There's never a dull moment as "The Children of Captain Grant" search the globe for their long-lost father and brother.

    The history of this city--known as Byzantium, then Constantinople, now Istanbul--is at once glorious, outsized, and astounding. Founded by the Greeks, its location blessed it as a center for trade but also made it a target of every empire in history, from Alexander the Great and his Macedonian Empire to the Romans and later the Ottomans. At its most spectacular Emperor Constantine I re-founded the city as New Rome, the capital of the eastern Roman empire, and dramatically expanded the city, filling it with artistic treasures, and adorning the streets with opulent palaces. Around it all Constantine built new walls, truly impregnable, that preserved power, wealth, and withstood any aggressor--walls that still stand for tourists to visit.      From its ancient past to the present, we meet the city through its ordinary citizens--the Jews, Muslims, Italians, Greeks, and Russians who used the famous baths and walked the bazaars--and the rulers who built it up and then destroyed it, including Mustafa Kemal Ataturk, the man who christened the city "Istanbul" in 1930. Thomas F. Madden's entertaining narrative brings to life the city we see today, including the rich splendor of the churches and monasteries that spread throughout the city.     Istanbul draws on a lifetime of study and the latest scholarship, transporting readers to a city of unparalleled importance and majesty that holds the key to understanding modern civilization. In the words of Napoleon Bonaparte, "If the Earth were a single state, Istanbul would be its capital."

    One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city.M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother’s silence and anger, her father’s death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu’s fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she’s told to protect herself from her memories.A wise and unguarded glimpse into a young woman’s coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can’t escape.

    Trąba, a failed Lutheran clergyman, alcoholic, would-be Polish insurrectionist, and one of the wildest literary characters since Sterne’s Uncle Toby. One drunken afternoon, Mr. Trąba and the narrator’s nameless father decide to take charge of their lives and do one final good turn for humanity: travel to distant Warsaw and assassinate the de facto Polish head of state, First Secretary of the Polish United Workers’ Party, Władysław Gomułka—assassinating Mao Tse-tung, after all, would be impractical. And they decide to involve Jerzyk in their scheme . . .

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    It is now sadly dilapidated, flea-infested, and home to ten very different individuals and their families. Elif Shafak gives us a bird’s-eye insight into each apartment, and we see their comic and tragic lives unfold.

    Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities.That is an imaginary definition.'If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse?In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.

    ContentsDummyDistanceThe LieSo Much Water So Close to HomeThe FlingPastoralMineFurious Seasons

    A cleaning lady is caught up in a violent demonstration on her way to work. A five-year-old girl attempts to escape war-torn Syria with her mother by boat. A suicide bombing shatters a neighborhood in Aleppo. And in the powerful story, 'Seher', a young factory worker is robbed of her dreams in an unimaginable act of violence.Written with Demirtaş’s signature wit, warmth, and humor, and alive with the rhythms of everyday speech, DAWN paints a remarkable portrait of life behind the headlines in Turkey and the Middle East – in all its hardship and adversity, freedom and hope.

    No matter their subject, Zagajewski's essays have the subtlety and resonance of poetry; his is one of the most intriguing voices in today's Europe.

    Translated from the Turkish by Figen Bingul with Ilkan Taskin, Zoe English and Edward Foster. Includes an introduction by Sibel Erol. Narrated by an author on vacation among the classical ruils of the ancient city of Side on the Mediterannean coast in Turkey, SUMMER'S END provides an intricate picture of a large cross-section of modern Turkish society. The novel offers a complex multi-dimensional and multi-leveled view of cultural values, politics, sexuality, and personal dilemmas. SUMMER'S END is one of the most celebrated works by Adalet Angaoglu, widely considered to be one of the principal novelists of our time. SUMMER'S END, says critic Sibel Erol in her introduction, "is an elegaic novel of attempted reconciliation and consolation set in a lush and delectable setting that intensifies the heartbreaking contrast between life and death and society's fragmentation and nature's organic unity." Adalet Agaoglu is the author of eight novels as well as plays, memoirs, four collections of short stories, and six collections of essays. Her books have been widely translated. SUMMER'S END is the second to appear in English. She lives in Istanbul.

     Emmett Conn is an old man, near the end of his life. A World War I veteran, he's been affected by memory loss since being injured during the war. To those around him, he's simply a confused man, fading in and out of senility. But what they don't know is that Emmett has been beset by memories, of events he and others have denied or purposely forgotten. In Emmett's dreams he's a gendarme, escorting Armenians from Turkey. A young woman among them, Araxie, captivates and enthralls him. But then the trek ends, the war separates them. He is injured. Seven decades later, as his grasp on the boundaries between past and present begins to break down, Emmett sets out on a final journey, to find Araxie and beg her forgiveness. Mark Mustian has written a remarkable novel about the power of memory-and the ability of people, individually and collectively, to forget. Depicting how love can transcend nationalities, politics, and religion, how racism creates divisions where none truly exist, and how the human spirit fights to survive even in the face of hopelessness, The Gendarme is a transcendent novel.

    Years later, spending hours alone, Anne convinces herself that her husband is having an affair. If only her son were to break-up with his girlfriend. He would return home and come down for breakfast. She would put on her new red dress and they would go out. The Mother, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath, and premiered in May 2015. Florian Zeller's The Mother was awarded the Moliere Award for Best Play 2011.The Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015. Florian Zeller's The Father was awarded the Moliere Award for Best Play 2014.

    White's stroll around Manhattan remains the quintessential love letter to the city, written by one of America's foremost literary figures. The New York Times has named Here is New York one of the ten best books ever written about the metropolis, and The New Yorker calls it "the wittiest essay, and one of the most perceptive, ever done on the city.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.