Over the course of eight stories, we are introduced to a host of young people on the cusp of discovery and loss. As he evokes the various states of agony and pleasure--humiliation, rebellion, camaraderie, and desire--Benioff displays a profound understanding of the transformative power of a single moment and how sadness can be illuminated by a humorous flip side. When the Nines Roll Over confirms the promise of a gifted writer emerging as a storytelling force.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    These pieces encompass the pre- and postwar Irish American family life she circles in the early Temporary Shelter series, as well as a wealth of new fiction that brings her contemporary characters into middle age; it is their turn to face bodily decline, mortality, and the more complex anxieties of modern life. Gordon captures the sharp scent of feelings as they shift, the shape of particular lives in their hope and incomprehensibility. In The Neighborhood, a seven-year-old who has lost her father finds birthday parties, with their noisy games and spun-sugar roses on fancy cakes, her greatest trial. City Life explores the dark side of Manhattan apartment living. Intertextuality proposes a dream meeting between Proust's characters and the author's aging grandmother. Throughout, Gordon's surprising path to the center of a story is as much a part of the tale as the self-understanding her characters achieve in the process: What were they all, any of them, feeling?one narrator ventures. This was the sort of question no one in my family would ask. Feelings were for others: the weak, the idle. We were people who got on with things. With their powerful insights into how we make do, both socially and privately, these stories are a treasure of American fiction. Each is a joy to read and a chance to savor Gordon's clear vision: her ability to reveal at every turn what we need and what we wish for, and her willingness, always, to address what comes of such precious wishes.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    After a night out with his girlfriend in one of the country's remote provinces, he wakes to find himself in a pitch-black coffin—and quickly running out of oxygen. With only his cell phone and his own wits to rely on, it's a race against time to escape the claustrophobic death trap. SIX BULLETS The end of civilization arrived in the form of a giant asteroid thirteen months ago. For Burt James, a survivalist, it was not a complete surprise. He'd spent much of his adult life prepping for such a catastrophe. Consequently, while the majority of the population scoured the post-apocalyptic landscape for water and food, regressing into primitive killers, he bunkered down in his fortified hilltop home in a small town in the middle of the Australian Outback. But now he's out of food and down to his last six bullets, and he will have to make the most difficult choice of his life. THE MAILMAN Los Angeles, 1985. Never was the motto sex, drugs, and rock n’ roll more apt than the scene on the legendary Sunset Strip with the arrival of the underground Hollywood glam bands. While Mick Freeman, a record executive with a major label, works tirelessly to sign five toxic rockers whom he believes might flip the entire music world on its head, his wife, Jade, spends her days bored and alone at home, struggling with a midlife crisis that threatens to topple their twenty-year marriage. And then she meets the new mailman. Young and handsome, he sweeps her off her feet—straight into a nightmare the likes of which she could never have imagined. RE-ROLL In the near future, breathtakingly humanoid robots called Mechs are for sale, and they're designed to fulfill whatever role you want: husband, wife, best friend, slave. Manufacturers allow new owners one free "roll" to randomly determine their Mech's three leading characteristics. But as everybody knows, scoring your ideal traits is a crapshoot, though you can always re-roll—at a price.

    Nothing is certain in this world where weddings and birthday parties go unpredictably awry, strangers blurt out disturbing confessions, and even the family pets reveal themselves to be agents of discord and disruption.In this short-story collection by one of the most gifted fiction writers of our time, Francine Prose shows us how the seemingly tranquil surface of ordinary happiness barely conceals the darker, more mysterious and brutal truths about this deceptively peaceable kingdom.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    The collection concludes with the longawaited novella The Traveller, the companion piece to The Ghosts of Belfast and Collusion.Complete with a foreword from Irish crime fiction legend John Connolly, this volume is the perfect indulgence for fans of ghost stories and noir, and is a must-have for devotees of Neville’s prizewinning Belfast novels.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Emma's maid implores the help of Harmon Westbourne, the Earl of Easton, to rescue Emma from her father's home. But Emma's dilemma doesn't end there.

    One sticky summer day as Kate is waiting for her husband to come home from his bicycle shop, she spots her distinguished neighbor returning from his last day of work after six decades at Atlanta's oldest men's clothing store. Over a cup of butter coffee, he tells Kate a story of love and heartbreak that makes her remember her past, question her present, and wonder what the future will bring. A magical story on its own, Waking Kate is also a short fiction tie-in to Allen's 2014 bestseller Lost Lake.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    Why? Because it contains 25 of the best, hardest-to-find stories of the writer the Washington Post calls "one of the great living American short story writers," the unpredictable Harlan Ellison.Bold and uncompromising, Gentleman Junkie and Other Stories of the Hung-up Generation is a watershed moment in Harlan Ellison’s early writing career. Rather than dealing in speculative fiction, these twenty-five short stories directly tackle issues of discrimination, injustice, bigotry, and oppression by the police. Pulling from his own experience, Ellison paints vivid portraits of the helpless and downtrodden, blazing forth with the kind of unblinking honesty that would define his career. ContentsForeword (Gentleman Junkie and Other Stories of the Hung-Up Generation) • (1961) • essay by Frank M. RobinsonIntroduction: The Children of Nights • (1975) • essayFinal Shtick • (1960) • short story Gentleman Junkie • (1961) • short story May We Also Speak? • (1961) • essay Daniel White for the Greater Good • (1961) • short story Lady Bug, Lady Bug • (1961) • short story Free with This Box! • (1958) • short story There's One on Every Campus • (1959) • short story At the Mountains of Blindness • (1961) • short story This Is Jackie Spinning • (1959) • short story No Game for Children • non-genre • (1959) • short story The Late, Great Arnie Draper • (1961) • short story High Dice • (1961) • short story Enter the Fanatic, Stage Center • (1961) • short story Someone Is Hungrier • (1960) • short story Memory of a Muted Trumpet • non-genre • (1960) • short story Turnpike • (1961) • short story Sally in Our Alley • (1959) • short story The Silence of Infidelity • non-genre • (1957) • short story Have Coolth • (1959) • short story RFD #2 • (1957) • short story by Harlan Ellison and Henry SlesarNo Fourth Commandment • (1956) • short story The Night of Delicate Terrors • (1961) • short story