The 33 Scandinavian folk tales take the imagination of the reader from rags to riches, from skulduggery to heroism, via witches' curses, beautiful princesses, giants, quests, billy goats and the occasional wicked troll, to a happy ending.

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.

    With roots in American slave tales, Tops & Bottoms celebrates the trickster tradition of using one’s wits to overcome hardship. “As usual, Stevens’ animal characters, bold and colorful, are delightful. . . . It’s all wonderful fun, and the book opens, fittingly, from top to bottom instead of from side to side, making it perfect for story-time sharing.”--BooklistThis title has been selected as a Common Core Text Exemplar (Grades 2-3, Stories)

    M. Barrie Peter Pan, the mischievous boy who refuses to grow up, lands in the Darling's proper middle-class home to look for his shadow. He befriends Wendy, John and Michael and teaches them to fly (with a little help from fairy dust). He and Tinker Bell whisk them off to Never-land where they encounter the Red Indians, the Little Lost Boys, pirates and the dastardly Captain Hook.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    This is a story about a lump of coal who can think, talk, and move itself around.Is there a more charming holiday tale to behold? Probably, but Lemony Snicket has not written one.

    The late screen legend Audrey Hepburn uses music from Maurice Ravels Mother Goose as the framework for this production.

    As the pot of water boils with the stone in it, he urges her to add more and more ingredients until the soup is a feast "fit for a king".

    But cunning Mr. Dog tricks Salma, and before she knows it, he’s wearing her stripy ntama, her pretty white beads, and her yellow sandals. And he’s on his way to Granny’s house! African culture and flavor infuse this inventive retelling of a favorite fairy tale, and the vibrant lively illustrations bring it to life. The result is a story that combines new and old and spans cultures as successfully as it has spanned the centuries.

    Alabasium, Wizard Extraordinaire, rents a room in Mrs. Beggs's boarding house. After the Wizard conjures up a few floating chairs and some inclement weather in the parlor, Mrs. Beggs retaliates with a little witchcraft of her own. Full color.

    "Executed with chromatic splendor--a unique combination of brilliance and restraint".--The Horn Book. Full-color illustrations.

    . .Danny and Dinosaur are convinced that a damsel in distress needs their help - they just need to find her. But there are twists in store . . . Can Dinosaur make it through Fairy Tale Land without eating everything in sight? And do all princesses really need to be rescued?From bestselling authors Tom Fletcher and Dougie Poynter, with glorious artwork from Garry Parsons, this hilarious, rip-roaring fairytale romp is packed with prehistoric cheekiness, punchy girl power and lots and lots of poop!

    It's a fan, says another. One by one, the seven blind mice investigate the strange Something by the pond. And one by one, they come back with a different theory. It's only when the seventh mouse goes out-and explores the whole Something-that the mice see the whole truth. Based on a classic Indian tale, Ed Young's beautifully rendered version is a treasure to enjoy again and again.Immensely appealing.(The Horn Book, starred review)

    The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Blackbird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.

    On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up