Whether you believe these urban myths or not, they have the power to unnerve and enthral us all.

    It could not anticipate what was to come after, neither could it grasp what had happened in literary theory in the light of where it was to lead.

    Their honeymoon was idyllic and Liz is blissfully happy—at first. But she feels increasingly uneasy in her lavish new home. Huntington House and its staff still seem to be in the thrall of David’s first wife. In fact, the housekeeper, Mrs. Hoffman, has made it clear that Liz can never measure up to the stunning, sophisticated, deceased, Dominique. Though Dominique drowned in a yachting accident, Liz still senses her spirit in the house. She hears unexplained noises…sees shadowy figures vanishing down the long corridors. The scent of Dominique’s favorite flowers fills the air. But Liz’s fears are more than insecurity. Two young women connected to Huntington House have already met terrible deaths. More will die—and soon. Because behind the house’s polished façade is an unimaginable secret and a love turned to twisted, unnatural obsession…Praise for William Patterson’s The Inn "The Conjuring meets The Shining in William Patterson's deliciously creepy thriller.  Fast-paced, horror-filled, clever and impossible-to-predict, this heart-pounding tale will leave you breathless." --Kevin O’Brien, New York Times bestselling author

    . . Murder at leisure?London, 1888: Susannah rushes into marriage to a young and wealthy surgeon. After a passionate honeymoon, she returns home with her new husband wrapped around her little finger. But then everything changes.Thomas's behavior becomes increasingly volatile and violent. He stays out all night, returning home bloodied and full of secrets. The gentle caresses she enjoyed on her wedding night are now just a honeyed memory.When the first woman is murdered in Whitechapel, Susannah's interest is piqued. But as she follows the reports of the ongoing hunt for the killer, her mind takes her down the darkest path imaginable. Every time Thomas stays out late, another victim is found dead.Is it coincidence? Or is her husband the man they call Jack the Ripper?

    In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity.Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.

    He was traveling through Louisiana and a few missed turns, a few hours later, he finds himself facing a horrible fate. All Robert knows is that he is stuck in an abandoned military bunker in the wild swamps of Louisiana. There is something stalking his every move, a scary horror look unlike anything he has ever seen. S79 The creature in the Bunker, The Horror Novel of the Swamps. Will Robert survive the living nightmares and make it back home to his wife Julie and his daughter Lillie? Will he uncover a bigger horror mystery that the small town of Montegut had been hiding for years? ★★★★★ "S79 has a super fun plot. You’ve got swamps, abandoned military base, science experiment gone wrong, conspiracy theories, urban legends, pitch dark atmosphere, snakes, gators, rednecks, revenge, and a pretty epic creature." - Aimee M.

    

    There was more truth than fiction to those words. There were things that lurked in the shadows which defied the laws of nature: perversions that fed on the dead, terrorised the living, or escaped the chill touch of the grave.Clara is a member of the Tower, a religious order of hunters who work outside the confines of the Church. As keepers of the arcane, her order takes an active role to counter these threats. The life of a hunter can be short, and many disappear before their training is complete. So, what does it take to succeed against all odds?Explore Clara’s origin, a child born before the dawn of the twentieth century. Witness her rigorous training, how she faces adversity, and fights in the Great War to become the derringer wielding flapper she is.Throughout her tale, keep in mind that no matter the threat, a gal has to look out for herself after all.

    Visit the barbarian clans to trade or to plunder their treasuries. Establish a base of power among princes, guilds or rebellious refugees in the capital city of Yndaros. Or survive encounters with Arch Trolls, dark-minded Blight Beasts and undead warlords. But whatever you do, never ignore the warnings spoken by the wardens of the forest: tread carefully and do not disturb the ruins of old, for the dark deep of Davokar is about to awaken.

    So when they got into a very unlikely situation more than books and Lab Experiments, Samantha swore that she will make Aaron's life a living hell until she discovered something.

    Now completely revised to correspond to the definitive new Galber edition, Hugh Kenner's ULYSSES for the first time becomes widley available in the United States.With characteristic flair, Kenner explores the ways Joyce teaches us to read his novel as Joyce taught himself to write: moving from the simple to the complex, from the familiar to the strange and new, from the norms of the nineteenth-century novel to the open forms of modernism. Kenner offers new interpretations on a wide range of topics and details, including the Homeric parrallels, the flow of episodes and style, and the enigma of Molly's final word. Joyceans, teacher, their students, and all other readers will find cause for rejoicing in ULYSSES.

    Iroquois Indians visit London in the early part of the eighteenth century and give birth to the "feathered people" in the British popular imagination.What do these seemingly disparate strands of culture share over three hundred years and several thousand miles of ocean? Artfully interweaving theatrical, musical, and ritual performance from the eighteenth century to the present in London and New Orleans, Cities of the Dead takes a look at a rich continuum of intercultural exchange that reinvents, recreates, and restores history.Complemented with fifty-five illustrations, including spectacular photos of the famed Mardi Gras Indians, this fascinating work employs an entirely unique approach to the study of culture. Rather than focusing on one region, Cities of the Dead explores broad cultural connections over place and time, showing through myriad examples how performance can revise the unwritten past.

    Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

    An enigmatic man. An ancient castle. What could go wrong?An outcast her entire life, Corvina Clemm is left adrift after losing her mother. When she receives the admission letter from the mysterious University of Verenmore, she accepts it as a sign from the universe. The last thing she expects though is an olden, secluded castle on top of a mountain riddled with secrets, deceit, and death.An enigma his entire life, Vad Deverell likes being a closed book but knowing exactly everything that happens in the university. A part-time professor working on his thesis, Vad has been around long enough to know the dangers the castle possesses. And he knows the moment his paths cross with Corvina, she's dangerous to everything that he is.They shouldn't have caught each other's eye. They cannot be. But a chill-inducing century-old mystery forces them to collide. People have disappeared every five years for over a hundred years, and Corvina is getting clues to unraveling it all, and Vad needs to keep an eye on her.And so begins a tale of the mystique, the morbid, the macabre, and a deep love that blossoms in the unlikeliest of places.

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.