The book was written as an answer to the glut of tired A-Z screenwriting books that have flooded the market over the years. Instead of another extensive How-To guide, Scriptshadow Secrets looks at 50 popular movies from the past six decades and offers 10 (give or take) screenwriting tips from each. The idea is to not only teach screenwriters valuable lessons, but show how those lessons have been incorporated into successful films. This way, writers learn by example, instead of having to take the author's word for it. From Aliens to Pirates Of The Caribbean to The Hangover to The Empire Strikes Back, Secrets teaches you screenwriting lessons from the greatest films of all time. Author Carson Reeves began as a screenwriter himself, yet struggled to figure out the elusive formula for writing a successful screenplay. Then, about seven years ago, he started getting his hands on spec sale scripts and reading them. Within weeks, he'd learned more about screenwriting than he had in the past seven years combined. He then turned his attention from writing to helping others write. This was the genesis behind the Scriptshadow website - a way to teach screenwriting through reading professional screenplays.The site blew up but quickly became controversial, due to Reeves breaking down material that Hollywood considered private. As such, the site's become a "love it or hate it" fixture in both Hollywood and the screenwriting community. Still, the site has tens of thousands of aspiring screenwriters who visit daily and make it the most popular screenwriting site on the web. The site's most popular feature, the "What I learned" section at the end of each review, was the main inspiration behind Scriptshadow Secrets, as Reeves saw how positively writers responded to quick context-relevant tips.

    Though at first Star Wars seems a simple fairy-tale, it becomes far more complex when we realize that the director is rooting for both sides, creating a tension unsettles the saga as a whole and illuminates new sides of Lucas' masterpiece.

    disappeared without leaving a trace. This book shed lights on some of the most intriguing missing person cases.There are countless stories all over the globe of average, everyday people suddenly vanishing under the strangest and most inopportune of circumstances. These cases have baffled the experts and remained unsolved for decades. The missing person cases presented in this book have diverse backgrounds, but they are all equally mysterious. Here we will dive headfirst into some of the most unusual disappearing acts on record. Rational explanations have been put forward for some, but many lack any plausible theories whatsoever.This book relates the true yet astonishing tales of prime ministers lost at sea, esteemed physicists vanishing without a trace, great explorers lost in the wilderness. From the World War II veteran who seemed to literally disappear into thin air on a bus ride home, to the ill-fated singer-songwriter Connie Converse who right around her 50th birthday decided to pull a 'Bilbo Baggins' (Connie’s own words) on the ones she loved by slipping on her very own ring of invisibility and vanishing out of sight, this book takes us through some of the saddest, the most intriguing, and the most downright bizarre accounts of lost souls that you will ever find.

    Then -- "just one more thing" and the murderer realizes that his murder plot has unraveled.Columbo, played by the marvelous Peter Falk, appeared as a made-for-television movie in 1968, then the long-running series in 1971 -- and kept coming back over the decades.One of the finest detective series ever to appear on television, Columbo was created by William Link and his late collaborator Richard Levinson. With The Columbo Collection, Link has written 12 brilliant new stories in which murderers try to get away with murder but come up against the rumpled but unflappable Lieutenant Columbo.

    Her father is stabbed to death in the woods behind their house.Then Brynn’s father, principal of the local high school, is unmasked as the infamous Genessa Point serial killer. Police say he murdered eight children. He kept each child alive for days, before finally stabbing them through the heart.But what really happened the day he died?Now.Brynn’s brother Mark returns to Genessa Point. He tells Brynn he knows the real truth about their dad.Then he disappears.Can Brynn save her brother and find out the truth about her dad?GOING BACK MIGHT DESTROY HER, BUT HER BROTHER IS ALL SHE HAS LEFT.Fans of Patricia MacDonald, Susanna Beard, Mary Higgins Clark, Lucinda Berry, T.M. Logan, Karin Slaughter and Rachel Abbott will devour this stunning psychological thriller.

    Nothing like it has been made before and—to its millions of fans—nothing as good will ever be made again. It is a show that prompts endless debate, and the debates continue here. Is Omar Little the coolest criminal since Robin Hood? Which series has the best theme tune? Will Bubbles survive Baltimore? Avon or Stringer? How does McNulty have so much success with women? With the show now over, these and hundreds of other questions are discussed in this brilliant collection of features and comments from the Guardian's Wire Re-up blog. Together with interviews with the show's creators and stars, running totals per episode (murders, Bunk drunk, Herc screw-ups, and much more), and a quiz created by the stars themselves, this book will guarantee fans that one last fix they've been craving.

    But her struggles with singlehood struck a chord, making her a citywide—and soon nationwide—sensation.Beverly Hills, 90210 creator Darren Star brought Bushnell’s vision to an even wider audience when he adapted the column for an HBO series. His four main characters: Carrie, Charlotte, Miranda, and Samantha, forever branded the actresses that took on the roles, redefined women’s relationship to sex, and elevated the perception of singlehood. With their fashion-forward lifestyle, they launched a barrage of trends, from fabric flower accessories to Manolo Blahnik shoes to Cosmopolitan cocktails.Sex and the City and Us is the story of how a columnist, two gay men—Darren Star and fellow executive producer Michael Patrick King—and a writers’ room full of women used their own poignant, hilarious, and humiliating stories to launch a cultural phenomenon, pushing the boundaries of television and ignited a national conversation about single women and sex in the process. While the show’s feminist merits continue to fuel debate, it taught viewers—male and female, gay and straight—about sex, and demonstrated that single women could support each other through life’s tribulations, even as men came and went.Featuring exclusive new interviews with the cast and writers, including star Sarah Jessica Parker, creator Darren Star, executive producer Michael Patrick King, and author Candace Bushnell, Sex and the City and Us brings us behind-the-scenes for a nostalgic look at a TV series that changed the way women everywhere see themselves.

    But for Sarah Durandt the nightmare is just beginning... Sarah has just witnessed the execution of the man who confessed to killing her husband and son, among others. She leaves with no closure as the killer has refused her repeated requests to reveal the site of her family's graves. Sarah returns home to her small town of Hopewell in the Adirondacks Mountains and vows to search until she finds Sam and Josh.Her hunt leads her to a trail of lies and unearths a new killer. In a race to save everything she holds dear, Sarah is forced to place her faith in the man who betrayed her...her husband.

    As the number-one sitcom, it received more than seventy Emmy nominations, including two wins for best comedy. With You’re Lucky You’re Funny, Phil Rosenthal takes us onstage and inside the writer’s room. Rosenthal’s meteoric ascent was preceded by odd jobs, including a stint as a museum security guard, running a deli, and writing for a slew of forgettable shows—including one starring Robert Mitchum as a curmudgeonly homeless man taken in by two orphans. But when he met comedian Ray Romano, they discovered a shared lifetime of family dysfunction—and endless material for a sitcom. Not only a chronicle of one man’s rise to the peak of his profession, Rosenthal’s book is also an unprecedented look at the making of a hit series: how shows are written and character developed, how comedy is refined, how network executives are outsmarted, and most important, how egos are massaged. You’re Lucky You’re Funny is an inspiration to anyone involved in the creative process and a must read for the show’s millions of devoted fans. BACKCOVER: Advanced Praise: “In the Prologue, Mr. Rosenthal says ‘No one listens to me. Maybe the reader will...’ You should! He is the real deal, both as a human being and as an artist of comedy.” —Henry Winkler "I read YOU'RE LUCKY YOU'RE FUNNY and loved it! If you had the Everybody Loves Raymond bug during its 9 year run, this is the love letter you've been waiting for. If you've missed the bug, read it at the risk of being bitten and smitten." —Norman Lear

    A visual celebration of the original voyages of the Starship Enterprise, the book covers the entire series in unprecedented detail, combining in-depth commentary, behind-the-scenes histories, and interviews with writers, cast, and crew with synopses for each of the series' 79 episodes. In addition to a wealth of never-before-seen images and newly commissioned photography, Star Trek 365 presents a treasure trove of remastered stills from the CBS archives, bringing to vivid life the famous five-year mission of Captain Kirk, Mister Spock, Doctor McCoy, and countless other characters for longtime and new fans alike.Praise for Star Trek: The Original Series 365: "Just when you thought you knew everything there was to know about the original Star Trek series and figured you'd seen every single production still and behind-the-scenes photograph, along comes this new book from veteran Treksperts Paula M. Block and Terry J. Erdmann and the good folks at ABRAMS Publishing. It's bursting with in-depth commentary, episode synopses, newly conducted interviews and more, with a treasure trove of remastered stills from the CBS archives making it a truly out-of-this-world addition to any bookshelf or coffee table." -Star Trek.com

    Diane Buckley, a talented freelance forensic psychologist, is drafted in to examine a grisly murder - a body found in a children's playground. The murder carries all the hallmarks of one of her most famous incarcerated clients, 'The Playground Killer' (aka Alfred Dinklage). In a series of intimate 1:1 sessions, Buckley has to race against time to unpick the facts and delve into Dinklage's often manipulative, complicated mind to understand his past whilst striving to prevent further murders...as someone out there will stop at nothing to complete Dinklage's work.Fully dramatized, with an immersive SFX soundscape, Killer by Nature features an all-star cast, including Katherine Kelly (Mr Selfridge), Rob-James Collier (Downton Abbey), Thomas Turgoose (This is England), Angela Griffin (Cutting It) and Will Mellor (No Offence).Length: 4 hours 31 minutes.

    Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

    This highly successful title is now updated and expanded to include the latest Doctor Who lore from series three and four and the 2008 Christmas special.The book goes beyond the story lines to examine the characters, aliens, weapons and curiosities that are all in a day's work for the Doctor. Entries are illustrated with annotated photography and specially commissioned cross-section artworks. Doctor Who The Visual Dictionary updates the entries of old favorites like Davros and his Daleks, the rhino-headed Judoon and the Doctor's companions Martha Jones and Captain Jack. Forty additional pages introduce and explore all-new characters like the formidable Donna Noble, the Family of Blood and their Scarecrow Henchmen, the warmongering Sontaran and the childlike, but deadly, Toclafane.

    So much of what you need to know is already defined for you. You know that your script needs to be a certain short length, with a certain small number of characters. You know that your choice of scenes is limited to your show’s standing sets and maybe one or two swing sets or outside locations. You know how your characters behave and how they’re funny, either because you invented them or because you’re writing for a show where these things are already well established. Sitcom is easy and sitcom is fun. Sitcom is the gateway drug to longer forms of writing. It’s a pretty good buzz and a pretty good ride, a great way to kill an afternoon, or even six months. And now, thanks to comedy writing guru John Vorhaus (author of THE COMIC TOOLBOX: HOW TO BE FUNNY EVEN IF YOU'RE NOT), writing situation comedy is easier than ever. In THE LITTLE BOOK OF SITCOM, you'll find a whole trove of tools, tricks and problem-solving techniques that you can use -- now, today -- to be the sitcom writer of your wildest dreams. Ready to write? Ready to have fun? THE LITTLE BOOK OF SITCOM is the big little book for you.

    It has been translated into every major language on Earth and dozens of minor ones; it has spawned entire genres of animation, and had more books written about it than all but a handful of American Presidents. Even its minor characters have become iconic, and the titular family is recognizable in almost every corner of the planet. It is a definitive and truly global cultural phenomenon, perhaps the biggest of the television age. As of this writing, if you flip on FOX at 8pm on Sundays, you will see a program that bills itself as "The Simpsons". It is not "The Simpsons". That show, the landmark piece of American culture that debuted on 17 December 1989, went off the air more than a decade ago. The replacement is a hopelessly mediocre imitation that bears only a superficial resemblance to the original. It is the unwanted sequel, the stale spinoff, the creative dry hole that is kept pumping in the endless search for more money. It is Zombie Simpsons.