A few of the stories have never been published before; the others have appeared in "The New Yorker," and several of those have also been included in "The Best American Short Stories." All are infused with the dazzling, astonishingly creative prose and the remarkable, haunting autobiographical elements that have distinguished Hemon as one of the most original and illustrious voices of our time. What links the stories in "Love and Obstacles" is the narrator, a young man who-like Hemon himself-was raised in Yugoslavia and immigrated to the United States. The stories of "Love and Obstacles" are about that coming of age and the complications-the obstacles-of growing up in a Communist but cosmopolitan country, and the disintegration of that country and the consequent uprooting and move to America in young adulthood. But because it's Aleksandar Hemon, the stories extend far beyond the immigrant experience; each one is punctuated with unexpected humor and spins out in fabulist, exhilarating directions, ultimately building to an insightful, often heartbreaking conclusion. Woven together, these stories comprise a book that is, genuinely, as cohesive and powerful as any fiction- achingly human, charming, and inviting.

    In The New York Times Book Review, Sam Tanenhaus proclaimed it "a masterpiece of American fiction" and lauded its illumination, "through the steady radiance of its author's profound moral intelligence, [of] the world we thought we knew."In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen's implicit promise to conceal nothing. On a trip to China to see first-hand the environmental devastation there, he doesn't omit mention of his excitement and awe at the pace of China's economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

    He vows revenge using letters that promise a fortune to trap the most sanctimonious residents.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    Ambitious, opportunistic, 'Miss Lonelyhearts,' as the conductor of the column is inevitably dubbed, begins with contempt of the correspondents and confidence in his own cleverness. As time goes on, the genuineness of the agony in the letters that come in gets under the skin of the columnist. He is distressed to find himself presiding over a monstrous swindle. For he is an idealist in collision with humanity, as his diabolical managing editor expresses it."

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    Also available to read online.‘You will have heard of my friend the once celebrated novelist Jocelyn Tarbet, but I suspect his memory is beginning to fade…You’d never heard of me, the once obscure novelist Parker Sparrow, until my name was publicly connected with his. To a knowing few, our names remain rigidly attached, like the two ends of a seesaw. His rise coincided with, though did not cause, my decline… I don’t deny there was wrongdoing. I stole a life, and I don’t intend to give it back. You may treat these few pages as a confession.’A jewel of a book: a brand new short story from the author of Atonement. My Purple Scented Novel follows the perfect crime of literary betrayal, scrupulously wrought yet unscrupulously executed, published to celebrate Ian McEwan’s 70th birthday.

    A female sheriff in a flooded town attempts to cover up a murder. When a farmer harvesting a field accidentally runs over his son, his grief sets him off walking, mile after mile. A band of teens bent on destruction runs amok in a deserted town at night. As these men and women lash out at the inscrutable churn of the world around them, they find a grim measure of peace in their solitude.Throughout Volt, Alan Heathcock's stark realism is leavened by a lyric energy that matches the brutality of the surface. And as you move through the wind-lashed landscape of these stories, faint signs of hope appear underfoot. In Volt, the work of a writer who's hell-bent on wrenching out whatever beauty this savage world has to offer, Heathcock's tales of lives set afire light up the sky like signal flares touched off in a moment of desperation.

    Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

    Burroughs reveals another, gentler side in The Cat Inside. Originally published as a limited-edition volume, this moving and witty discourse on cats combines deadpan routines and dream passages with a heartwarming account of Burroughs's unexpected friendships with the many cats he has known. It is also a meditation on the long, mysterious relationship between cats and their human hosts, which Burroughs traces back to the Egyptian cult of the "animal other." With its street sense and whiplash prose, The Cat Inside is a genuine revelation for Burroughs fans and cat lovers alike.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain