Hartwell returns with this fifth annual collection of the year's most imaginative, entertaining, and mind-expanding science fiction.Here are works from some of today's most acclaimed authors, as well as visionary new talents, that will introduce you to new ideas, offer unusual perspectives, and take you to places beyond your wildest imaginings. Contents xiii • Introduction (Year's Best SF 5) • (2000) • essay by David G. Hartwell 1 • Everywhere • (1999) • shortstory by Geoff Ryman 14 • Evolution Never Sleeps • (1999) • shortstory by Elisabeth Malartre 36 • Sexual Dimorphism • (1999) • shortstory by Kim Stanley Robinson 57 • Game of the Century • (1999) • novelette by Robert Reed 94 • Secrets of the Alien Reliquary • (1998) • poem by Michael Bishop 97 • Kinds of Strangers • (1999) • novelette by Sarah Zettel 124 • Visit the Sins • (1999) • shortstory by Cory Doctorow 145 • Border Guards • (1999) • novelette by Greg Egan 174 • Macs • (1999) • shortstory by Terry Bisson (aka macs) 186 • Written in Blood • (1999) • shortstory by Chris Lawson 204 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe 222 • The Blue Planet • (1999) • shortstory by Robert J. Sawyer 229 • Lifework • (1999) • shortstory by Mary Soon Lee 238 • Rosetta Stone • (2000) • shortstory by Fred Lerner 255 • An Apollo Asteroid • (1999) • shortstory by Brian W. Aldiss 271 • 100 Candles • (1999) • shortstory by Kurt Wohleber 288 • Democritus' Violin • (1999) • shortstory by G. David Nordley 311 • Fossil Games • (1999) • novelette by Tom Purdom 362 • Valour • (1999) • shortstory by Chris Beckett 379 • Huddle • [Manifold] • (1999) • novelette by Stephen Baxter 404 • Ashes and Tombstones • (1999) • shortstory by Brian Stableford [as by Brian M. Stableford ] 422 • Ancient Engines • (1999) • shortstory by Michael Swanwick 433 • Freckled Figure • (1992) • shortstory by Hiroe Suga 457 • Shiva • (1999) • shortstory by Barry N. Malzberg 466 • The Queen of Erewhon • (1999) • novelette by Lucy Sussex

    15, 1975, in conjunction with the Dept. of Humanities and Communications, the Dept. of the Arts, UCLA Extension, and the stories written as a follow-up.Cosmic hod-carriers, by Harlan Ellison. --The specs. --The concept seminars. --The extrapolations, the questions. --Second thoughts. --Farside stations. --Flare time. --With Virgil Oddum at the east pole. --Swanilda's song. --Seasoning. --Concepts. --Songs of a sentient flute. --Hunter's moon. --The promise. --Why dolphins don't bite. --Waiting for the earthquake.

    AldissAn invasion of invisible monsters strikes terror on an English farm.HE WHO SHAPES, by Roger ZelaznyThe science of tomorrow makes possible a new kind of psychiatrist--one who can enter another human mind and reshape it...if he dares!THE DOORS OF HIS FACE, THE LAMPS OF HIS MOUTH, by Roger ZelaznyA man measures his courage against a Venusian sea monster the size of a thirty-story building."REPENT, HARLEQUIN!" SAID THE TICKTOCKMAN, by Harlan EllisonA John Birch world of the future where tardiness takes time off your life, and a joker who's never on time throws jelly-beans into the clockworks.Four Distinguised Runners-up:THE DROWNED GIANT, by J.G. BallardCOMPUTERS DON'T ARGUE, by Gordon R. DicksonBECALMED IN HELL, by Larry NivenBALANCED ECOLOGY, by James H. Schmitz"The stories in this book...show the quality of modern science fiction, its range, and, I think, its growing depth and maturity. Science fiction has come a long way." --DAMON KNIGHTContents ix • Introduction (Nebula Award Stories) • (1966) • essay by Damon Knight 1 • The Doors of His Face, the Lamps of His Mouth • (1965) • novelette by Roger Zelazny 34 • Balanced Ecology • (1965) • shortstory by James H. Schmitz 53 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 65 • He Who Shapes • (1965) • novella by Roger Zelazny 151 • Computers Don't Argue • (1965) • shortstory by Gordon R. Dickson 165 • Becalmed in Hell • [Known Space] • (1965) • shortstory by Larry Niven 178 • The Saliva Tree • (1965) • novella by Brian W. Aldiss 234 • The Drowned Giant • (1964) • shortstory by J. G. Ballard

    In Steele’s universe, the stars are cold, space is big, and it’s the normal people who make things interesting.

    

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Beam Piper) • (1983) • essay by John F. Carr9 • Time and Time Again • (1947) • shortstory by H. Beam Piper29 • The Mercenaries • (1950) • novelette by H. Beam Piper57 • Dearest • (1951) • shortstory by H. Beam Piper77 • Hunter Patrol • (1959) • novelette by H. Beam Piper and John J. McGuire111 • Flight from Tomorrow • (1950) • novelette by H. Beam Piper135 • Operation R.S.V.P. • (1951) • shortstory by H. Beam Piper147 • Genesis • [Paratime Police] • (1951) • novelette by H. Beam Piper171 • The Answer • (1959) • shortstory by H. Beam Piper185 • Crossroads of Destiny • (1959) • shortstory by H. Beam Piper199 • Day of the Moron • (1951) • novelette by H. Beam Piper

    Heinlein, author of multiple New York Times best sellers, on subjects ranging from Crime and Punishment to the Love Life of the American Teenager; from Nuclear Power to the Pragmatics of Patriotism; from Prophecy to Destiny; from Geopolitics to Post-Holocaust America; from the Nature of Courage to the Nature of Reality; it's all here and it's all great - straight from the mind of the finest science fiction writer of them all.For the Millions of Heinlein Fans-a Guided Tour Through the Thoughts and Insights of "One of the Most Influential Writers in American Literature" –The New York Times Book ReviewContents:ForewordLife-LineSuccessful OperationBlowups HappenSolution UnsatisfactoryThe Last Days of the United StatesHo to Be a SurvivorPie from the SkyThey Do It With MirrorsFree MenNo Bands Playing, No Flags Flying—A Bathroom of Her OwnOn the Slopes of VesuviusNothing Ever Happens on the MoonPandora's BoxWhere To?Cliff and the CaloriesRay Guns and Rocket ShipsThe Third Millennium OpensWho Are the Heirs of Patrick Henry?"Pravda" Means "Truth"Inside TouristSeachlightThe Pragmatics of PatriotismPaul Dirac, Antimatter, and YouLarger Than LifeSpinoffThe Happy Days Ahead

    Contains the stories:"The Narrow Land""The Masqerade on Dicantropus""Where Hesperus Falls""The World-Thinker""Green Magic""The Ten Books""Chateau D'If" (aka "New Bodies for Old")

    A remarkable anthology uniting twenty of today's leading thinkers, writers, and visionaries, among them Cory Doctorow, Gregory Benford, Elizabeth Bear, Bruce Sterling, and Neal Stephenson, to contribute works of "techno-optimism" that challenge us to dream boldly and do Big Stuff. Engaging, mind-bending, provocative, and imaginative, Hieroglyph offers a forward-thinking approach to the intersection of art and technology that has the power to change our world.Contents: Foreword (Hieroglyph: Stories and Visions for a Better Future) • essay by Lawrence M. Krauss Preface: Innovation Starvation (Hieroglyph: Stories and Visions for a Better Future) • essay by Neal Stephenson Introduction: A Blueprint for Better Dreams • essay by Kathryn Cramer and Ed Finn Atmosphaera Incognita (2013) / novelette by Neal Stephenson Girl in Wave: Wave in Girl (2014) / novelette by Kathleen Ann Goonan By the Time We Get to Arizona (2014) / novelette by Madeline Ashby The Man Who Sold the Moon (2014) / novella by Cory Doctorow Johnny Appledrone vs. the FAA (2014) / novelette by Lee Konstantinou Degrees of Freedom (2014) / novelette by Karl Schroeder Two Scenarios for the Future of Solar Energy (2014) / short story by Annalee Newitz A Hotel in Antarctica (2014) / novelette by Geoffrey A. Landis Periapsis (2014) / novelette by James L. Cambias The Man Who Sold the Stars (2013) / novelette by Gregory Benford Entanglement (2014) / novella by Vandana Singh Elephant Angels (2014) / novelette by Brenda Cooper Covenant (2014) / short story by Elizabeth Bear Quantum Telepathy (2014) / novelette by Rudy Rucker Transition Generation (2014) / short story by David Brin The Day It All Ended (2014) / short story by Charlie Jane Anders Tall Tower (2014) / novelette by Bruce Sterling Science and Science Fiction: An Interview with Paul Davies • interview of Paul Davies (1946-) • interview by uncredited.

    Underwood, L. E. Modesitt, Jr., Nathan Archer, Jody Lynn Nye and many others, including a new urban fantasy by Sharon Lee! So come along and meet an orphan with a dream, a dockworker who believes in freedom, a maintenance worker with feelings and visit a soup kitchen with a secret.Contents:Voyeur / Eric Witchey --Digger don't take no requests / John Teehan --The gate between hope and glory / Holly Phillips --Riis run / eluki bes shahar --Bidding the walrus / Lawrence M. Schoen --The gift / Laura J. Underwood --The dock to heaven / L.E. Modesitt, Jr. --Find a pin / Ru Emerson --Sailing to the temple / Alan Smale --The pilgrim trade / Mark W. Tiedemann --More to glory / Patrice Sarath --Gonna boogie with Granny Time / Sharon Lee --Angel's kitchen / Chris Szego --Lair of the lesbian love goddess / Edward McKeown --Contraband / Nathan Archer --Spinacre's war / Lee Martindale --Bottom of the food chain / Jody Lynn Nye --Zappa for bardog / Joe Murphy --The times she went away / Paul E. Martens --Scream angel / Douglas Smith.

    But if, by chance, an insider led you to the White Hart on a Wednesday night, you would have found yourself in the midst of a select gathering or writers, editors, scientists and interested laymen—drinking, swapping odd bits of information, and, like as not, listening to Harry Purvis' memorable stories. A scientist by profession, Harry Purvis has had or heard about some of the most astonishing experiences—like the story of the carnivorous orchid that was used in a murder plot, or the one about the military computer that was converted to pacifism. There's SILENCE PLEASE, involving a spurned lover and a device that was supposed to destroy sound; and BIG GAME HUNT, in which an ambitious researcher becomes so wrapped up in his latest projest—controlling animal behavior with electrical impulses— that he overlooks one tiny important detail. Such stories may challenge your powers of logic and strain your imagination. Yet even if you doubt their veracity, they're guaranteed to provide you with hours of SF reading. Baron Munchausen, step aside.Contains: Silence Please; Big Game Hunt; Patent Pending; Armaments Race; Critical Mass; The Ultimate Melody; The Pacifist; The Next Tenants; Moving Spirit; The Man Who Ploughed the Sea; The Reluctant Orchid; Cold War; What Goes Up; Sleeping Beauty & The Defenestration of Ermintrude

    Contents:Surfacing (1988)Video Star (1986)No Spot of Ground (1989)Flatline (1988)Side Effects (1985)Witness (1986)Wolf Time (1987)The Bob Dylan Solution (1989)Dinosaurs (1987)