A Year of Writing Dangerously: 365 Days of Inspiration and Encouragement
Barbara Abercrombie - 2012
In this collection of anecdotes, lessons, quotes, and prompts, author and writing teacher Barbara Abercrombie provides a delightfully varied cornucopia of inspiration — nuts-and-bolts solutions, hand-holding commiseration, and epiphany-fueling insights from fellow writers, including Nobel and Pulitzer Prize winners and Abercrombie’s students who have gone from paralyzed to published.
The Ten Day Outline: A Writer's Guide to Planning a Novel in Ten Days
Lewis Jorstad - 2019
Along the way, it’ll help you form the foundation you need to write a novel you’re proud of. You’ll learn to:• Strengthen the ideas you have and discover new ones, even when inspiration seems far away.• Expand your original idea into a fully fledged story.• Develop a fleshed-out cast of characters, without overwhelming yourself with complex formulas and “best-practices."• Apply structure to your story in a way that honors and refines your original idea. • Bring it all together in a final Master Outline, designed to guide you through every stage of writing your novel.Each day of this outlining challenge comes with easy to follow prompts and intuitive goals, streamlining the outlining process. By the end, The Ten Day Outline will have taken the stress out of planning a novel, so you’ll be ready to set out on your own epic writing journey!
How I Write: Secrets of a Bestselling Author
Janet Evanovich - 2006
It offers practical and inspiring advice on such subjects as structuring a plot and handling rejection. And it combines one of today's most successful fiction writers with a published non-fiction writer who teaches creative fiction. HOW I WRITE is the perfect reference for anyone looking to improve their writing, and for those fans who are hungry to find out more about just how Janet Evanovich ticks.
Rise of the Machines--Human Authors in a Digital World
Kristen Lamb - 2013
The machines have taken over. Everything is computerized. People no longer talk, they text. What number do we have to press to get a flesh and blood HUMAN? It’s easy to feel like we’re losing our humanity when surrounded by computers, cell phones, and text messaging, but I’m here to bring you the good news. The same machines that seem to be stealing our humanity also have the power to restore it. Yes, you read correctly. The more we embrace technology, the more distinctly human we can become.The new author is a cyborg of sorts—part human, part machine. The machine part allows us to compose series of words, copy them, email them, and then send them across the globe with a push of a button. We can research faster and more accurately than ever before. We can communicate with people all over the planet real-time and virtually for free. The new power technology has given writers has made us, in effect, superhuman.Branding has broken free of marketing’s shackles and merged with personal identity. If we want to thrive in our new environment, we need to adapt, to apply technology as an extension of our humanness. This is not a book to teach you 1,000 ways to blast people with advertising. The WANA Way is different than anything you’ve likely encountered. It is constructed using the timelessness of art, blended with the strength of human relationships. Platforms are more than a zillion ways to try to part readers from money; they are living works of art and meshed with the soul of the writer-artist. The machines are rising, but humans were here first.
On Writing
Ernest Hemingway - 1984
In his novels and stories, in letters to editors, friends, fellow artists, and critics, in interviews and in commissioned articles on the subject, Hemingway wrote often about writing. And he wrote as well and as incisively about the subject as any writer who ever lived…This book contains Hemingway’s reflections on the nature of the writer and on elements of the writer’s life, including specific and helpful advice to writers on the craft of writing, work habits, and discipline. The Hemingway personality comes through in general wisdom, wit, humor, and insight, and in his insistence on the integrity of the writer and of the profession itself.—From the Preface by Larry W. Phillips
Work Like Da Vinci: Gaining the Creative Advantage in Your Business and Career
Michael J. Gelb - 2006
Gelb identified seven aspects of Da Vinci's genius that contemporary readers can emulate and apply in their own lives. Now, in WORK LIKE DA VINCI, Gelb adapts these principles to the specific demands of the workplace, sharing the innovative solutions to contemporary corporate and career challenges that have kept him in constant demand as a top-tier speaker and consultant to Fortune 500 clients. In Gelb's expert perspective, Da Vinci's genius can be distilled into seven principles for the business listener: Ask the right questions (Curiosit�) Put your answers to work (Dimostrazione) Develop your business senses (Sensazione) Turn uncertainty into opportunity (Sfumato) Strike a profitable balance (Arte/Scienza) Integrate for success (Corporalit�) Make the break-through connection (Connessione) These principles will help you tackle such timeless business challenges as: leadership; innovation; teamwork; strategic planning; decision-making; managing change and uncertainty; giving powerful presentations; giving and receiving feedback; and more.
Blue Collar to No Collar: From Trucker to Bestselling Novelist in Two Years
Wayne Stinnett - 2016
Whether it’s a memoir of an exciting life, or fictional characters in your head trying to get out. Perhaps you’ve thought it might be cool to write a book, but always believed it was beyond your reach and ability.It’s not.To be more precise, it doesn’t have to be. All you lack is the motivation to get started, the tenacity to stay with it, and the expertise in self publishing to get it finished. I can help you with these things.In this book, I’ll show you some of the rewards that might come your way by becoming an self published, or independent author. I also provide a few tips on how to overcome certain common stumbling blocks.But, this isn’t a how-to book. There are many learned scholars publishing books about the craft of creative writing. This is more of a motivational book, giving you an idea of what you might expect in the trenches, as a mid-level self published author. Whether you’re just thinking about writing or already have several books published, we could all use a little motivation.Who am I? Just an old truck driver, who is now off the road and living the life I’ve always dreamed of, after just two years of writing and self publishing.
Spunk & Bite: A Writer's Guide to Punchier, More Engaging Language & Style
Arthur Plotnik - 2005
Although the rules of composition popularized in William Strunk Jr. and E. B. White's Elements of Style have been de rigueur for decades, they won't exactly set your writing free.To the rescue comes Spunk & Bite, a guide to bold and radiant language and style. The secret, according to bestselling author and former publishing executive Arthur Plotnik, is to embrace those qualities that composition rulebooks sidestep, among them, surprise, personality, engagement, edge, and fearlessness. Drawing on selections from today's most exciting writers: Jonathan Franzen, Sandra Cisneros, Bill Bryson, Maureen Dowd, and many dozens more.Plotnik reveals the tricks and techniques that make prose fresh, forceful, and publishable. For all types of writing: novels, articles, poems, ad copy, blogs, and even e-mails,this uncommon handbook reveals how to make your words so fetching that readers beg for more.
The Writer's Journey: Mythic Structure for Writers
Christopher Vogler - 1992
Provides new insights and observations from Vogler's pioneering work in mythic structure for writers.
Story: Substance, Structure, Style, and the Principles of Screenwriting
Robert McKee - 1997
Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
Bullies, Bastards and Bitches: How to Write the Bad Guys of Fiction
Jessica Page Morrell - 2008
Realistic, credible bad guys create essential story complications, personalize conflict, add immediacy to a story line, and force the protagonist to evolve. From mischief-makers to villains to arch nemeses, "Bullies, Bastards & Bitches" shows you how to create nuanced bad guys who are indispensable to the stories in which they appear. Through detailed instruction and examples from contemporary bestsellers and classic page-turners, author Jessica Page Morrell also shows you how to: Understand the subtle but key differences between unlikeable protagonists, anti-heroes, dark heroes, and bad boys Supply even your darkest sociopath with a sympathetic attribute that will engage readers Set the stage for an unforgettable standoff between your hero and your villain Choose the right type of female villainfemme fatale, mommy dearest, avenger, etc.for your story "Bullies, Bastards & Bitches" is your all-encompassing bad-guy compendium to tapping into any character's dark side.
Strong Verbs for Fiction Writers (Indie Author Resources Book 2)
Valerie Howard - 2019
Just look up the weak verb you'd like to replace, and choose a stronger verb from the alphabetized lists. For example: Weak: Sally walked across the room. Stronger: Sally scurried across the room. Weak: Harry lightly touched the edge of the book. Stronger: Harry trailed his fingers along the edge of the book. Weak: Karen ran as quickly as she could to her closet. Stronger: Karen charged her closet in a panic. Weak: Lucy hit her palm on the desk. Stronger: Lucy smacked her palm on the desk. Ready to weed out the weak verbs and not-so-helpful adverbs in your writing and replace them with strong verbs? Let's get started! Indie Author Resources Book 2
Fondling Your Muse
John Warner - 2005
I alone have heard your silent screams, so I have written this book to help you achieve what everyone who has the courage to live the creative life deserves: complete, utter, slavish adoration and worship. Also: incalculable wealth that insulates you from the concerns of ordinary people." And there you have it. Fondling Your Muse is John Warner's innovative and slightly insane book of instruction for those who want to write, and those who think they already can. It's packed with quirky (possibly deranged) advice guaranteed to make you laugh out loud in the most embarrassing fashion possible. You know what we mean. It also includes a special chapter entitled "Everything Stephen King Knows About Writing Successfully: Plus Some Things I Know That He Doesn't Because He Isn't That Special." No other book currently available has this chapter! And Fondling Your Muse provides the kind of wise, insightful guidance that's missing from all of those self-serious, mind-numbingly awful books that promise riches and fame by writing only 20 minutes a day. Let's say you're looking for a tried-and-true recipe for literary success. Warner reveals all of the best ones, including these succulent concoctions: * Contemporary Romance Quiche al la Nicholas Sparks ("Tasty with a side of hackneyed potatoes.") * Tom Clancy Techno-Thriller Surprise ("Preparation is usually subcontracted to others.") * Chick-Lit Cacciatore ("Satisfies many, every single time. I can't explain how either.") * Harlequin Romance Salad ("Thoroughly rip bodices, pound prose until purple, and combine all ingredients in a large mixing bowl.") * John Grisham's Legal Thriller Stew ("Boil in pot until ingredients bubble over line of believability.") * Comtemporary American Literary Fiction Flambé ("Served in smaller and smaller quantities as the years go by.") Mmmm...tasty. Even really famous people endorse Warner's work: "Fondling Your Muse is brilliant in the same way the most distant stars in the galaxy are brilliant. If it's a really clear night and you tilt your head to the side and squint, you sort of see it." -- Dave Eggers It doesn't get any better than that. So go ahead - get Fondling today!
On Writing and Worldbuilding, Volume I
Timothy Hickson - 2019
In On Writing and Worldbuilding, we will discuss specific and applicable ideas to consider, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire.
The Memoir Project: A Thoroughly Non-Standardized Text for Writing Life
Marion Roach Smith - 2011
It's not that every person has lived such a unique or dramatic life, but we inherently understand that writing memoir-whether it's a book, blog, or just a letter to a child-is the single greatest portal to self-examination. While there have been other writing books, there's been nothing like Marion Roach Smith's THE MEMOIR PROJECT. Marion has written four books and she's been teaching a sold-out memoir writing class for 13 years. Her new book is a disarmingly frank, but wildly fun, distillation of all the unsentimental lessons that WORK. Tired topics like writing exercises, morning pages and "writer's block" are replaced with quirky, provocative tactics that teach you to write with purpose. Previously self-published in April 2010 (under the title Writing What You Know: Realia), the book has already proven hugely popular, and with its new title and updated content, it is sure to find an even bigger and even more enthusiastic audience.