How can you effectively communicate to the Mormons that their gospel does not match up with the Bible? One of the best ways is to ask penetrating questions.Cult experts Ron Rhodes and Marian Bodine will help you understand the main points of Mormonism and discover where it falls short of God’s truth. They then equip you to ask strategic questions that challenge…the Mormon claim to be the only true churchthe reliability of Mormon prophetsthe authenticity of the Book of MormonJesus’ supposed visit to ancient Americathe Mormon view of God, Jesus, and the Holy Spiritand much moreYou’ll find Reasoning from the Scriptures with the Mormons a valuable guide to responding to Mormons with confidence!

    With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America--and the painful, joyous path to adulthood as a young, queer Black woman.Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

    In the mid- to late nineteenth century, however--the heyday of Mormon polygamy--as many as three out of every ten Mormon women became polygamous wives. Paula Kelly Harline delves deep into the diaries and autobiographies of twenty-nine such women, providing a rare window into the lives they led and revealing their views and experiences of polygamy, including their well-founded belief that their domestic contributions would help to build a foundation for generations of future Mormons. Polygamous wives were participants in a controversial and very public religious practice that violated most nineteenth-century social and religious rules of a monogamous America. Harline considers the questions: Were these women content with their sacrifice? Did the benefits of polygamous marriage for the Mormons outweigh the human toll it required and the embarrassment it continues to bring? Polygamous wives faced daunting challenges not only imposed by the wider society but within the home, yet those whose writings Harline explores give voice to far more than unhappiness and discontent. The personal writings of these women, all married to different husbands, are the heart of this remarkable book--they paint a vivid and sometimes disturbing picture of an all but vanished and still controversial way of life.

    Others aren't troubled by the issue at all. But wherever you fall on that spectrum, you'll be fascinated by this doctrinal exploration of a topic that is crucial for both women and men to understand.In Women and the Priesthood, Sheri Dew discusses the varying responsibilities of men and women in the context of key doctrine of the Church, including the eternal truths that women are vital to the success of the Lord's church, that God expects women to receive revelation, and that both men and women have access to God's highest spiritual blessings.This enlightening book shows how studying the doctrine of the priesthood will help you find the answers you seek about women and the priesthood, about women in the Church, and about the vital influence righteous women can have in the world.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    It is in those moments of testing and trial that we truly come to know what we re made of. In our anguish, we discover that certain choices must be made. Choices that can either open or close the door to receiving divine help. Choices that can reveal great opportunities for growth that may be experienced in no other way. Choices that can help us develop a plan of attack and find tranquility in the midst of turmoil. Choices that can lead us to paths of humility, of healing, and of letting go. In her most powerful book to date, author Merrilee Boyack examines the essential choices that confront each of us in trying times and offers insight and encouragement to just keep trying.

    Volkman develops a new lyric density that marries the immediacy of image-centered poetry to the rhythmic resources of prose. Her first poem begins, Someone was searching for a Form of Fire, and this wild urge to seek form- and thus definition-in the most uncontainable of elements propels the book forward; each poem maps the mind's evolving positions in response to its variable and perilous encounters. Sometimes the encounter is romantic or purely carnal, a sensual landscape of human relations. At other times, nature itself has an almost humanly emotional connection to the speaker. While very much a living voice, the poems' speaker is not a consistent self but a mutable figure buffeted by tenderness, terror, irony, or lust into elaborate evasions, exclamations, verbal hijinks, and lyric flights. As its title suggests, Spar embodies both resistance and aspiration, while its epigraphs further emphasize the simultaneous allure and danger of the unknown within the sensual and material worlds and in the mind itself.

    On September 11th, 2001, Carmen bin Ladin heard the news that the Twin Towers had been struck. She instinctively knew that her ex-brother-in-law was involved in these horrifying acts of terrorism, and her heart went out to America. She also knew that her life and the lives of her family would never be the same again. Carmen bin Ladin, half Swiss and half Persian, married into-and later divorced from-the bin Laden family and found herself inside a complex and vast clan, part of a society that she neither knew nor understood. Her story takes us inside the bin Laden family and one of the most powerful, secretive, and repressed kingdoms in the world.

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    Mormons are moving into the spotlight in pop culture, politics, sports, and entertainment via presidential candidates like Romney and Huntsman, media personality Glenn Beck, mega-bestselling Twilight author Stephanie Meyer, and The Book of Mormon, the hottest show on Broadway. Mormonism was once a renegade cult at war with the U.S. Army in the 1800s, but it has now emerged as not only the fastest-growing religion, but as a high-impact mainstream cultural influence.

    While on special assignment with the Cuban Special Forces, Malcolm receives a blow from a sniper rifle that almost ends his life. It is in this moment of darkness that Malcolm calls upon this God in faith, thus beginning his miraculous journey in search of truth, and his eventual discovery of and conversion to the gospel of Jesus Christ.

    Before the Internet, historical and doctrinal questions not addressed in LDS Church curriculum were mostly found in the scholarly articles of academic journals. This is no longer the case. These topics are now widely debated and discussed online and in other forums. And when members of the LDS Church come across information that is unfamiliar, they may feel surprise, fear, betrayal, or even anger. Laura Harris Hales has assembled a group of respected LDS scholars to offer help in A Reason for Faith: Navigating LDS Doctrine and Church History. Together these authors have spent an average of 25 years researching these topics. Their depth of knowledge and faith enables them to share reliable details, perspective, and context to both LDS doctrine and Church history. The information in these essays can begin an exciting process of discovery for readers as they learn from a source they can trust. Each chapter is engaging and thought-provoking, providing an invaluable resource for both the merely curious and the seriously concerned.

    Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a rekindling of the faith in the shocking, weird and beautiful power of words. Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer s community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long poetic play called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book. Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown s words: I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it s skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn t know I was ready for. There is a theme that in beautiful places, you will"

    Yum! I hope you like it.