked vigilante called the Golden Cross tries to aid the people of Engla-lond and rally them to warfare, but this rebel is constantly way-laid by the king’s most trusted advisor, Eadric Streona. Eadric Streona, Ealdorman of Mercia, is a charming master of the king’s court who always manages to get what he wants; but what he wants remains a mystery to all. Ten short stories explore this setting through the eyes of ten different characters, from a blushing maid and bold mother to a daring soldier, an unready king, and many others. Some characters are fictional, but most are real figures of history. Altogether, the Lost Tales introduce the people who will fight, love, and betray each other until the rightful king claims the throne of Engla-lond in the complementary novel, "Eadric the Grasper." While interconnected by the novel and each other, each story stands independently as a snapshot into this ancient world. This is a collection of all ten tales, previously released as individual ebooks.

    She is the only living child of the charismatic and fearless feudal lord, Radmer, whose wife and two sons have died. When the king sends Radmer overseas on a mission to Rome, Elfrun is left to hold the fort, to lead her people out of danger from marauding neighbours and to protect herself. All around her predators are circling, waiting for their chance to seize her lands, her people - and her.Will her father return in time to save both her and the people of Donmouth? Or can Elfrun find the strength to take matters into her own hands?

    Its charm lies not in its plot, but rather in its wise and humane look at man's constant search for happiness. The text is based on the second edition as Samuel Johnson revised it.

    It isn’t until a trick of fate sends her sprawling under a noblewoman’s horse that her life takes a different turn. But is it for the best or is she being pulled into a web of intrigue and lies? A prequel to the Imp of Eye, it will appeal to fans of Dorothy Dunnett’s gripping and intrigue filled plots.This novella begins the Renaissance Sojourner Series. A wonderfully spun gem of a story of 15th century London, beautifully brought to life by the reigning queens of historical fiction. Real magic! C.M.T. Stibbe, author of Chasing Pharaohs.

    Many books on the plague rely on statistics to tell the story: how many people died; how farm output and trade declined. But statistics can’t convey what it was like to sit in Siena or Avignon and hear that a thousand people a day are dying two towns away. Or to have to chose between your own life and your duty to a mortally ill child or spouse. Or to live in a society where the bonds of blood and sentiment and law have lost all meaning, where anyone can murder or rape or plunder anyone else without fear of consequence.In The Great Mortality, author John Kelly lends an air of immediacy and intimacy to his telling of the journey of the plague as it traveled from the steppes of Russia, across Europe, and into England, killing 75 million people—one third of the known population—before it vanished.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.