. . . Those who like war are aptly named warriors. Some, like me, are fated never to be warriors, as we are more afraid of war than fascinated by it. But I have the consolation that I have walked with warriors and know what kind of men and women they are. I will never be a warrior, but I have known war.” (The Patrol)In 2008, Ryan Flavelle, a reservist in the Canadian Army and a student at the University of Calgary, volunteered to serve in Afghanistan. For seven months, twenty-four-year-old Flavelle, a signaller attached to the Princess Patricia’s Canadian Light Infantry, endured the extreme heat, the long hours and the occasional absurdity of life as a Canadian soldier in this new war so far from home. Flavelle spent much of his time at a Canadian Forward Operating Base (FOB), living among his fellow soldiers and occasionally going outside the wire. For one seven-day period, Flavelle went into Taliban country, always walking in the footsteps of the man ahead of him, meeting Afghans and watching behind every mud wall for a sign of an enemy combatant.The Patrol is a gritty, boots-on-the-ground memoir of a soldier’s experience in the Canadian Forces in the twenty-first century. In the tradition of Farley Mowat’s The Regiment and James Jones’ The Thin Red Line, this book isn’t merely about the guns and the glory—it is about why we fight, why men and women choose such a dangerous and demanding job and what their lives are like when they find themselves back in our ordinary world.

    For this, she would abandon her promising film-making career, lose her comfortable suburban home, her husband, her two children and, in a gruelling finale to six years of remorseless self-destruction, herself. Rescued from the maw of Hillbrow's drug and prostitution underworld, Melinda not only survived, but recovered to tell this harrowing tale of how an intelligent, middle-class girl from Joburg hits rock bottom, face first, and claws her way back to redemption.

    Appropriating this quote, Malebo boldly renounces societal expectations placed on her as a Black woman and shares her journey towards misbehaviour. According to Malebo, it is a norm for a Black woman to live through a society that will prescribe what it means to be a well behaved woman. Acting like this prescribed woman equals good behaviour. But what happens when a black woman decides to live her own life and becomes her own form of who she wants to be? She is often seen as misbehaving.Miss Behave challenges society’s deep-seated beliefs about what it means to be a well behaved woman. In this book, Malebo tracks her journey on a path towards achieving total autonomy and self-determinism. Miss Behave will challenge, rattle and occasionally cause you to reflect on your own life – asking yourself the question – are you truly living life the way you want to?

    A lot of suffering happens in this world, but when it involves a child, it touches everyone all the more and it is tolerated all the less. Empty Cradle is the writer’s personal recollection of the time leading up to and surrounding the abduction of her newborn infant, just days before Christmas. This story is based on a true crime - dates, times, and details were researched from media sources, court documents, and police records. A timeline of the mother and the kidnapper are shown separately, from childhood to adulthood, until the two paths crossed, resulting in a cataclysmic event that will leave the reader anxiously awaiting the final outcome.

    But instead of working the landor the cattle that fed upon it, the Moore brothers, Colten and Caleb, heeded another call.Their dreams, paired with hard work and family sacrifice, eventually became reality. The Moore brothers, with their boundary-exploding athleticism, innovation and appetite for risk, became stars on the burgeoning freestyle ATV and snowmobile circuits. If it had wheels, they could flip it—often higher and better than anyone else—leading a band of pioneers intent on breaking new ground and in a new sport before multitudes of fans at the X Games and beyond.In this vivid, page-turning narrative, Colten Moore offers a profound and deeply moving perspective on his life and that of his brother. Catching the Sky is a clear-eyed look at extreme sports, what drives people to take wild chances, and how one man, Colten, couldn't stop even after the worst possible outcome. His story reminds us that we can dream—and sometimes achieve the impossible, that we can follow our own path, that we can lose something, lose everything, only to find it again—often in the most unlikely place.

    It would emerge that, like Vicky, 220 other women who were diagnosed with cervical cancer were not informed that a clinical audit -carried out by the national screen programme CervicalCheck - had revised their earlier, negative smear tests. Their cancers could possibly have been preventable.Since then, Vicky has become women's voice for justice on the issue, and her system-changing activism has made her a household name.In her memoir Overcoming, Vicky shares her remarkable personal story, from a life-threatening accident in early adulthood through to motherhood, a battle with depression, her devastating later discovery that her cancer had returned in shocking circumstances - and the ensuing detective-like scrutiny of events that led the charge for her history-making legal action.An inspiring story of rare resilience and power, Overcoming is an account of how one woman can move mountains - even when she is fighting for her own life - and of finding happiness and strength in the toughest of times.'Calls to mind the work of Emilie Pine, or the memoir by Maggie O'Farrell, I Am, I Am, I Am ... Overcoming is more than the retelling of an extraordinary life. Its pacing and gentleness leaves plenty of room for tears and for reflection' Irish Independent

    My dad would say to me as a teenager "Don't tell your mother." We couldn't face the disapproval.Sue Johnston always seemed to be disappointing her mother. As a girl she never stayed clean and tidy like her cousins. As she grew older, she spent all her piano lesson money on drinks for her mates down at the pub, and when she discovered The Cavern she was never at home. The final straw was when Sue left her steady job at a St. Helen's factory to try her hand at that unsteadiest of jobs: acting.Yet when Sue was bringing up her own child alone, her mother was always there to help. And playing her much-loved characters Sheila Grant in Waking the Dead and Barbara in The Royle Family- although her mum wouldn't say she was proud as such, she certainly seemed to approve. And in her mother's final months, it was Sue she needed by her side.The relationship with your mother is perhaps the most precious and fraught of any woman's life. When she began writing, Sue set out to record 'all the big things, and all the small things. Everything I wanted to tell my mother but felt I never could'. The result is a warm, poignant and often very funny memoir by one of Britain's favourite actresses.

    It’s his job to defend the people who have found themselves on the wrong side of the law – Petty thieves, career criminals, drug dealers and murderers…The scary son of a famous footballer, whose violent behaviour has got him in trouble so many times he almost knows the law better than Russell.The thief of a marital aid, who has a rather unusual defence.The 27 year old drug addict accused of stealing a push-bike, a chainsaw, a bag full of washing and a small fridge – all at the same time.And Russell’s first murder case – a young woman accused of murdering her violent boyfriend.This fascinating insight takes us behind the closed doors of the British legal world. With plenty of drama inside – and outside – of the courtroom, you’ll find out how CCTV can make or break a case, how your Facebook page could land you in jail and why on earth they wear those funny wigs!

    As a young man, William Lang worked as a gardener at the old college of Glasgow University but he has spent most of his subsequent life as a printer and bookseller in the growing city of Glasgow. When the novel begins, in the mid 1800s, he is in his seventies, widowed and living with his grown-up family. He has just received a parcel containing a book called the Scots Gard’ner, as well as a handwritten journal. With these volumes comes a letter saying that they were left to him by Thomas Brown, a gentleman who has recently died at his country house in Ayrshire. So many years later, the unexpected legacy of the books reminds William of his youth when he and Thomas became unlikely friends. The memories come flooding back. Some of this is based on truth. There was a gardener in Glasgow called William Lang. There was a nineteenth century lecturer in botany at the old college of Glasgow University whose name was Thomas Brown. It is clear from surviving correspondence that the two men, who were not very far apart in years, struck up a friendship. It is also clear that Thomas valued the work William did in collecting plant specimens for him. Later, when William found himself struggling to cope with a polluted garden and the necessities of providing for a widowed mother and younger siblings, Thomas Brown helped him as far as he could. The printed books mentioned are real. But the rest is entirely fictional.

    So, what really happened to Netaji? What is the factual position with regard to the air crash that reportedly killed him in 1945? Is there any truth behind Subramaniun Swamy's belief that Netaji was killed in Soviet Russia at Jawaharlal Nehru's behest? How do the biggest names of the past and present, from Mahatma Gandhi and Vallabhbhai Patel to President Pranab Mukherjee, and Atal Bihari Vajpayee fare in India's longest-running controversy? Who was Gumnami Baba of Faizabad, and if indeed he was Netaji, why did he not surface? Above all, what is preventing the Narendra Modi government from declassifying the Netaji files? The answers would make you believe that truth is stranger than fiction.

    In pursuit of a haven from the unrest of city life, she embarked on a journey to find the perfect plot of land on which to plant a wood. But creating this would-be sanctuary proved more daunting than she expected. In this inspiring memoir, Pavey shares her story of finding peace by sowing her legacy in the form of a wood, one tree at a time. Chronicling her struggle to clear away the brambles to make a place for herself in the world, Pavey's story is both enchanting and candid, and at times self-deprecating as she recognises her shortcomings as a landowner. By probing her own motivations and her enjoyment of the solitudeand beauty of the place, she shares her insights into our relationship with nature - and our destruction of it. Her intelligent understanding and cautioning against our romanticising of rural living forces us to consider the reality of country life in Britain today. With charming descriptions of the Somerset countryside and abundant with tales of its history and inhabitants (both past and present), Pavey's story is at once lyrical and beguiling.

    Talking candidly about his entire career; his acting, writing and directing, and the many tussles he has faced with Hollywood moguls, this is Bruce Robinson as you've never seen or heard him before.'The most purely likeable book about cinema I have ever read. Robinson talks about his profession in a way that is astonishingly clear-headed, funny and wise' David Hare, Guardian, Books of the Year

    He cleaned shoes, ironed underwear and socks and once had to stand all night in the hall waiting for a late visitor to arrive.But as a butler he was the best paid servant in the house, waited on, feared and respected by the other servants.Bob Sharpe knew the real world of upstairs downstairs and the secrets of the landed gentry - even to the point of incest and attempted murder!

    Every Pākehā becomes a Pākehā in their own way, finding her or his own meaning for that Maori word. This is the story of what it means to me. I have written this book for Pākehā - and other New Zealanders - curious about their sense of identity and about the ambivalences we Pākehā often experience in our relationships with Maori. A timely and perceptive memoir from award-winning author and academic Alison Jones. As questions of identity come to the fore once more in New Zealand, this frank and humane account of a life spent traversing Pākehā and Maori worlds offers important insights into our shared life on these islands.