Outside, there is water all around. Inside, the daily life of a lighthouse keeper and his family unfolds as the keeper boils water for tea, lights the lamp's wick, and writes every detail in his logbook.

    It's just proper enough for a straight-laced boy like him. And when he asks his father if he may have one (please and thank you), his father says yes. Elliot should have realized that Dad probably thought he meant a stuffed penguin and not a real one . . . Clever illustrations and a wild surprise ending make this sly, silly tale of friendship and wish fulfillment a kid-pleaser from start to finish.

    A revisionist storyteller provides his mad, hilarious versions of children's favorite tales in this collection that includes "Little Red Running Shorts", "The Princess and the Bowling Ball", "Cinderumpelstilskin", and others.

    From the short, frozen days of January, through the light of summer, to the first snowflakes of December, Updike's poems rejoices in the familiar, wondrous qualities that make each part of the year unique.Hyman's award-winning paintings--modeled after her own daughter, son-in-law and grandchildren--depict an interracial family going about the business of their lives throughout the year: sledding in January, watching fireworks in July, and playing in the autumn leaves.A perfect read-aloud for the family, throughout the whole year.

     It is there. It is everywhere. All the world is right where you are. Now. Following a circle of family and friends through the course of a day from morning till night, this book affirms the importance of all things great and small in our world, from the tiniest shell on the beach, to warm family connections, to the widest sunset sky

    As the pot of water boils with the stone in it, he urges her to add more and more ingredients until the soup is a feast "fit for a king".

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    Fortunately, KB is safe, if a little wet...

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    It's time for the little red chicken's bedtime story—and a reminder from Papa to try not to interrupt. But the chicken can't help herself! Whether the tale is "Hansel and Gretel" or "Little Red Riding Hood" or even "Chicken Little," she jumps into the story to save its hapless characters from doing some dangerous or silly thing. Now it's the little red chicken's turn to tell a story, but will her yawning papa make it to the end without his own kind of interrupting? Energetically illustrated with glowing colors—and offering humorous story-within-a-story views—this all-too-familiar tale is sure to amuse (and hold the attention of) spirited little chicks.

    These pages come alive with the details of the trip and the sounds, speed, and strength of the mighty locomotives; the work that keeps them moving; and the thrill of travel from plains to mountain to ocean.

    Winner of the 1995 Caldecott Medal. During the Los Angeles riots, Daniel and his mother witness the night's events unfold from the safety of shelter after they are forced to leave their apartment. “Diaz has not been afraid to take risks in illustrating the story with thickly textured paintings against a background of torn-paper and found-object collage. Without becoming cluttered or gimmicky, these pictures manage to capture a calamitous atmosphere that finally calms. . . . Both author and artist have managed to portray a politically charged event without pretense or preaching.”--The Bulletin

    Steven Kellogg's hilarious retelling and irresistible illustrations bring fresh delight to this timeless classic of chain reaction panic.

    "An original nonsense tale told with...spirit and gusto." -- The Horn Book

    Part autobiographical, part fictional, this allegorical tale sparkles with symbolic and historical references central to African-American culture. The spectacular artwork resonates with color and texture. Children will delight in the universal dream of mastering one's world by flying over it.