From features, made-for-televsion, and straight-to-video, here are all the films you love and hate; the films you forgot about and never knew existed. Horror and science fiction fans will find films that matter and films that splatter in one critical and humorous guide.Featuring * Thousands of capsulized reviews * A five-star rating system * Hundreds of obscure and rare titles * Video distribution informaton (including mail order) *Cross-references to secondary titles, sequels and tricky retitlings * And more.

    This edition features a new and expanded colour section, completely updated DVD information, and several brand new reviews of Takashi Miike films that were unavailable for coverage at the time of the book's initial production.

    His best-known films, Blue; White; Red; The Double Life of Veronique; and The Decalogue, remain watershed events in lmmaking history. Author Annette Insdorf, Kieslowskis close friend and translator, offers a revealing portrait of his life and monumental body of work. From the gold-bathed images of The Double Life of Veronique to the emotionally dark, visually haunting Blue, Kieslowskis films explore personal and social issues with inimitable brilliance. This paperback edition includes an updated introduction with information on the much anticipated release of Heaven (March 2002) which Kieslowski wrote and planned to film, before he died unexpectedly in March 1996.

    Cult diva and connoisseur of mongrel video Carol Schwartz and her stellar cast of notable critics and scribbling outpatients, deliver 1,300 irreverent reviews of masterpieces and misfits, many of them rewritten and expanded. More than 250 are new to this edition, like 'Cannibal Holocaust', 'Switchblade Sisters' and Ed Wood's 'I Woke Up Early The Day I Died'. Carol adds anime, underground and Hong Kong flicks to the weird, wild and wonderful mix. This much fun ought to be illegal. Cult fans will appreciate the increased number of cinematographers, writers and cast members in the entries; DVD availability; a Cult Connections resource guide to help further fanatic pursuits; and more, yes more movie taglines and quotes.

    Mikels, Larry Cohen, and others who dared to make independent feature films their way, without bowing to a committee or focus group. This is an oblique how-to manual, covering everything from financing, distribution, lighting, camerawork and acting, to publicity, marketing and screenwriting. Would-be filmmakers as well as scholars will find much inspiration and enlightenment in this volume, which has been used in college film classes. In-depth interviews focus on philosophy, while anecdotes entertain as well as illuminate theory. Lists of recommended films, an A-Z directory, and quotations are also included.

    The furrows of Robin Hardy ('The Wicker Man'), Piers Haggard ('Blood on Satan's Claw'), and Michael Reeves ('Witchfinder General') have arisen again, most notably in the films of Ben Wheatley ('Kill List'), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes.Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.

    To fans, this name is synonymous with horror, an icon on the level of Bela Legosi, Boris Karloff and Vincent Price. Kane has appeared as a stunt man and actor in more than two hundred television shows and movies in a career spanning over thirty years. His role as Jason Voorhees in four consecutive films of the Friday the 13th series came to define the character feared by millions of fans the world over. The man behind the hockey mask would seal his fate as horror royalty years later by starring as the monster Victor Crowley in the Hatchet series. Unmasked documents the unlikely true story of a boy who was taunted and beaten relentlessly by bullies throughout his childhood. Kane only escaped his tormentors when he moved to a tiny island in the South Pacific where he lived for all of his teen years. After living shirtless in a jungle for a while, he headed back to America where he fell in love with doing stunts... only to have his love burn him, literally. For the first time ever, Kane tells the true story of the horrific burn injury that nearly killed him at the start of his career. The entire heart wrenching, inspirational story of his recovery, the emotional and physical damage it caused and his fight to break back into the industry that almost killed him... and triumphant rise to become a film legend are told in Kane's own powerful voice. Take a peek inside the head of the man behind the mask. Be inspired by his triumphant comeback and laugh at his onset hijinks as you unmask the world's most prolific, cinematic killer.

    But Saturday Night Live, launched in 1975 and still thriving today, would change the face of television. It introduced brash new stars with names like Belushi, Radner, Chase, and Murray; trashed taboos that had inhibited TV for decades; and had such an impact on American life, laughter, and politics that even presidents of the United States had to take notice. Now, Pulitzer Prize-winner Tom Shales and bestselling author James Andrew Miller bring together stars, writers, guest hosts, contributors, and craftsmen for the first-ever oral history of Saturday Night Live, from 1974, when it was just an idea, through 2002, when it has long since become an institution. In their own words, dozens of personalities recall the backstage stories, behind-the-scenes gossip, feuds, foibles, drugs, sex, struggles, and calamities, including personal details never before revealed. Shales and Miller have interviewed a galaxy of stars, including Mike Myers, Chris Rock, Bill Murray, Tom Hanks, Adam Sandler, Chevy Chase, Will Ferrell, Dan Aykroyd, Steve Martin, Jon Lovitz, Jane Curtin, Billy Crystal, Martin Short, Dana Carvey, Tina Fey, Jimmy Fallon, Chris Kattan, Julia Louis-Dreyfus, Garrett Morris, Molly Shannon, Damon Wayans, Chris Elliott, Julia Sweeney, Norm Macdonald, and Paul Simon-plus writers like Al Franken, Conan O'Brien, Larry David, Rosie Shuster, Jack Handey, Robert Smigel, Don Novello, and others who got their big breaks as part of the SNL team. The Coneheads, the Blues Brothers, Buck-wheat, Wayne and Garth, Hans and Franz, the Cheerleaders, Todd DiLaMuca and Lisa Loopner, "Cheeseburger cheeseburger," Mango, the Church Lady, Ed Grimley-they're all here. And for every fabulous character on-screen there was an outrageous maverick, misfit, or rebel behind the scenes. Live from New York does what no other book about the show has ever done: It lets the people who were there tell the story in their own words, blunt and loving and uncensored.

    Theysearched for, found, and photographed the lifeless bodiesof their client’s victims and then kept it secret. They didso in the face of unendurable pressure from theauthorities and the victims’ families, who suspected thelawyers knew more than they were saying.When the American public eventually learned of thelawyers’ actions, they were horrified, outraged, andvengeful. People could not fathom how two attorneys—fathers of teenage girls themselves—and supposedofficers of the law, could conduct themselves in amanner seemingly beyond any concept of humanity.Today, this landmark legal case is studied and analyzedin law schools worldwide.These events have been indelibly marked in Tracy’s mindsince he was eight years old; in fact, he was present atthe scene of New York state’s largest manhunt after thekiller broke into Tracy’s father’s hunting camp in theAdirondack Mountains. In Sworn to Silence, Tracyweaves together a true crime narrative that should rankwith some of the most compelling American crime storiesof modern times. He does so while taking you—thereader—on a page-turning journey back to the early1970s, unveiling an American serial killer most peoplehave never heard of.

    Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better."Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times

     Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

    

    A housewife out for a walk with her baby notices a cloud of black flies buzzing ominously in Leimert Park. An "unsightly object" is identified as the mutilated body of Elizabeth Short, an aspiring starlet from Massachusetts who had been lured west by the siren call of Hollywood. Her killer would never be found, but Short’s death would bring her the fame she had always sought. Her murder investigation transformed into a real-life film noir, featuring corrupt cops, femmes fatales, gun-slinging gangsters, and hungry reporters, replete with an irresistible, legendary moniker adapted from a recent film—The Black Dahlia.For over half a century this crime has maintained an almost mythic place in American lore as one of our most inscrutable cold cases. With the recently unredacted FBI file, newly released sections of the LAPD file, and exclusive interviews with the suspect’s family, relentless legal sleuth Piu Eatwell has gained unprecedented access to evidence and persuasively identified the culprit. Black Dahlia, Red Rose layers these findings into a gritty, cinematic retelling of the haunting tale.As Eatwell chronicles, among the first to arrive at the grisly crime scene was Aggie Underwood, the "tough-as-nails" city editor for the Los Angeles Evening Herald Express; meanwhile, the chain-smoking city editor for the Los Angeles Examiner, Jimmy Richardson, sent out his own reporters. Eatwell reveals how, through a cutthroat race to break news and sell papers, the public image of Elizabeth Short was distorted from a violated beauty to a "man crazy delinquent." As rumors of various boyfriends circulated, the true story of the complex young woman ricocheting between jobs, lovers, and homes was lost. Instead, kitschy headlines tapped into a wider social anxiety about the city’s "girl problem," and Short’s black chiffon and smoldering gaze become a warning for "loose" women coming of age in postwar America.Applying her own background as a lawyer to the surprising new evidence, Eatwell ultimately exposes many startling clues to the case that have never surfaced in public. From the discovery of Elizabeth’s notebook, inscribed with the name of the city’s most notorious and corrupt businessman, to a valid suspect plucked from the hundreds of "confessing Sams" by a brilliant, well-meaning doctor, Eatwell compellingly captures every "big break" in the police investigation to reveal a truly viable resolution to the case. In rich, atmospheric prose, Eatwell separates fact from fantasy to expose the truth behind the sinewy networks of a noir-tinged Hollywood. Black Dahlia, Red Rose at long last accords the Elizabeth Short case its due resolution, providing a reliable and enduring account of one of the most notorious unsolved murders in American history.

    In between, Nick de Semlyen takes us on a trip through the tumultuous '80s, delving behind the scenes of movies such as Ghostbusters, Beverly Hills Cop, The Blues Brothers, Trading Places, and dozens more. Chronicling the off-screen, larger-than-life antics of Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, et al, it's got drugs, sex, punch-ups, webbed toes, and Bill Murray being pushed into a swimming pool by Hunter S. Thompson, while tied to a lawn chair. What's not to like?Based on candid interviews from the stars themselves, as well as those in their immediate orbit, Wild and Crazy Guys is a fantastic insider account of the friendships, feuds, triumphs, and disasters experienced by these iconic funnymen, and reveals the hidden history behind the most fertile period ever for screen comedy.

    Their sixth, Fargo, was released that March to acclaim; awards would follow. Alex Belth, a 25-year-old aspiring filmmaker, landed a job as their personal assistant on Lebowski — and for the next year, was the fly on the wall as the Coens created the movie that would become an enduring movie classic. First as their personal assistant and then as an assistant film editor, Belth observed everything from the pre-production work of location scouting, casting, and rehearsals, all the way through filming and post-production. Belth witnessed when Jeff Bridges and John Goodman met for the first time and rehearsed their iconic roles as The Dude and Walter; when a private screening was held for Alan Klein, the Rolling Stones' notorious former business manager; and long editing sessions with the Coen brothers in the editing room, as they tied their movie together. The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie, and offers an intimate, first-hand narrative of the making of The Big Lebowski — including never-before-revealed details about the making of the film, and insight into the inner workings of the Coen Brothers' genius. About the Author: Alex Belth, praised as New York's best sportswriter by the Village Voice, is the creator of Bronx Banter, a blog about the New York Yankees. He began his career in the film business, working for Woody Allen, Ken Burns, and the Coen Brothers. Belth is the author of Stepping Up, a biography of Curt Flood, and the editor of The Best Sports Writing of Pat Jordan and Yankee Stadium Memories. He has written for Sports Illustrated, SB Nation, and The Daily Beast and Deadspin. His story on iconoclastic sportswriter George Kimball was included in The Best American Sports Writing 2012. [Cover Design by Adil Dara]