From the author of the classic Motherpeace – an inspiring and practical guide for awakening women's shamanic healing powers to heal ourselves and our planet.

    But her peaceful life is shattered when it becomes entangled in an ancient prophecy--a prophecy which names her and her headstrong twin sister, Mervion, as their nation's salvation...or its destruction.

    Barrie Kavasch. Here are the time-honored tribal rituals performed to promote good health, heal illness, and bring mind and spirit into harmony with nature. Here also are dozens of safe, effective earth remedies--many of which are now being confirmed by modern research.Each chapter introduces a new stage in the life cycle, from the delightful Navajo First Smile Ceremony (welcoming a new baby) to the Apache Sunrise Ceremony (celebrating puberty) to the Seminole Old People's Dance.At the heart of the book are more than sixty easy-to-use herbal remedies--including soothing rubs for baby, a yucca face mask for troubled skin, relaxing teas, massage oils, natural insect repellents, and fragrant smudge sticks. There are also guidelines for assembling a basic American Indian medicine chest.

    "She is warrior, queen, death omen, mother, murderer, lover, spy, conspirator, faery, shape-shifter, healer, and sometimes the living earth itself. A captivating contradiction: a demonic female who both haunts and heals; benevolent in one moment, ghastly the next, and kind the moment after that.”The Morrigan is one of Pagan Ireland’s most famous—and notorious—goddesses. Her name translated as “phantom queen” or “great queen,” the Morrigan is famous for being a goddess of war, witchcraft and death, protection and retribution. This book also explores her patronage of motherhood, healing, shapeshifting, and the land. Classified among the Sidhe (fairies), the Morrigan dates back at least to Ireland’s Iron Age, but she is as modern as she is ancient―enjoying a growing contemporary and global following.Author Courtney Weber provides a guide for the modern devotee of this complex, mysterious goddess that encompasses practical veneration with modern devotionals, entwined with traditional lore and Irish-Celtic history.

    In Lost Goddesses of Early Greece, Charlene Spretnak recreates, the original, goddess-centered myths and illuminates the contemporary emergence of a spirituality based on our embeddedness in nature.

    Reissue. (A New Line Cinema film, releasing March 2006, directed by Mary Harron, starring Gretchen Mol & Lili Taylor) (Biography).

    Caitlin Matthews' scholarship connects us to past, present, and future in the very depths of our femininity. ----Marion Woodman, Jungian analyst and author of Bone: Dying into Life. Sophia, or "wisdom" in Greek, has been revered in many forms throughout history--from the Dark Goddess of ancient Anatolia; to her Egyptian, Greek, Celtic, and Cabalistic manifestations; to her current forms as Mary and the orthodox St. Sophia. In the Gnostic Gospel of Thomas, Sophia sits with God until the creation. Then she falls into matter and becomes manifest in every atom, permeating all things "like the sparks that run through charcoal," as Matthews says. While God is "out there," the Goddess is "in here"-- the mother-wit of practical inspiration and compassion at the heart's core. This definitive work comprehensively establishes a realistic Goddess theology for Westerners in the twenty-first century: grounding spirituality in daily life and the natural world; learning to work playfully and play seriously; ending the gender war to enjoy sacred marriage.

    Grahn argues that culture has been a weaving between the genders, a sharing of wisdom derived from menstruation. Her rich interpretations of ancient menstrual rites give us a new and hopeful story of culture's beginnings based on the integration of body, mind, and spirit found in women's traditions. "Blood, Bread, and Roses" offers all of us a way back to understanding the true meaning of women's menstraul power. Foreword by Charlene Spretnak "[Grahn's] intriguing excursion through folklore, myth, religion, anthropology and history bespeaks a feminist conviction that male origin stories must be balanced by a recognition of women's central role in shaping civilization." -Publishers Weekly

    This title outlines the strategy women should adopt in order to achieve successful relationships with bosses, clients, lovers and parents. It also discusses how to become powerful without becoming a man.

    In this book David Kinsley, author of The Sword and the Flute—Kali & Krsna: Dark Visions of the Terrible and the Sublime in Hindu Mythology, sorts out the rich yet often chaotic history of Hindu goddess worship.

    Estés. "She wears hundreds of costumes, dozens of skin tones, is patroness of deserts, mountains, stars and oceans. Thus she comes to us in billions of images, but at her center, she is the Great Immaculate Heart." With Untie the Strong Woman, Dr. Clarissa Pinkola Estés invites us to reconnect with "the fierce and loving Blessed Mother who is friendly, but never tame—she who flies to our aid when the road is long and our hearts are broken, ever ready to rekindle the inner fire of our creative souls." In her first book in more than a decade, Dr. Estés illuminates Our Lady through blessings, images, and narrative, including:* Stories of connecting with the Blessed Mother, including "Meeting the Lady in Red" and "Untie the Strong Woman";* Blessed Mother's many images from around the world, including "Litany of The Mother Road: A Chant of Her Incandescent Names", "A Man Named Mary", and "The Marys of Mother Africa";* The wild side of her love, including "Massacre of the Dreamers", "The Maiz Mother", "Holy Card of Swords Through the Heart", and "Guadalupe is a Girl Gang Leader in Heaven"."The Blessed Mother is often 'Friend to the friendless one' and Mother to all—yet too many of us have been estranged from her for far too long." Untie the Strong Woman opens a channel to this sacred and nurturing force—"breaking through walls that have held us back from her presence, and instead, inviting us to shelter under her starry green mantle."

    They are organized around seven healing goddess principles and are inspired by traditional goddess lore and ancient artifacts. Each one is introduced by placing it in its cultural and historical context, telling the story's origins, and describing props that can be used to invoke that story's goddess -- from Kali and Hecate to Shekina, Kuan Yin, Athena, Mary, and Lilith.

    Feminist cartoonist Robbins takes off the gloves and tells the tales of twenty not-so-sweet, totally immoderate, and utterly enjoyable goddesses, including Jezebel, Kali, and others.

    She offers gentle guidance through the cycles of a woman's life; the phases of the moon; the yearly nature holidays; and the aspects of divination. She concludes each chapter with suggested exercises, meditations, and reading lists. Her capably organized and well-written book encourages women to find their own spiritual path. A classic and practical book on women's spirituality and goddess worship by a dearly loved priestess of change.

    Emphasizing the Mother, the Healer, the Lover, and other archetypes of one's relationship with the sacred body, the author provides a uniquely Wiccan approach to achieving a healthy, new self-perception as Goddess.Praise: "This topical guide to reclaiming a positive self-image, which builds on foundations presented in Sylvan's earlier work and is written in a very personal and approachable style, is not imbued with self-help jargon and platitudes but with the author's hard-won self-respect and perspective."--LIBRARY JOURNAL"Marrying cultural critique with user-friendly how-to, [Sylvan] urges readers to reject society's insistence that they spend countless hours and billions of dollars trying to look thin and youthful. Rather, says Sylvan, women should embrace their bodies for what they are--incarnations of the Goddess. Above all, this book is practical... What distinguishes this book more than anything is Sylvan's sense of humor--she's tackling a serious topic, but she'll have readers laughing from page one."--PUBLISHERS WEEKLY