Often frightening and sometimes downright funny, the world of Cemetery Nights is haunted by regret, driven by desire and need, illuminated by daring make-believe -- the remarkable bridge between pure entertainment and deep psychological insight.

    A man from Alaska advertises for a bride in Seattleand finds one. A businesswoman marries her company's prize chemist to allow him to stay in the country. All unusual marriages. All couples who don't seem to be well-suited. And yet love can come about in unexpected ways!Three classic romance novels by Debbie Macomber. One great price!This bundle includes: MARRIAGE WANTEDBRIDE WANTEDGROOM WANTED

    Wright interweaves familiar, coloquial speech with strikingly inventive language, leaving each poem a distinctive entity, yet interconnected by linked metaphors and images.

    With The Old Man and Me, written when Dundy was living in England in the early 1960s, she tackles the American girl in London, a bit older but certainly no wiser. Honey Flood (if that’s her real name) arrives in London with only her quick wits and a scheme. To get what she wants, she’ll have to seduce the city’s brightest literary star, no matter how many would-be bohemians she has to charm, how many smoky jazz clubs she has to brave, or how many Lady Something-Somethings she has to humor. But with success within her reach, Honey finds that in making the Soho scene, she’s made a big mistake.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    His many readers will recognize the musical and formal variety, the voice that can be tender and funny, credibly mystical and savagely skeptical. But there are many new notes in this collection as well, including a moving elegy to the poet's father, sharp observations and distillations of modern American life, and rangy poems that merge and juxtapose different modes of speech and thought. The cumulative effect is extraordinary. Reading Survival Is a Style, one has the sense one is encountering work that will become a permanent part of American literature.

    The lives of eight women collide in this opulent, culturally vibrant city on a journey of sisterhood, friendship, love, betrayal and the heartbreaking choices of its residents. We see Jewel, a beautiful but frustrated wife to her powerful Emirati husband, and Tara, a devout Muslim torn between passion and her faith, and Liliana, a tragic dancer in the seedy clubs of Dubai.A stirring tale encompassing, tradition, identity, and faith, Dubai Wives takes the reader into the hidden world behind the walls of lavish mansions and into the back alleys of Dubai, from the hills of Morocco to the glittering lights of the Burj Al Arab. It paints a portrait of a world where no one is who they seem to be...and where everything is possible.

    Truthful and tender, profoundly aware of the possibility of magic and the miraculous, these poems are beautiful, informed, and, even at their darkest moments, filled with courage and hope. Alongside old favorites, this edition will contain a selection of new, unpublished poems. This is a must for poetry lovers.

    Its language negotiates a past -- "How was it to be the first arrivals in rows and columns" -- as well as a present -- "A perceiver without a state", and has already gained Kim recognition as among the most moving and important "translators" in contemporary poetry.

    Cirque du Freak is the saga of a young boy whose visit to a mysterious freak show leads him on a journey into a dark world of vampires.

    Here parody does not exclude the cri de coeur any more than seriousness excludes the joke. With surrealist volatility, these poems are the result of experiments that continue for the reader during each reading. Young moves from reworkings of creation myths, the index of the Norton Anthology of Poetry, pseudo reports and memos, collaged biographies, talking clouds, and worms, to memory, mourning, sexual playfulness, and deep sadness in the course of this turbulent book.

    There is the sense of the speaker as a cartographer of familiar spaces, of land he has never left or relationships that have stayed with him for years, and always with the newness of an alien or stranger. Acutely attuned to the heritage of Greco-Roman myth, Wilson writes through characters such as the Basilisk and the Minotaur, emphasizing the intense loneliness these characters experience from their uniqueness. For the racially ambiguous speaker of these poems, who is both black and not black, who has lived between the American South and the Midwest, there are no easy answers. From the fields of Kentucky to the pigeon coops of Chicago, identities and locations blur―the pastoral bleeds into the Afrofuturist, black into white and back again.

    Don Marquis' creations have been constantly in print since 1934.

    War vet Joe has made new friends and a new home for himself here, overlooking a beautiful apple orchard. But when tragedy strikes and Joe is left out in the cold, it will bring them all together in entirely unexpected ways . . . The Apple Orchard is a truly feel-good short story about friendship and kindness. It's the perfect introduction to Veronica Henry and includes an extract of her upcoming novel The Forever House.

    An extraordinarily vivid account of how a tearaway kid from South London became a career criminal, it is both a searing indictment of a system that determinedly brutalized young offenders and a frank, unsentimental acknowledgement of the thrills of the criminal life. Shocking, fascinating and frightening by turns, it also reveals Razor Smith to be a remarkably talented writer.