In I Killed Scheherazade she challenges prevalent notions of identity and womanhood in the Middle East and speaks of her own intellectual development and the liberating impact of literature on her life. Fiery and candid, this is a provocative exploration of what it means to be an Arab woman today.Born in 1970 in Beirut, Joumana Haddad is an award-winning poet, literary translator, magazine publisher and journalist. Joumana is the cultural editor for the an-Nahar newspaper and in 2008 launched the Arab world’s first erotic cultural magazine, Jasad (Body). Joumana was chosen as one of the best Arab authors under 39 in 2009 (Beirut39). She lives in Lebanon with her two sons.

    Now 150 biographic sketches shed new light on such familiar figures as the Bronte sisters and Clara Barton, while revealing the rarely studied yet remarkable achievements of women warriors. Historical essays place these women in the context of their times, while sidebars highlight women's wit, wisdom, and inventions on all frontiers, from science to fashion.Queen Hatshepsut --Sappho --Aspasia --Cleopatra --The Trung sisters --Boudica --Hypatia --Empress Theodora --Wu Chao --Murasaki Shikibu --Sultana Razia --Christine de Pizan --Joan of Arc --Queen Isabella I --La Malinche --Catherine de Médicis --Queen Elizabeth I --Mary Queen of Scots --Artemisia Gentileschi --Judith Leyster --Sor Juana Ines de la Cruz --Catherine the Great --Mary Wollstonecraft --Deborah Sampson --Jane Austen --Emma Willard --Sacajawea --Sarah Grimké and Angelina Grimké --La Pola --Sojourner Truth --Catharine Beecher --Dorothea Dix --Margaret Fuller Harriet Beecher Stowe --Harriet Tubman --Elizabeth Cady Stanton --Charlotte Brontë and Emily Brontë --Maria Mitchell --Clara Schumann --Queen Victoria --Susan B. Anthony --Florence Nightingale --Elizabeth Blackwell --Clara Barton --Antoinette Brown Blackwell --Mary Harris "Mother" Jones --Lakshmi Bai --Emily Dickinson --Louisa May Alcott --Tz'u-hsi --Queen Liliuokalani --Sarah Bernhardt --Mary Cassatt --Sarah Winnemucca --Carry Nation --Louisa Lawson --Olive Schreiner --Fannie Farmer --Charlotte Perkins Gilman --Jane Addams --Ida B. Wells --Beatrix Potter --Marie Curie --Sophia Hayden --Alexandra David-Neel --Emma Goldman --Rosa Luxemburg --Maria Montessori --Alexandra Kollontai --Qiu Jin --Mary McLeod Bethune --Huda Shaarawi --Margaret Sanger --Helen Keller --Anna Pavlova --Virginia Woolf --Rose Schneiderman --Gabrielle "Coco" Chanel --Eleanor Roosevelt --Georgia O'Keeffe --Gabriela Mistral --Ichikawa Fusae --Bessie Smith --Martha Graham --Marian Anderson --Amelia Earhart --Golda Meir --Zora Neale Hurston --Margaret Mead --Margaret Bourke-White --Greta Garbo --Frida Kahlo --Rachel Carson --Simone de Beauvoir --Mother Teresa --Mildred "Babe" Didrikson --Mary Leakey --Indira Gandhi --Jessie Lopez De La Cruz --Eva Perón --Betty Friedan --Diane Arbus --Shirley Chisholm --Margaret Thatcher --Nguyen Thi Binh --Jacqueline Kennedy Onassis --Violeta Chamorro --Toni Morrison --Corazon Aquino --Barbara Jordan --Valentina Tereshkova --Marian Wright Edelman --Wilma Rudolph --Billie Jean King --Mairead Corrigan and Betty Williams --Antonia Novello --Aung San Suu Kyi --Wilma Mankiller --Eka Esu-Williams --Rigoberta Menchú

    Though much debated, its position as the basic textbook on women's history in Greece and Rome has hardly been challenged."--Mary Beard, Times Literary Supplement. Illustrations.

    Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.

    Abel Paz's magnificent biography resurrects the very soul of Spanish anarchism.”—Mike Davis, author of Planet of SlumsAK Press has commissioned an elegant, new and unabridged translation of the definitive biography of Spanish revolutionary and military strategist, Buenaventura Durruti. But Abel Paz, who fought alongside Durruti in the Spanish Civil War, has given us much more than an account of a single man’s life. Durruti in the Spanish Revolution is as much a biography of a nation and of a tumultuous historical era. Paz seamlessly weaves intimate biographical details of Durruti’s life—his progression from factory worker and father to bank robber, political exile and, eventually, revolutionary leader—with extensive historical background, behind-the-scenes governmental intrigue, and blow-by-blow accounts of major battles and urban guerrilla warfare. An amazing and exhaustive study of an incredible man and his life-long fight against fascism in both its capitalist and Stalinist forms.Includes Jose Luis Gutierres Molina’s introduction about Abel Paz’s life and the historiography of the Spanish Civil War.Abel Paz was born in 1921. At 15, he joined the Durruti Column and fought in the Spanish Revolution. After the revolution's defeat, he was active as a guerilla fighter against the Franco regime and spent eleven years in prison. He lives in Barcelona, Spain.Chuck Morse founded the Institute for Anarchist Studies, co-edited Perspectives on Anarchist Theory, and founded and edited The New Formulation: An Anti-Authoritarian Review of Books. He lives in Brooklyn, New York.

    The existing social culture was manipulated and subverted as the German people had their ethical values and their thoughts about politics, history and daily life recast in a new language. This Notebook, originally called LTI (Lingua Tertii Imperii)-the abbreviation itself a parody of Nazified language-was written out of Klemperer's conviction that the language of the Third Reich helped to create its culture. As Klemperer writes: "it isn't only Nazi actions that have to vanish, but also the Nazi cast of mind, the typical Nazi way of thinking, and its breeding ground: the language of Nazism." This brilliant, entertaining, profound, and ultimately saddening and horrifying book is one of the great twentieth-century studies of language and of its engagement with history.

    From 1918-21, fighting off both the Red and White Armies, the Makhnovists - comprised almost entirely of peasants - created anarchism in the Ukraine.

    Inspired by the trial of a bureaucrat who helped cause the Holocaust, this radical work on the banality of evil stunned the world with its exploration of a regime's moral blindness and one man's insistence that he be absolved all guilt because he was 'only following orders'.

    Wade decision, most women determined to get abortions had to subject themselves to the power of illegal, unregulated abortionists...But a Chicago woman who happened to stumble across a secret organization code-named 'Jane' had an alternative. Laura Kaplan, who joined Jane in 1971, has pieced together the histories of the anonymous (here identified only by pseudonyms), average-sounding women who transformed themselves into outlaws."—Cleveland Plain Dealer"The Story of Jane is a piece of women's history in step with feminist theory demanding that women tell their own stories. It serves to remind people of an important and often overlooked moment in the women's rights movement."—Seattle Weekly"Laura Kaplan's The Story of Jane is the first book to chronicle this controversial sliver of history, and it is a fascinating, if partisan, close-up of the group."—Newsday"[Kaplan] draws on her personal recollections and interviews with Jane members and clients and the doctors who performed the abortions to provide a well-written, detailed history of this radical group."—Publisher's Weekly"Weaving together the voices and memories of her former co-workers, Kaplan recounts how the group initially focused on counseling women and helping them find reliable, reasonably priced doctors....Kaplan's account of this remarkable story recaptures the political idealism of the early '70s...23 years after Roe vs. Wade, the issues and memories raised by the books are close and all too relevant."—K Kaufmann, San Francisco Chronicle"Laura Kaplan's The Story of Jane is the first book to chronicle this controversial sliver of history, and it is a fascinating, if partisan, close-up of the group....The Story of Jane succeeds on the steam of Kaplan's gripping subject and her moving belief in the power of small-scale change."—Cynthia Leive, New York Newsday"During the four years before the Supreme Court's Roe v. Wade decision legalized abortion in 1973, the 100 members of Jane helped some 11,000 women end their pregnancies....There is more in this remarkable book that will further raise eyebrows....Kaplan's engrossing tales of the quiet courage of the women who risked their reputations and freedom to help others may remind many readers of other kinds of outlaws who have resisted tyranny throughout history."—Chicago Sun-Times

    An examination of the Scientific Revolution that shows how the mechanistic world view of modern science has sanctioned the exploitation of nature, unrestrained commercial expansion, and a new socioeconomic order that subordinates women.

    A society utterly wrecked by a hurricane of violence. In this compelling book, the renowned historian Karl Schlogel reconstructs with meticulous care the process through which, month by month, the terrorism of a state-of-emergency regime spiraled into the 'Great Terror' during which 1 1/2 million human beings lost their lives within a single year. He revisits the sites of show trials and executions and, by also consulting numerous sources from the time, he provides a masterful panorama of these key events in Russian history. He shows how, in the shadow of the reign of terror, the regime around Stalin also aimed to construct a new society. Based on countless documents, Schlogel's historical masterpiece vividly presents an age in which the boundaries separating the dream and the terror dissolve, and enables us to experience the fear that was felt by people subjected to totalitarian rule. This rich and absorbing account of the Soviet purges will be essential reading for all students of Russia and for any readers interested in one of the most dramatic and disturbing events of modern history.

    Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne’s annual conference in Paris. Standing up in front of the profession for whom he is a ‘mentally ill person’ suffering from ‘gender dysphoria’, Preciado draws inspiration in his lecture from Kafka’s ‘Report to an Academy’, in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars.Speaking from his own ‘mutant’ cage, Preciado does not so much criticize the homophobia and transphobia of the founding fathers of psychoanalysis as demonstrate the discipline’s complicity with the ideology of sexual differencedating back to the colonial era, an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Further, Preciado calls for a radical transformation of psychological andpsychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimizing heteropatriarchal and colonial violence.Causing a veritable outcry among the assembly, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, ended up published online, where fragments were transcribed, translated and published with noregard for exactitude. Eighteen months on, Can the Monster Speak? Report to an Academy of Psychoanalysts is published in a definitive translation for the first time.

    It divided the nation in the 1920s, and it has continued to arouse deep emotions, giving rise to an enormous literature. Few writers, however, have consulted anarchist sources for the wealth of information available there about the movement of which the defendants were a part. Now Paul Avrich, the preeminent American scholar of anarchism, looks at the case from this new and valuable perspective. This book treats a dramatic and hitherto neglected aspect of the cause c�l�bre that raised, according to Edmund Wilson, "almost every fundamental question of our political and social system."

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    Within days police, and even those closest to Marie, became suspicious of her story. The police swiftly pivoted and began investigating Marie. Confronted with inconsistencies in her story and the doubts of others, Marie broke down and said her story was a lie--a bid for attention. Police charged Marie with false reporting, and she was branded a liar.More than two years later, Colorado detective Stacy Galbraith was assigned to investigate a case of sexual assault. Describing the crime to her husband that night, Galbraith learned that the case bore an eerie resemblance to a rape that had taken place months earlier in a nearby town. She joined forces with the detective on that case, Edna Hendershot, and the two soon discovered they were dealing with a serial rapist: a man who photographed his victims, threatening to release the images online, and whose calculated steps to erase all physical evidence suggested he might be a soldier or a cop. Through meticulous police work the detectives would eventually connect the rapist to other attacks in Colorado--and beyond.Based on investigative files and extensive interviews with the principals, A False Report/i>is a serpentine tale of doubt, lies, and a hunt for justice, unveiling the disturbing truth of how sexual assault is investigated today - and the long history of skepticism toward rape victims.