C. S. Lewis's Studies in Words explores this fascination by taking a series of words and teasing out their connotations using examples from a vast range of English literature, recovering lost meanings and analysing their functions. It doubles as an absorbing and entertaining study of verbal communication, its pleasures and problems. The issues revealed are essential to all who read and communicate thoughtfully, and are handled here by a masterful exponent and analyst of the English language.

    This monumental eBook features beautiful illustrations, informative introductions.CONTENTS:The Early NovelsCLAUDE’S CONFESSIONTHE DEAD WOMAN’S WISHTHE MYSTERY OF MARSEILLETHERESE RAQUINMADELEINE FERATThe Rougon-Macquart CycleTHE FORTUNE OF THE ROUGONSTHE KILLTHE FAT AND THE THINTHE CONQUEST OF PLASSANSABBE MOURET’S TRANSGRESSIONHIS EXCELLENCY EUGENE ROUGONTHE DRAM SHOPA LOVE EPISODENANAPIPING HOTTHE LADIES’ PARADISETHE JOY OF LIFEGERMINALHIS MASTERPIECETHE EARTHTHE DREAMTHE HUMAN BEASTMONEYTHE DOWNFALLDOCTOR PASCALThe Three CitiesLOURDESROMEPARISThe Four GospelsFRUITFULNESSLABOURTRUTHThe Short StoriesSTORIES FOR NINONNEW STORIES FOR NINONPARISIAN SKETCHESTHE ATTACK ON THE MILLTHE FLOODCAPTAIN BURLETHE MILLER’S DAUGHTERTHE DEATH OF OLIVIER BECAILLENAÏS MICOULINJ’Accuse !I ACCUSE...!The CriticismÉMILE ZOLA by Henry JamesTHE ZOLA CONTROVERSY by G. K. ChestertonM. ZOLA by Sir Arthur Thomas Quiller-CouchAn Extract from ‘MY LITERARY PASSIONS’ by William Dean HowellsÉMILE ZOLA by William Dean HowellsZOLA by Henryk SienkiewiczBORLASE AND SON by James JoyceThe BiographyWITH ZOLA IN ENGLAND by Ernest Alfred VizetellyResourcesTHE ROUGON-MACQUART FAMILY TREEINDEX OF CHARACTERS IN THE ROUGON-MACQUART SERIESINDEX OF LOCATIONS IN THE ROUGON-MACQUART SERIES

    Rousseau was a major Swiss philosopher, writer, and composer of the eighteenth-century Enlightenment, whose political philosophy influenced the French Revolution and the development of modern political and educational thought.This ebook is DRM free and includes an active table of contents.

    the golden age of the European novel discovers a new collective protagonist: youth. It is problematic and restless youth—“strange” characters, as their own creators often say—arising from the downfall of traditional societies. But even more than that, youth is the symbolic figure for European modernity: that sudden mix of great expectations and lost illusions that the bourgeois world learns to “read”, and to accept, as if it were a novel.The Way of the World, with its unique combination of narrative theory and social history, interprets the Bildungsroman as the great cultural mediator of nineteenth-century Europe: a form which explores the many strange compromises between revolution and restoration, economic take-off and aesthetic pleasure, individual autonomy and social normality. This new edition includes an additional final chapter on the collapse of the Bildungsroman in the years around the First World War (a crisis which opened the way for modernist experiments), and a new preface in which the author looks back at The Way of the World in the light of his more recent work.

    Its exciting account of air adventure, combined with lyrical prose and the spirit of a philosopher, makes it one of the most popular works ever written about flying. Translated by Lewis Galantière.

    Since nobody photographs libraries as beautifully as Hofer, it seemed only natural to dedicate one of her publications to the splendid and intimate cathedrals of knowledge across Europe and the US: the Escorial in Spain, the Whitney Museum in New york, Villa Medici in Rome, the Hamburg University library, the Bibliotheque nationale de France in Paris, the Museo Archeologico in Madrid, and Pierpont Morgan Library in New York, to name just a few. Almost completely devoid of people, as is Candida Hofer's trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography. Now available in an unchanged reprint.

    Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

    But beyond these familiar details, the Brontes' story has remained largely obscure. This landmark book is the first definitive history of this fascinating family. Based on eleven years of research among newly discovered letters by every member of the family, original manuscripts, and the newspapers of that time, it gives a new and fuller picture of the Brontes' lives from beginning to end and, in the process, demolishes many myths. The father, Patrick, was not, as commonly believed, the cold patriarch of a family of victims. Charlotte, ruthlessly self-willed, ran roughshod over her sisters and went so far as to alter or destroy their manuscripts when she disapproved. Emily was so psychologically and physically dependent on her fantasy life that she could not survive in the outside world. Anne, widely regarded as the gentlest of the sisters, had a core of steel and was a more daring and revolutionary author than Charlotte. Branwell, the adored brother, was a talented poet who provided much of Charlotte's inspiration.

    In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements - a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts.Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters - the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature - Latin, French, and German - and closely examines three towering figures in the world republic of letters - Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.