When she answers a babysitting ad, LaVaughn meets Jolly, a seventeen-year-old single mother with two kids by different fathers. As she helps Jolly make lemonade out of the lemons her life has given her, LaVaughn learns some lessons outside the classroom.

    Stealing is bad.Yeah.I know.But my brother Levi is always so sick, and his medicine is always so expensive.I didn’t think anyone would notice,if I took that credit card,if, in one stolen second,I bought Levi’s medicine.But someone did notice.Now I have to prove I’m not a delinquent, I’m not a total bonehead.That one quick second turned intojuviea judgea year of house arrest,a year of this court-ordered journal,a year to avoid messing upand being sent back to juvieso fast my head will spin.It’s only 1 year.Only 52 weeks.Only 365 days.Only 8,760 hours.Only 525,600 minutes.What could go wrong?

    A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULEOr, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

    Told in a succession of short and powerful poems, it takes us deep into the cyclone of the narrator’s emotions: despair, anger, guilt, resentment, and ultimately, acceptance.

    Then the rumor starts-that Blake has a gun in his locker. In a moment of misguided hopefulness, Andy steals the keys from his dad and opens up Blake's locker, hoping that finding the gun will change his own status. But the gun isn't there and Andy remains an outcast. When an unlikely friendship develops between the two loners, Blake shares most of his secrets with Andy, including the gun. But there's one secret that worries Andy more than anything-the date circled on Blake's calendar. Does Blake have something planned? Something that Andy can prevent? In a fascinating look at how teens deal with the now constant threat of school violence, debut author Ryan G. Van Cleave provides a unique, emotional perspective on how it feels to be the one who can prevent a tragedy.

    The most daring abolitionists were poets who veiled their work in metaphor. Of these, the boldest was Gertrudis Gómez de Avellaneda, nicknamed Tula. In passionate, accessible verses of her own, Engle evokes the voice of this book-loving feminist and abolitionist who bravely resisted an arranged marriage at the age of fourteen, and was ultimately courageous enough to fight against injustice. Historical notes, excerpts, and source notes round out this exceptional tribute.

    In this prequel to Newbery Medal winner The Crossover, Chuck Bell takes center stage, as readers get a glimpse of his childhood and how he became the jazz music worshipping, basketball star his sons look up to.

    . . and Boyd, an Angry Young Man who has just made a dangerous new friend. Now he’s making a list.The Branston High School Class of 2001. You might think you know them. You might be surprised.Narrated by fifteen teenage characters, this startling, often poignant poetic novel evokes a suburban high school both familiar and terrifying — and provides an ideal opportunity for young adults to discuss violence in schools.

    Now, inside a caring adoptive home in the United States, a series of profound events force him to choose between silence and candor, blame and forgiveness, fear and freedom.By turns harrowing, dreamlike, sad, and triumphant, this searing debut novel, written in lucid verse, reveals an unforgettable perspective on the lasting impact of war and the healing power of love.

    And someone will die.#1 New York Times bestselling author Ellen Hopkins tackles gun violence and white supremacy in this compelling and complex novel.People kill people. Guns just make it easier.A gun is sold in the classifieds after killing a spouse, bought by a teenager for needed protection. But which was it? Each has the incentive to pick up a gun, to fire it. Was it Rand or Cami, married teenagers with a young son? Was it Silas or Ashlyn, members of a white supremacist youth organization? Daniel, who fears retaliation because of his race, who possessively clings to Grace, the love of his life? Or Noelle, who lost everything after a devastating accident, and has sunk quietly into depression?One tense week brings all six people into close contact in a town wrought with political and personal tensions. Someone will fire. And someone will die. But who?

    Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.

    Life is lonely for Kasienka. At home her mother's heart is breaking and at school friends are scarce. But when someone special swims into her life, Kasienka learns that there might be more than one way for her to stay afloat. The Weight of Water is a startlingly original piece of fiction. A brilliant coming-of-age story, it also tackles the alienation experienced by many young immigrants. Moving, unsentimental, and utterly page-turning, we meet and share the experiences of a remarkable girl who shows us how quiet courage prevails.

    Before Cheyenne realizes what's happening, the car is being stolen.Griffin hadn't meant to kidnap Cheyenne and once he finds out that not only does she have pneumonia, but that she's blind, he really doesn't know what to do. When his dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes--now there's a reason to keep her. How will Cheyenne survive this nightmare?

    And then everything -- absolutely everything -- changed. Now she's counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That's her -- that's Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it's like to lose part of yourself - and to summon the courage it takes to find yourself again.age range: 12 yrs and upgrade range: Grade 7 and up

    When she's barefoot and running, she can hear her heart beating . . . thump-THUMP, thump-THUMP. It's a rhythm that makes sense in a year when everything's shifting: Her mother is pregnant, her grandfather is forgetful, and her best friend, Max, is always moody. Everything changes over time, just like the apple Annie's been assigned to draw. But as she watches and listens, Annie begins to understand the many rhythms of life, and how she fits within them.Twelve-year-old Annie ponders the many rhythms of life the year that her mother becomes pregnant, her grandfather begins faltering, and her best friend (and running partner) becomes distant.