Their conversation takes as its point of departure psychoanalysis and its central importance to the modern imagination—though equally important is their shared sense that by misleading us about the importance of self-knowledge and the danger of narcissism, psychoanalysis has failed to realize its most exciting and innovative relational potential.            In pursuit of new forms of intimacy they take up a range of concerns across a variety of contexts. To test the hypothesis that the essence of the analytic exchange is intimate talk without sex, they compare Patrice Leconte’s film about an accountant mistaken for a psychoanalyst, Intimate Strangers, with Henry James’s classic novella The Beast in the Jungle. A discussion of the radical practice of barebacking—unprotected anal sex between gay men—delineates an intimacy that rejects the personal. Even serial killer Jeffrey Dahmer and the Bush administration’s war on terror enter the scene as the conversation turns to the way aggression thrills and gratifies the ego. Finally, in a reading of Socrates’ theory of love from Plato’s Phaedrus, Bersani and Phillips call for a new form of intimacy which they term “impersonal narcissism”: a divestiture of the ego and a recognition of one’s non-psychological potential self in others. This revolutionary way of relating to the world, they contend, could lead to a new human freedom by mitigating the horrifying violence we blithely accept as part of human nature.            Charmingly persuasive and daringly provocative, Intimacies is a rare opportunity to listen in on two brilliant thinkers as they explore new ways of thinking about the human psyche.

    Juliet's mother, fearing that her daughter will be doomed to a loveless marriage, devises a plan to help her escape. Juliet assumes the identity of Ellen Lewis and arrives as the newly-employed governess for the daughters of the Marquess of Belgreen.Arthur Colborne is the reclusive Marquess of Belgreen. Since his wife's tragic death three years ago, he has spent time traveling in the Far East and Africa. But he finally returns home after receiving word from his mother who insists that his daughters need their father.When Arthur first lays eyes on Juliet he can't deny the instant attraction he feels for her. As they spend time together, Juliet slowly begins to break down the walls surrounding Arthur's heart. But Juliet's past has found a way to reveal itself and now it's threatening to tear them apart. Will Arthur find the courage to fight for Juliet or lose her forever?

    After the mill of businessman Matthew Beaumont burns to the ground, Detective Sergeant George Watters is sent to investigate.Soon, George discovers that this is not the first property that has been targeted. When a man is found dead in the hold of a trade ship, George discovers a shocking connection between Beaumont and foreign powers threatening the very country.George tries to get to the bottom of the mystery, but clues are few and far between. What connects the enigmatic Beaumont to the murder and strange events taking place in the Dundee shipyard?

    The Ageless classic now in Comics

    She's a bossy, fiery red-head. Her handsome brother wants to join the army and fight against Napoleon. But he's all she has and she wants him to become a diplomat instead. She gets a job with an aristocrat hoping he will provide the contacts. Needless to say, it doesn't work out exactly as any of them expects.

    In the box is also a medallion that can take her into the past, and he has left her breadcrumbs to the largest pirate treasure that has ever been lost, a treasure her ancestors have sought for generations…Sebastian Talbot is a disgraced former Duke who trades in antiquities. He meets the alluring Catherine at The Great Exhibition of 1851, unaware that she is 80 years before her time and is laying a trap for the pendant he always wears around his neck. She seduces him, gets her hands on the necklace and plunges them both into the past…As Catherine and Sebastian embark on the adventure of a lifetime, the pull of their desire is as magnetic as their magical medallion. The closer they get to finding the lost treasure, the closer they get to each other. But Sebastian still doesn’t know who she really is. Will Catherine reveal her secret and give them a chance at love?This is the first book in the All Who Wander series, time-travel romance novels that sizzle with passion and adventure. If you are a fan of love stories that are a wild romp, you’ll love The Time-Traveler’s Daughter.

    Indeed, it is difficult to guess which of the two would be more averse to the other’s speeches. It may also occur to the reader that, whereas Prince Philip has acted as a modernising and almost dashing influence on the Queen, Albert appears to have been a staid and restraining one on Victoria. For it must be remembered that Queen Elizabeth had been Heiress Apparent for far longer than Victoria, who was, when she married, a gay young girl by the standards of her age. Although it is fairly certain that Albert and Prince Philip would have disliked each other on sight, they have both been guided by the highest sense of duty. It is this sense of duty, in spite of considerable hostility and dislike of the ‘foreign ways’, that make Albert’s life of such interest. If he had accomplished nothing else, his influence on the dealings with the Union States of America, just before his death, would ensure him an important place in British History. In ‘Albert, Prince Consort’, Hector Bolitho explores the life and personality of Prince Albert, from his birth in Saxe-Coburg-Saalfeld, his marriage and restraining influence on Queen Victoria and his early death from typhoid. Hector Bolitho is deservedly renowned for his Royal Biographies. ‘Flowing and lively biography’ - Cobden Sanderson (Henry) Hector Bolitho (28 May 1897 – 12 September 1974) was a prolific author, novelist and biographer. In total, he had 59 books published. Endeavour Press is the UK's leading independent publisher of digital books.

    The core of his argument in this essay (and in those that follow) lies in the old opposition between theoria and aesthesis - terms that embody, on the one hand, a linguistic, specifically rhetorical approach to literature and, on the other, a phenomenological, aesthetic, or hermeneutic approach - and all the implications those two modes carry with them. The resistance to theory, says de Man, is a resistance to the use of language about language; it is a resistance to reading, and a resistance to the rhetorical or figurative dimensions of language. The six related essays in The Resistance to Theory were written by de Man in the few years that preceded his death in December 1983. Undertaken to find out why the theoretical enterprise is blind to, or "resists," the radical nature of reading, the essays share not only a theme but also the pedagogical intent that is central to most of his work. These concerns, implicit in the title essay, are openly argued in "The Return to Philology." Each of the remaining essays is devoted to a specific theorist: Michael Riffaterre, Hans Robert Jauss, Walter Benjamin, and Mikhail Bakhtin. The Resistance to Theory also includes a 1983 interview with de Man conducted for Italian radio, and a complete bibliography of his work. Wlad Godzich's foreword tells how de Man's late work was conceived and organized for publication, and discusses some of the basic terms in his discourse."Indispensable. . . . There is resistance to 'theory' and also confusion about its status with reference to both philosophy and criticism. De Man's defense of theory is subtle but uncompromising, and highly personal in its 'aporetic' conclusion."- Frank Kermode, Columbia UniversityPaul de Man was Sterling Professor of Comparative Literature at Yale University. His books include Blindness and Insight (1971; revised edition, Minnesota, 1983), Allegories of Reading ( 1980), and The Rhetoric of Romanticism (1984).

    That was what England was like in the early eighteenth century. Yet by the close of the nineteenth century, the Industrial Revolution had brought with it not just factories, railways, mines and machines but also brought fashion, travel, leisure and pleasure.Leisure became an industry, a cornucopia of excitement for the masses. And it was spread by newspapers, by advertising, by promotions and publicity - all eighteenth, not twentieth century creations. It was Josiah Wedgwood and his colleagues who invented money-back guarantees, free delivery, and celebrity endorsements. New technology such as the railways brought audiences to ever-more-elaborate extravaganzas, whether it was theatrical spectaculars with breathtaking pyrotechnics and hundreds of extras, 'hippodramas' recreating the battle of Waterloo, or the Great Exhibition itself, proudly displaying 'the products of all quarters of the globe' under twenty-two acres of a sparkling 'Crystal Palace'.In 'Consuming Passions', the bestselling author of 'The Victorian House' explores this dramatic revolution in science, technology and industry - and how a world of thrilling sensation, lavish spectacle and unimaginable theatricality was born.

    For when Bones dies mysteriously, Jim stumbles across a map of a mysterious island in his sea chest - where 'X' marks the spot of a stash of buried pirate gold. Setting sail with his friends on the ship Hispaniola to recover the treasure, Jim soon realizes that he's not the only one who knows about the hoard. Suddenly he is thrown into a world of treachery, mutiny, castaways and murder and, at the centre of it all, is the charming but sinister Long John Silver, who will stop at nothing to grab his share of the loot... The Ebb-Tide, a short novel published the year of Stevenson's death, is also a rollicking seafaring adventure, narrating the voyage of a stolen ship whilst exploring such themes as imperialism, violence, dishonesty, Christianity and corruption.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Stylish lady detective Miss Isabel Hewitt's manservant Clarke is away in Flanders serving in the Royal Medical Core. Isabel is anxious for his safety. On the Home Front she has become involved with the Women's Emergency Corps. Through this work she has met a tall, well built young woman named Hattie Peach. Hattie is now her maid and driver. Isabel is coping with her new life and then someone murders two girls from the WEC. These take place in Shoreditch and there are fears that Jack the Ripper may be back. Isabel is asked to investigate and she embarks on a journey which becomes both emotional and very dangerous indeed.

    "Barthes par Barthes is a genuinely post-modern autobiography, an innovation in the art of autobiography comparable in its theoretical implications for our understanding of autobiography to Sartre's The Words."--Hayden White, University of California

    

    In a provocative analysis written during the unfolding drama of 1992, Baudrillard draws on his concepts of simulation and the hyperreal to argue that the Gulf War did not take place but was a carefully scripted media event--a "virtual" war.Patton's introduction argues that Baudrillard, more than any other critic of the Gulf War, correctly identified the stakes involved in the gestation of the New World Order.