So much for the Summer of Love. "Ode to Billie Joe" knocked the Beatles' "All You Need is Love" off the top of the charts, and Bobbie Gentry became an international star. Almost 50 years later, Gentry is as enigmatic and captivating as her signature song. Of course, fans still want to know why Billie Joe McAllister jumped off the Tallahatchie Bridge. They also wonder: Why did Bobbie Gentry, who has not performed or made a public appearance since the early 1980s, leave it all behind?Through extensive interviews and unprecedented access to career memorabilia, Murtha explores the real-life mysteries ensnarled within the much-disputed origin of Ode to Billie Joe. The result is an investigative pop history that reveals, for the first time, the full breadth of Bobbie Gentry's groundbreaking career-and just may help explain her long silence.Foreword by musician Jill Sobule.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    NO dissects 45 deceptive affairs including Rebellion, The Sexes, Individuality, Equality, Peace, The Nazis, and Keeping It Real, all brought to light in a fashion that only Boyd Rice can. If past written collections of his work serve as time-capsuled history, let NO be the words of the future.Debossed paperback.

    The Bitch In the House.Women today have more choices than at any time in history, yet many smart, ambitious, contemporary women are finding themselves angry, dissatisfied, stressed out. Why are they dissatisfied? And what do they really want? These questions form the premise of this passionate, provocative, funny, searingly honest collection of original essays in which twenty-six women writers—ranging in age from twenty-four to sixty-five, single and childless or married with children or four times divorced—invite readers into their lives, minds, and bedrooms to talk about the choices they’ve made, what’s working, and what’s not.With wit and humor, in prose as poetic and powerful as it is blunt and dead-on, these intriguing women offer details of their lives that they’ve never publicly revealed before, candidly sounding off on:• The difficult decisions and compromises of living with lovers, marrying, staying single and having children• The perpetual tug of war between love and work, family and career• The struggle to simultaneously care for ailing parents and a young family• The myth of co-parenting• Dealing with helpless mates and needy toddlers• The constrictions of traditional women’s roles as well as the cliches of feminism• Anger at laid-back live-in lovers content to live off a hardworking woman’s checkbook• Anger at being criticized for one’s weight• Anger directed at their mothers, right and wrong• And–well–more anger...“This book was born out of anger,” begins Cathi Hanauer, but the end result is an intimate sharing of experience that will move, amuse, and enlighten. The Bitch in the House is a perfect companion for your students as they plot a course through the many voices of modern feminism. This is the sound of the collective voice of successful women today-in all their anger, grace, and glory.

    This collection of writing by world-class writers including Frank Deford, Peter Gammons and Tom Verducci brings together the stories of football's greatest heroes and villains, legendary quests and pennant races.

    Whilst recognising how far women have come in the hundred years since getting the vote, Jeanette Winterson also insists that we must all do much more if we are to achieve true gender equality.Examining recent women's rights movements, the worlds of politics, technology and social media and changes in the law, Winterson calls out all the ways in which women still face discrimination and disadvantage. Like the women who won the right to vote, we need to shout up, reach out, be courageous and finish the job.(This is adapted from Winterson's 2018 Richard Dimbleby Lecture.)Also included in this volume is Emmeline Pankhurst's landmark Suffragette speech, Freedom or Death, which she delivered in 1913.

    Sly Stone began recording "There's a Riot Goin' On" in late 1970 as afollow-up to the commercially successful "Stand!" In this brisk,inventive book, Miles Marshall Lewis chronicle Sly's descent into a hazeof drug addiction and delirium as he rejects the successful formula -"Dance to the Medley, dance to the shmedley" - and creates one of themost powerful and haunting albums to inspire the hiphop movement.

    In Anatomy of a Song, based on the ongoing Wall Street Journal column, writer and music historian Marc Myers brings to life five decades of music through oral histories of forty-five transformative songs woven from interviews with the artists who created them.Bringing readers inside the making of a hit, Anatomy of a Song includes the Isley Brothers' memorable song "Shout," Led Zeppelin's "Whole Lotta Love," Janis Joplin's "Mercedes Benz," and R.E.M's "Losing My Religion." After receiving his discharge from the army in 1968, John Fogerty does a handstand and reworks Beethoven's Fifth Symphony to come up with "Proud Mary." Joni Mitchell remembers living in a cave on Crete with the "mean old daddy" who inspired her 1971 hit "Carey." Elvis Costello talks about writing "(The Angels Wanna War My) Red Shoes" in ten minutes on the train to Liverpool. And Mick Jagger, Jimmy Page, Rod Stewart, the Clash, Jimmy Cliff, Roger Waters, Stevie Wonder, Keith Richards, Cyndi Lauper, and many other leading artists reveal the emotions, inspirations, and techniques behind their influential works. Anatomy of a Song is a love letter to the songs that have defined generations of listeners.

    Ever since Oprah Winfrey told the 2007 graduating class of Howard University, “Don’t be afraid,” Michael Arceneaux has been scared to death. You should never do the opposite of what Oprah instructs you to do, but when you don’t have her pocket change, how can you not be terrified of the consequences of pursuing your dreams? Arceneaux has never shied away from discussing his struggles with debt, but in I Don’t Want to Die Poor, he reveals the extent to which it has an impact on every facet of his life—how he dates; how he seeks medical care (or in some cases, is unable to); how he wrestles with the question of whether or not he should have chosen a more financially secure path; and finally, how he has dealt with his “dream” turning into an ongoing nightmare as he realizes one bad decision could unravel all that he’s earned. You know, actual “economic anxiety.” I Don’t Want to Die Poor is an unforgettable and relatable examination about what it’s like leading a life that often feels out of your control.

    Rather, this is a drop in the ocean, a paddle in the shallow end of sex history, but I hope you will get pleasantly wet nonetheless.The act of sex has not changed since people first worked out what went where, but the ways in which society dictates how sex is culturally understood and performed have varied significantly through the ages. Humans are the only creatures that stigmatise particular sexual practices, and sex remains a deeply divisive issue around the world. Attitudes will change and grow – hopefully for the better – but sex will never be free of stigma or shame unless we acknowledge where it has come from.

    The fab five became one of the most successful music acts in history, with more than 85 million record sales world-wide and nine UK number one singles.Throughout the years, their lives have garnered unprecedented levels of media interest and fans have keenly followed their ups and downs – the personal conflicts, celebrity break-ups, controversies and parenthood. One thing’s for sure: they are never boring.In 2019, the prospect of their reunion tour has led to an outpouring of adoration and excitement, proving that the Spice Girls truly are an enduring cultural phenomenon.

    When Robert Gordon started covering Memphis music, the golden ages of his hometown had passed. But the links were there if you looked for them. Starting as a teenager, Gordon sought out old legends Furry Lewis and Mose Vinson, spent time at Jr. Kimbrough’s house parties, went into the grooves of records by Leadbelly and Robert Johnson, and picked up the threads in the new sounds that were developing around him, becoming the official chronicler of the Memphis scene. Memphis Rent Party compiles the best of these short pieces from the first three decades of Gordon’s career, many previously unpublished. The focus is on Memphis, but, like mint seeping into bourbon, Gordon gets into the wider world. In addition to homegrown renegades Alex Chilton (Box Tops, Big Star) and producer Jim Dickinson (Replacements, Rolling Stones), he spends time with those whom Memphis has inspired, like Cat Power, Jeff Buckley and Townes Van Zandt. A rent party is when friends come together to hear music, dance, and help a pal through hard times. With this stellar collection, Gordon—a deep listener, passionate cultural commentator, and unparelleled scribe of Southern sound—throws a rent party that will keep readers reading, music lovers listening, and culture hounds howling for more.

    If its titular concern - life - doesn't exactly allow for rigid focus, it's still a fiercely inspired collection of songs and one of the definitive soul records of the 1970s. Stevie Wonder was unable to control the springs of his creativity during that decade. Upon turning 21 in 1971, he freed himself from the Motown contract he'd been saddled with as a child performer, renegotiated the terms, and unleashed hundreds of songs to tape. Over the next five years, Wonder would amass countless recordings and release his five greatest albums - as prolific a golden period as there has ever been in contemporary music. But Songs in the Key of Life is different from the four albums that preceded it; it's an overstuffed, overjoyed, maddeningly ambitious encapsulation of all the progress Stevie Wonder had made in that short space of time.Zeth Lundy's book, in keeping with the album's themes, is structured as a life cycle. It's divided into the following sections: Birth; Innocence/Adolescence; Experience/Adulthood; Death; Rebirth. Within this framework, Zeth Lundy covers Stevie Wonder's excessive work habits and recording methodology, his reliance on synthesizers, the album's place in the gospel-inspired progression of 1970s R'n'B, and many other subjects.

    The Geek Feminist Revolution also features several entirely new essays written specifically for this volume.Unapologetically outspoken, Hurley has contributed essays to The Atlantic, Locus, Tor.com, and elsewhere on the rise of women in genre, her passion for science fiction and fantasy, and the diversification of publishing.

    Since women earned the right to vote a little under one hundred years ago, our progress hasn't been the Olympic sprint toward gender equality first wave feminists hoped for, but more of a slow, elderly mall walk (with frequent stops to Cinnabon) over the four hundred million hurdles we still face. Some of these obstacles are obvious-unequal pay, under-representation in government, reproductive restrictions, lack of floor-length mirrors in hotel rooms. But a lot of them are harder to identify. They're the white noise of oppression that we've accepted as lady business as usual, and the patriarchy wants to keep it that way. Erin Gibson has a singular goal-to create a utopian future where women are recognized as humans. In Feminasty -- titled after her nickname on the hit podcast "Throwing Shade" -- she has written a collection of make-you-laugh-until-you-cry essays that expose the hidden rules that make life as a woman unnecessarily hard and deconstructs them in a way that's bold, provocative and hilarious. Whether it's shaming women for having their periods, allowing them into STEM fields but never treating them like they truly belong, or dictating strict rules for how they should dress in every situation, Erin breaks down the organized chaos of old fashioned sexism, intentional and otherwise, that systemically keeps women down.