Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    Kwame Alexander’s poetry and Melissa Sweet’s artwork come together to take readers on a journey between the pages of a book.

    . .Taking as its starting point the classic 'wheel of balance' life-coach model, this beautifully packaged collection of extracts and short poems gathers wisdom old and new in a perfect gift for anyone who needs comfort in this f**ked up world of ours.'This is not a poetry book as you know it, this is a life raft.' Emerald Street on Poems for a World Gone to Sh*t.

    Now includes contemporary voices such as Seamus Heaney, Anne Carson, Czeslaw Miloscz, Rainer Maria Rilke, and Raymond Carver

    Like her father, she promises to be a great leader of all the Fee, despite her consuming vanity a fitting characteristic in a land where physical perfection is cherished above all else.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    A unique book 'in two voices' that uses traditional reading teaching techniques (alliteration, rhyme, repetition, short sentences) to invite young children to read along with an adult. Each of the twelve short stories fit on one spread and features childlike themes - family, friendship, pets and seasons. With clear, color-coded typography and amusing illustrations, this collection is sure to entertain.

    Now she’s returned home to Gray’s Island to reconnect with the son she left behind. Her boy, Jeremy, now a sullen teenager, is wrongly accused of rape, and mother and son are thrown together in a desperate attempt to prove his innocence. She’s aided by Colin McGinty, a recovering alcoholic and 9/11 widower, also recently returned to the island in the aftermath of his grandfather’s death. Colin’s grandfather, a famous artist, is best known for his haunting portrait, “Woman in Red,” which happens to be of Alice’s grandmother. In a tale that weaves the past with the present, we come to know the story behind the portrait, of the forbidden wartime romance between William McGinty and Eleanor Styles, and the deadly secret that bound them more tightly than even their love for each other. A secret that, more than half a century later, is about to be unburied, as Alice and Colin are drawn into a fragile romance of their own and the ghost of an enemy from long ago surfaces in the form of his grandson, the very man responsible for sending Alice to prison.

    Like haiku, sijo are brief and accessible, and the witty last line winds up each poem with a surprise. The verses in this book illuminate funny, unexpected, amazing aspects of the everyday--of breakfast, thunder and lightning, houseplants, tennis, freshly laundered socks. Carefully crafted and deceptively simple, Linda Sue Park's sijo are a pleasure to read and an irresistible invitation to experiment with an unfamiliar poetic form. Istvan Banyai's irrepressibly giddy and sophisticated illustrations add a one-of-a-kind luster to a book that is truly a gem.

    In his signature “shaped speech” style, he creates a narrative of moments and joyous music, from the drums of the ancestors, the red dirt of the plantations, the current of the mighty Mississippi, and the shackles, blood, and tears of slavery. Each chop of the ax is a beat, each lash of the whip fashions another line on the musical staff. But each sound also creates the chords and harmonies that preserve the ancestors and their stories, and sustain life, faith, and hope into our own times.

    You've never seen I Spy like this!

    His worldview and his common sense are being defied by an adversary who seems to know everything about him.From the moment he discovers an obscure icon on his desktop, everyday life seems to unravel. Everything he holds dear appears to slip through his fingers and is about to disappear from his life. Unless he manages to make the right defining decisions while working on a challenging drug trafficking case from this point forward. Is knowledge true power?This gripping novel simultaneously plays with your imagination, the fringes of theoretical physics and philosophy. You will be devouring every word, absorbing page by page, positioned on the edge of your seat. Buckle up! "Tomc uses an intriguing story to question the impact of every decision a person can make." - Independent Book Review"The book is truly captivating and unique in the way it weaves genres together." - Literary Titan"You should expect to be impressed and pleasantly shocked." - Indie Book UprisingFinalist in the 2019 IAN Book of the Year Awards in the "Novella" category.Winner of 2018 Breakthrough Fiction Award in the Suspense/Thriller category.

    Hazel Hunnicutt's Used World Emporium is a sprawling antique store that is "the station at the end of the line for objects that sometimes appeared tricked into visiting there." Hazel, the proprietor, is in her sixties, and it's a toss-up as to whether she's more attached to her mother or her cats. She's also increasingly attached to her two employees: Claudia Modjeski -- freakishly tall, forty-odd years old -- who might finally be undone by the extreme loneliness that's dogged her all of her life; and Rebekah Shook, pushing thirty, still living in her fervently religious father's home, and carrying the child of the man who recently broke her heart. The three women struggle -- separately and together, through relationships, religion, and work -- to find their place in this world. And it turns out that they are bound to each other not only by the past but also by the future, as not one but two babies enter their lives, turning their formerly used world brand-new again. Astonishing for what it reveals about the human capacity for both grace and mischief, The Used World forms a loose trilogy with Kimmel's two previous novels, The Solace of Leaving Early and Something Rising (Light and Swift). This is a book about all of America by way of a single midwestern town called Jonah, and the actual breathing histories going on as Indiana's stark landscape is transformed by dying small-town centers and proliferating big-box stores and SUVs. It's about generations of deception, anguish, and love, and the idiosyncratic ways spirituality plays out in individual lives. By turns wise and hilarious, tender and fierce, heartrending and inspiring, The Used World charts the many meanings of the place we call home.

    Never again will she walk, dance, run, or even leave the convalescent home where she lies in a bed, surrounded by the elderly and dying. Or will she? When the elderly Elva asks her new roommate to read to her from the 1910 edition of Baedeker's Italy, Courtney reluctantly agrees. Each afternoon, for a short time, the two escape back in time from the darkness of winter in North Dakota. Where there seemed none, together they will find adventure, poetry, beauty, love, and most of all, hope.

    The future of Liquid Cloud, a popular and amusing rock group depends on the outcome of this confrontation because their artistic career is in jeopardy.