The lines between character and actor are blurring under the verisimilitude of the Vegas strip, the desert sun and the impossibly shiny surface of Bradley’s shades.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    Who would have thought a simple quest for food would be so difficult? This completely wordless story is perfect for children ages 5 and older. Grown-ups'll love it, too.

    The book is divided into six chapters, each focusing on a theme; one is a series of eerily compelling portraits based on a dozen family photographs Doucet found discarded in a garbage can in Berlin. In another series, Doucet explores gender issues as no one else can with twenty hilarious, somewhat unflattering portraits of the "modern man." She deftly explores other themes, ranging from fortune cookies to female sexuality (go figure ), and everything is neatly encompassed in this sharply-designed art book. Julie Doucet is internationally renowned for her wry, sexually-charged work, a sort of "female R. Crumb" of comics. She is the author of four books, including the 2000 Firecracker Award-Winner "My New York Diary. "

    Two stories continue the heyday of Dungeon, in the first, Isis is to be married to the Keeper but she wants Herbert! Besides, the whole affair promises to ruin the Dungeon completely. In the second, besides the continued Keeper financial mishaps, Herbert wishes to make his comeback to his hometown where his name is mud. He disguises himself with a potion that makes him the mask of death . Only one problem: if he laughs, he becomes himself again!

    It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

    by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    Van Sciver has created a scathing, hilarious, and empathetic character study of a self-styled author determined that he's just one more poem (or drink) away from success.This expanded edition includes a foreword by novelist Ryan Boudinot (Blueprints of the Afterlife), a facsimile reproduction of Bukowski's literary debut, 6 Poems (thought lost to time in the wake of a motel fire that destroyed the entire original print run), a "Works Cited" section, and a selection of "visual tributes" by over two dozen cartoonists including Nina Bunjevac, Simon Hanselmann, Jesse Jacobs, Ed Piskor, Leslie Stein, and others.

    Connected by a series of gossipy teens, the modern lost souls of Beverly struggle with sexual anxieties that are just barely repressed and social insecurities that undermine every word they speak.A group of teenagers pick up trash on the side of the highway--flirting, preening, and ignoring a potentially violent loner in their midst. A college student brings her sort-of boyfriend to a disastrous house party with her high-school acquaintances. A young woman experiences a traumatic incident at the pizza shop where she works and the fallout reveals the racial tensions simmering below the surface. Again and again, the civilized façade of Drnaso's pitch-perfect surburban sprawl and pasty Midwestern protagonists cracks in the face of violence and quiet brutality.Drnaso's bleak social satire in Beverly reveals a brilliant command of the social milieu of twenty-first-century existence, echoing the black comic work of Todd Solondz, Sam Lipsyte, and Daniel Clowes. Precisely and hauntingly recounted, each chapter of Beverly reveals something new--and yet familiar--about the world in which we live.

    Dear Julia, is the story of how he got there. Boyd's vivid memory of the past and shaky comprehension of the present give clues to the events that lead him to the edge: his childhood, his parents, and a particular trip to Tucson, Arizona where everything began to go terribly awry. Brian Biggs tells the tale with deft wit and a sharp eye, leaving crumbs both verbal and visual along the reader's path to the climactic end. Also available is the Dear Julia, short film directed by Alistair Banks Griffin.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    Ganges tries to decide what to do when confronted with "The Litterer"; gets into an argument with his wife Wendy about The Beatles' "She's Leaving Home"; indulges in some whimsical "Time Travelling" while on a walk around his neighborhood; and more! Huizenga's elegant neo-clear-line style brings a crispness and humor to these low-key slice-of-life stories, and the gray-blue duotone he has picked gives the art a new depth and complexity

    Along the way he meets an old hermit who lives in a treehouse with his loyal dog, a young woman who fights for what she believes and a giant wolf-dragon who threatens their survival.

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    It was discovered by a seven-year-old boy named Al Ledicker, and the story that followed is one that veteran underground cartoonist Kim Deitch (Boulevard) has chronicled for the last 20 years in a series of interrelated stories that have appeared in a variety of magazines. Collected for the first time, Shadowland offers a narrative which ranges from the late 19th century to (more or less) the present day. Delineated in Deitch's charming, uniquely retro style, Shadowland is a tumble down the rabbit hole of sexy Hollywood starlets, little green (actually, gray) aliens, flying pigs and performing elephants, incest, murder, and eternal youth.