She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    Each book explores the major themes, historical and philosophical context and key passages of a major philosophical text, guiding the reader toward a thorough understanding of often demanding material. Ideal for undergraduate students, the guides provide an essential resource for anyone who needs to get to grips with a philosophical text. Heidegger's Being and Time is one of the most influential and controversial philosophical treatises of the 20th century. It had a profound impact on Sartre and Merleau-Ponty in their further development of phenomenology and existentialism, hugely influenced Gadamer's hermeneutics, and paved the way, partly directly and partly indirectly through Heidegger's later thought, for the emergence of deconstructionism. In addition to being a very important text, it is also a very difficult one. Heidegger presents a number of challenges to the the reader, asking them to abandon many assumptions fundamental to traditional philosophy, such as the mind/body distinction and the concept of substance. The text also introduces a whole host of new concepts and terms and as such is a hugely challenging, yet fascinating, piece of philosophical writing. In Heidegger's 'Being and Time': A Reader's Guide William Blattner explains the philosophical background against which the book was written and provides a clear and concise overview of the key themes and motifs. The book then examines this challenging text in details, guiding the reader to a clear understanding of Heidegger's work as a whole. Finally Blattner explores the reception and influence of the work and offers the student guidance on further reading. This is the ideal companion to study of this most influential and challenging of texts.

    Determined to be herself, not the "perfect" girl her mother hopes for, Julia chooses to live with her grandmother and her divorced father in a little town in the Cascade Mountains.But tiny Moon Valley lacks the one thing Julia desperately craves: a good music teacher. When a girl dressed in white appears among the cattails, singing Puccini arias in a haunting voice, Julia knows she must meet her and find out where she studies. But the girl always manages to slip away and vanish among the trees. There are hints that the people of Moon Valley may have the answer to the mystery, and surely Luke Sutherland, Julia's silent, blue-eyed neighbor, knows more about this elusive person than he will admit.With her latest novel, Cattail Moon, award-winning Jean Thesman has created a romance, a mystery, and an absorbing story of a young girl who is learning to claim her decisions and choices as her own.

    In this book, readers will discover how he got his start in the entertainment industry through fascinating facts and a timeline of his career so far. Exciting concert photographs and cute close-ups enhance the accessible text. Reluctant readers will have Bieber fever after reading this high-interest book.

    The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    The daily devotional thoughts published in Our Daily Bread help readers spend time each day in God’s Word. This electronic edition of Our Daily Bread allows you to enjoy the same inspiring content found in the print edition of Our Daily Bread, but with many additional digital features: • 90 Digital Daily Devotionals • Includes Scripture Passages and Insights • Links to a Daily Bible Reading Plan • Links to Additional Topical Content Resources from Our Daily Bread Ministries • Our Daily Bread Author Biographies Our Daily Bread is published and distributed worldwide in more than 40 languages by Our Daily Bread Ministries offices around the globe. Our Daily Bread Ministries also produces a variety of other Bible resources, which are available for the asking. Our Daily Bread is distributed via print, large-print, radio, podcast, email, rss, and mobile. For social networking users, find Our Daily Bread on Twitter, Facebook, and Google+.

    Combining psychological support with a project management approach that breaks tasks into small, manageable chunks, experienced dissertation coach Alison Miller shows you how to overcome negativity and succeed in completing your dissertation beyond your own expectations.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

    The original structure of the book has been improved and new material has been added, including extracts from the writings of Marx, Freud, and de Beauvoir, and a new section devoted to contemporary critical debates and issues.

    In death she becomes a greater icon than in life, and the Norfolk village where she lived is soon a place of pilgrimage. Six years later her husband Harry, a schoolteacher, is still haunted by her suicide and faithful to her memory. Until he meets Helen and they fall in love. Harry and Helen’s relationship initiates a return to the scene of Alison’s death where they meet ninety-eight year old Ern Higham, and a tale is revealed that has been generations in the making. As Harry pieces together a tragic history and finally confronts his own pain, he discovers that to truly move forward, first he must understand the past ... ‘A moving read, threaded through with mystery and excitement.’ – Good Housekeeping Magazine ‘A thriller full of twists and turns that keeps the reader guessing. Every word is magical, almost luminous.’ – Daily Mail ‘A classic tale of longing.’ – Time Out ‘There are many elements to savour in this novel: the intertwining of past and present; the struggle to write and the responsibility of writing about others’ lives. Best of all, Lofthouse has a fine eye for the bleak Norfolk landscape and how it both reflects and affects characters’ moods.’ – Tracy Chevalier author of Girl with a Pearl Earring ‘Captures the spacey feel of Norfolk well – an engaging read, intriguingly structured, tough in some of its insights, and sexy too.’ – Lindsay Clarke, author of The Chymical Wedding, winner of the Whitbread Prize for Fiction ‘Those who feel the reading public’s love of the 19th century Gothic mystery may be abating will be given pause by this latest entry in the field of pastiche. This is a considerable piece, full of subtle characterization and a well-chosen raft of literary underpinnings.’ – Publishing News ‘The intertwining of the two main stories is very skilfully done, as is the delicacy and understanding she brings to the key themes – suicide, creativity, love and especially paternal love. Very moving.’ – Henry Sutton, novelist and co-director MA Creative Writing, UEA

    (In fact, he says, in certain situations reading the book is the worst thing you could do). Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"—from books that you've never heard of to books that you've read and forgotten—and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. It's a book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read.Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd? and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.

    Madoff was taken away from his posh Manhattan apartment in handcuffs, accused of swindling thousands of innocent victims-including friends and family-out of billions of dollars in the world's largest Ponzi scheme. Madoff went to jail; he will spend the rest of his life there. But what happened to his devoted wife and sons? The people closest to him, the public reasoned, must have known the truth behind his astounding success. Had they been tricked, too? With unprecedented access to the surviving family members -- wife Ruth, son Andrew and his fiancéee Catherine Hooper -- journalist Laurie Sandell reveals the personal details behind the headlines. How did Andrew and Mark, the sons who'd spent their lives believing in and building their own families around their father's business first learn of the massive deception? How does a wife, who adored her husband since they were teenagers, begin to understand the ramifications of his actions? The Madoffs were a tight-knit and even claustrophobic clan, sticking together through marriages, divorces, and illnesses. But the pressures of enduring the massive scandal push them to their breaking points, most of all son Mark, whose suicide is one of the many tragedies that grew in the wake of the scandal. Muzzled by lawyers, vilified by the media and roundly condemned by the public, the Madoffs have chosen to keep their silence -- until now. Ultimately, theirs is one of the most riveting stories of our time: a modern-day Greek tragedy about money, power, lies, family, truth and consequences.

    Layovers and missed flights. Countless hours spent pining, worrying, and wondering, Why do we do this to ourselves? Long-distance love can be one challenge afteranother, but as most committed couples will tell you, the rewards well outweigh the stresses. In this sensitive yet sensible guide, long-distance veterans Chris and Kate provide strategies for making the distance seem shorter and outline eight essential skills for relationship success:Communicating effectivelyEstablishing mutual goals and expectationsDealing with issues of trust, fidelity, and independenceHaving fun in spite of the distanceManaging time, schedules, and stressKeeping the relationship realBalancing sex and emotional intimacyMaking the transition to same-city livingBased on interviews with more than 100 couples and packed with knowledgeable tips and honest advice, THE LONG-DISTANCE RELATIONSHIP SURVIVAL GUIDE proves that, with patience and dedication, a loving relationship can not only survive but also thrive across the miles.

    Taking her own experience of translating Roland Barthes’s lecture notes as a starting point, the author threads various stories together to give us this portrait of translation as a compelling, complex and intensely relational activity. She recounts the story of Helen Lowe-Porter’s translations of Thomas Mann, and their posthumous vilification. She writes about the loving relationship between André Gide and his translator Dorothy Bussy. She recalls how Robinson Crusoe laboriously made a table, for him for the first time, on an undeserted island. With This Little Art, a beautifully layered account of a subjective translating experience, Kate Briggs emerges as a truly remarkable writer: distinctive, wise, frank, funny and utterly original.