The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    Mother, Come Home is Hornschemeier's graphic novel debut—the quietly stunning tale of a father and son struggling, by varying degrees of escapism and fantasy, to come to terms with the death of the family's mother. The story seamlessly weaves through the surreal and the painfully factual, guided by the careful, somber colors and inventive pacing unique to Hornschmeier's storytelling. Mother, Come Home extracts almost tangible drama from the most tranquil of moments, making that which is unspoken in each panel easily audible, and almost uncomfortably experienced.

    An unmissable must for Tank Girl fans of all hairstyles Dark and nasty, We Hate Tank Girl is a bonanza of stories, posters, prose, and extras, featuring tales from Tank Girl's past, present, and future, including the long-awaited Cut 'n' Dress Booga, and the never-before-seen bonus story, "Small Unit." Collects Tank Girl One-Shots: Dark Nuggets, Dirty Helmets, and Hairy Heroes.

    When the parents announce their divorce, the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach.

    This superbly evocative graphic novella by the award-winning Norwegian cartoonist Jason (his first appearance in the English language) starts off as a melancholy childhood memoir and then, with a shocking twist midway through, becomes the summary of lives lived, wasted, and lost. Like Art Spiegelman did with Maus, Jason utilizes anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next (sometimes spanning a number of years) make Hey, Wait... one of the most surprising and engaging debuts of the year.

    It livestreams murders as entertainment. Who are the killers? Who are the victims? Who is paying to watch? How to stop it? Red Room is constructed as a series of interconnected stories, shining a light on the characters who exist in the ugliest of corners in cyberspace. Piskor cuts the graphic horror with his sharp sense of humor, gorgeous cartooning, and dynamic storytelling. Red Room peels back the curtain on the side of humanity few of us knew existed, let alone understood. Fans and followers of Piskor’s YouTube channel sensation, Cartoonist Kayfabe, have already made Red Room: The Antisocial Network one of the most eagerly anticipated and talked-about releases of 2021. It is the first in a series of graphic novels, with the second scheduled for release in Summer 2022.

    Billy Hazelnuts transmutes nursery rhymes and the golem myth into a storybook about Becky, girl scientist, her friend Billy Hazelnuts (who was created from cooking ingredients by tailless mice), and their journey to find the missing moon while battling an evil steam-driven alligator with a seeing-eye skunk.Millionaire fuses the darker spirit of older fairy tales with an absurdist adventure story, throws gender politics into the mix, and brings it to life with his dementedly charming and meticulous drawing style that is utterly transporting. Billy Hazelnuts features all-new characters, a first for Millionaire after building a tremendous following for his Sock Monkey and Maakies characters, which is sure to delight existing fans as well as introduce an entirely new audience to his breathtaking line and imagination.

    When they discover the mythical paradise planet Edena, their lives are changed forever. The long out-of-print Edena Cycle from Moebius gets a deluxe hardcover treatment! Moebius's World of Edena story arc comprises five chapters--Upon a Star, Gardens of Edena, The Goddess, Stel, and Sra--which are all collected here.A storyboard artist and designer ("Alien, Tron, The Fifth Element," among many others) as well as comic book master, Moebius's work has influenced creators in countless fields.

    Rex enters a downward spiral of drugs and depravity in a quest to resurrect his career and save his soul. Over budget and behind schedule on Presidents Day, he is backed into a corner by bad publicity, a crap project, and studio politics. But enlisting serial-killer-turned-murder-consultant Darwin, his trusty assistant Igor, narcotics from Doctor Love, and the lovely actress Coconut, T. Rex will stop at nothing in his quest for cinematic fame and glory. God help us all.

    Discovered in the Archives of the The Jim Henson Company, A Tale of Sand is an original graphic novel adaptation of an unproduced, feature-length screenplay written by Jim Henson and his frequent writing partner, Jerry Juhl. A Tale of Sand follows scruffy everyman, Mac, who wakes up in an unfamiliar town, and is chased across the desert of the American Southwest by all manners of man and beast of unimaginable proportions. Produced with the complete blessing of Lisa Henson, A Tale of Sand will allow Henson fans to recognize some of the inspirations and set pieces that appeared in later Henson Company productions.

    Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

    "The Innocents," which includes two narrative tracks in different drawing styles, is a contemplative, beautifully drawn graphic novelette about these three characters' meeting. Future issues will focus on other members of this group of friends, a bit like Jaime Hernandez's "Locas" stories, with supporting characters stepping into the spotlight as former "lead" characters become part of the background...

    The gorgeous evolution continues in the second color volume, which includes the Sunday strips from all of 1937 and 1938. The color format opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard and designer Chris Ware's files. Krazy Kat is a love story, focusing on the relationships of its three main characters. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy Co.'s unique dialogue.Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 70 years ago. With a full 104 Sunday pages this time around, this particular book is jam packed with little room for extras, but we did squeeze in a half-dozen or so pages' worth of never-before-seen Herriman memorabilia (all in color), including a spectacular full-color New Year's card illustration done for a friend.

    "When dark forces conspire to corrupt the fabric of reality, Eddie's immortal soul is shattered and strewn across the cosmos - his unbound essence corrupting countless worlds! Now, a weakened, primal Eddie must journey across space and time to battle the twisted legions of The Beast, seek out the lost shards of his soul, and bring order to the realms!" The first official Iron Maiden comic series, based on the band's hit mobile role playing game - Iron Maiden: Legacy of The Beast - where players battle as Eddie across the many worlds of Iron Maiden's discography, from the ancient sands of Powerslave to the far future of the Final Frontier.

    That goes for treble for Frank himself, who is kept in a state of total ineducability by the unseen forces of that haunted realm. And so the question arises: what would happen if Frank were to leave The Unifactor? The question is answered in Congress of the Animals, Jim Woodring's much-anticipated, second full-length graphic novel. In this gripping saga an act of casual rudeness sets into motion a chain of events which propels Frank into a world where he is on his own at last; and like so many who leave home, Frank finds himself contending with realities of which he had no previous inkling.In Congress of the Animals we are treated to the pitiful spectacle of Frank losing his house, taking a factory job, falling in with bad company, fleeing the results of sabotage, escaping The Unifactor in an amusement park ride, surviving a catastrophe at sea, traveling across hostile terrain toward a massive temple seemingly built in his image, being treated roughly by gut-faced men and intervening in an age-old battle in a meadow slathered in black and yellow blood. And when he finally knocks on opportunity's door he finds... he finds... The answer, my friend, is blowin' into bookstores in April, 2011.