Phoebe cannot understand why she is treated so harshly by her uncle, but she does not know the guilty secret from his past that casts its shadow on his feelings.

    This book contains the complete novels of Jane Austen.- Lady Susan- Sense and Sensibility- Pride and Prejudice- Mansfield Park- Emma- Persuasion- Northanger Abbey- Love And Friendship And Other Early Works

    And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

     Adam and Polly Fitch face a bleak future after being sold for just five shillings to Miss Reed's orphanage by their bullying father. Missing their mother Minnie, and their three brothers still at home, they know they must stick together to survive. But the orphanage does have one advantage – a merry band of children who soon form their own kind of family – and they're all determined to escape the clutches of the wicked Miss Reed. Adam decides to survive he'll need to fight, so he sneaks out to have boxing lessons with the famous pugilist Billy Marshall. Lessons he needs sooner than he expects when his beloved sister Polly is sold to the rich Bellamy family, and Adam decides to go to her rescue. Can Adam, Polly and their band of friends survive life with only each other to rely on, and will they ever have the happily ever after they so long for...

    Dewy, a foul-mouthed realist, happily takes Gunnar under his wing and tries to teach him how to maneuver safely through the dangers of the Columbus, Ohio, streets. Together they devise increasingly ingenious ways to reclaim properly from their most recalicitrant customers. They become fixated in particular on a woman who will not respond to any of their attempts to repossess her furniture. Both Dewy and the customer refuse to give in. And thus the stage is set for a series of events that send Gunnar's life spiraling out of control.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    First published in 1969, its 12 stories depict a vast cast of characters drawn from Orkney’s past and present, offering a range of emotions and incidents. They are elemental tales of the fishermen, crofters and farmers of the island and of the harsh, beautiful landscape in which they live.

    Moving between the South of France, the East Coast of the U.S., and Algeria, The Last Life explores the weight of isolation and exile in one French family. Of course, the adjective French is already inadequate, as at least some of the LaBasses still long for the paradise lost of Algeria. And Alex LaBasse's wife, Carol, try as she might with her Continental impersonations, will always be an American sporting a metaphorical twin set. The narrator, Sagesse, too, soon finds herself equally stranded. Only her autocratic grandfather, Jacques, is ostensibly comfortable with the identity he has wrought: successful owner of the Bellevue Hotel and head of his dynasty. It is thanks to this man that 14-year-old Sagesse comes to crave invisibility. Having lost of all of her friends, she sees herself as "a member of the Witness Protection Program, surrounded by an odd human assortment chosen only for the efficiency of disguise; but somehow, nevertheless, inescapable."The cause of this loss? Jacques, fed up with Sagesse and her pals' late-night noise at the hotel pool--or perhaps with their failure to take him seriously--shoots at one girl. This incident ruptures life for each LaBasse, the Bellevue no longer "their bulwark against absurdity." Looking back on the crucial two years following the patriarch's "target practice," Sagesse possesses both a teenager's slant self-interest and an older, acute eye for the mechanisms of shame. The Last Life is that rare thing, a fast-moving philosophical novel masquerading as a bildungsroman. In her efforts at identity and affection, its heroine is increasingly alive to the subterfuges of narrative, forcing herself to sort through versions of reality. Her grandmother, for instance, relates one myth about her husband, only to have Carol undercut it entirely. And Sagesse herself can't figure out whether Jacques is "sentimental or heartless." What if both, she realizes, are possible?As Messud's narrator navigates her way through the past--and the Algerian sections are among the book's most extraordinary--there is everything to savor in her wavelike sentences, many of which possess a dangerously witty undertow. And the scenes of familial tedium are the opposite of tedious. The dialogue snaps with subverted emotion, anxiety, and irony. At one of the LaBasses' bleaker fests, much is made of the mouna, a special (if dry) Algerian cake. Nonetheless, the grandmother does her best to fob it off at evening's end. "I've never cared for it myself, although it's a lovely memory." Retrospect, as Sagesse realizes, is "a light in which we may not see more clearly, but at least have the illusion of doing so."

    Beautiful and pampered, she has never worked and has never wanted to. She lives only to appreciate the finer things and to be adored. But after four years of marriage, she finds herself unable to move, to dress in the morning, or to take the elevator outside.Lately, she finds her days drifting by in a haze. She'd like to leave Cameron, but the effort seems too great. Instead, she visits her mother, once her closest confidante, now indifferent and distant. As Francesca prays for rescue, change makes a surprise appearance, and suddenly she is faced with the choice between an awkward life and a slow, comfortable death. . . ."Deceptively subtle: it would be easy to skim right over all the deep things the author is saying and read her book as a well-written surface story of a beautiful woman who makes an abortive bid for freedom....I have been crying out for contemporary woman's new consciousness to express or define itself in a good novel....Here it is: Glass People by Gail Godwin."--Anatole Broyard The New York Times"POWERFUL. . .GODWIN IS BRILLIANT. . .DEFTLY PLOTTED AND IMAGINED. . . [It] deepened my long-cherished belief about certain forms of art: that in exploring extremities of human behavior, in forcing us to wade through real or metaphorical blood, such art saves us from these experiences and is cathartic in the best sense of the term."--Joyce Carol OatesThe Washington Post

    Proclaimed by reviewers to be “a rural J.D. Salinger,” Baker received the prestigious Danuta Gleed Award and her collection was listed among Maclean’s Top 10 Books of the Year.The Horseman’s Gravesreturns us to the harsh locale of Sand Hills on the Saskatchewan-Alberta border, where Baker unfolds a tale of a small German immigrant community caught between the promise of this new land and the weight of a European past, with its hatred, fear and old-country superstitions. Lathias is a half-breed farmhand, a young loner who becomes the unofficial guardian to the Schoff boy, a golden child until a terrible farm accident scars his face and his mind. Both boys are drawn to Elisabeth, a savagely beautiful girl, whose stepfather, Leo, is the local scapegrace, a man whose cruelty is both a source of amusement and shame to the townspeople. When Elisabeth, watched only by the Schoff boy, falls through the ice into the river, no one foresees how it will be the end—and the beginning—of everything. A novel so lyrical and hypnotic that it begs to be read aloud,The Horseman’s Graves is a pitch-perfect rendering of small-town immigrant life. Told through the unforgettable narrative voice of a seeall neighbour, it is filled with memorable characters: a blustering, pious priest; a mysterious “witch” faith healer; the town busybody; a fearful young farm wife who is virtually worked to death. An extraordinarily accomplished work, The Horseman’s Graves is a profound testament to our universal search for love and redemption.

    It is early in the 1930s and Dr Alexander Mackay is on his way to take up his post running a maternity hospital in the colony. During the voyage he meets two beautiful sisters and the seeds of a scandal are sown.Seventy years later Edward Mackay wakes after a major brain trauma. In the hazy shadowlands of illness, he conjures the figure of his dead father, a man he knew so little about. This near-death experience provokes a move to the wilds of Orkney, where Edward joins a project to harness the tides around the island as a renewable source of energy. But in the tight-knit island community passions also run high.

    Translated in Kannada by: Ravi BelagereOne of the best pieces of historical fiction. A very existential novel about the revolt of 1857 in British India.

    Home to her alma mater, Scotland is also the place where seventeen years ago Perdita fell in love with Highland poet Andrew Macgruer. At the bed-and-breakfast where Perdita and Perry are staying lives an eccentric pair of sisters, Kira and Catitlìn. Among the unexpected guests are Breton Trent, Kira's old flame, and Andrew, whose allure has only improved with age. Recognizing in Kira's thwarted love an example of her own, Perdita works to bring the couple together again. In the process she finds herself growing ever closer to Andrew. Perry's subsequent anguish, however, incidentally coincides with an illness that seems to affect her heart. As three sets of love triangles hurtle toward final conclusions, the marine biologist's quest for the legendary creature of Loch Ness becomes the central metaphor for the secrets that glide beneath the surface of us all.

    Perfect for the fans of Jo Cox and Rosie Goodwin. The boom years immediately after the Great War bring nothing but happiness for wealthy industrialist Wigmore Stratfield-Whyte and his wife Clarissa – until tragedy robs them of their greatest treasure. Many years later, an horrific fatal accident brings young Meg Chandler, a spirited farmer's daughter, into their lives. Meg wants nothing to do with them, but Clarissa is drawn irresistibly towards the bereaved girl and will move heaven and earth to help her. Will Meg allow Clarissa into her own shattered life, and can the two share a future happiness together? And will Meg's new acquaintances bring her the contentment she craves – or seek to destroy her? Set in the Kent countryside in the years leading up to the Second World War, this compelling saga tingles with drama, tension and an overwhelming sense of love.

    She’s on a charitable mission, by damn, and that rowdy cantina next door is drowning out her gospel singing. The clash with the sexy-as-hell man who runs the cantina hits with enough force to burn down the small Mexican town. What happens in Mexico… Is supposed to stay in Mexico but Hunter can’t get that blonde with the ice blue eyes out of his mind when he goes home to Texas. Finding her isn’t the problem. Convincing her that he’s interested—well, that’s another story. Mercy tried to get over Hunter, especially when she found out about his past. She had two choices: move on or give him one more chance because no other man should have to live in an old love’s shadow. If you liked Carolyn Brown’s books, Love Is, Trouble in Paradise, The Wager or The Yard Rose, you will love An Old Love’s Shadow.