Sarah Thornton's beautifully paced, fly-on-the-wall narratives include visits with Ai Weiwei before and after his imprisonment and Jeff Koons as he woos new customers in London, Frankfurt, and Abu Dhabi. Thornton meets Yayoi Kusama in her studio around the corner from the Tokyo asylum that she calls home. She snoops in Cindy Sherman’s closet, hears about Andrea Fraser’s psychotherapist, and spends quality time with Laurie Simmons, Carroll Dunham, and their daughters Lena and Grace.Through these intimate scenes, 33 Artists in 3 Acts explores what it means to be a real artist in the real world. Divided into three cinematic "acts"—politics, kinship, and craft—it investigates artists' psyches, personas, politics, and social networks. Witnessing their crises and triumphs, Thornton turns a wry, analytical eye on their different answers to the question "What is an artist?"33 Artists in 3 Acts reveals the habits and attributes of successful artists, offering insight into the way these driven and inventive people play their game. In a time when more and more artists oversee the production of their work, rather than make it themselves, Thornton shows how an artist’s radical vision and personal confidence can create audiences for their work, and examines the elevated role that artists occupy as essential figures in our culture.

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    With a voice equally realistic and encouraging, photographer David duChemin discusses the experiences he's had, the lessons he's learned, and the practices he's adopted in his own winding journey to becoming a successful working photographer.When it comes to this personal, honest combination of craft and commerce, there is no single path to success. Everyone's goals are different, as is everyone's definition of success. As such, VisionMongers does not prescribe a one size-fits-all program. Instead, duChemin candidly shares ideas, wisdom, and inspiration to introduce you to, and help you navigate, the many aspects of transforming your passion into your vocation. He addresses everything from the anxiety-riddled question "Am I good enough?" to the basics--and beyond--of marketing, business, and finance, as well as the core assumption that your product is great and your craft is always improving.Along the way, duChemin features the stories of nine other photographers--including Chase Jarvis, Gavin Gough, and Zack Arias--whose paths, while unique, have all shared a commitment and passion for bringing their own vision to market. With VisionMongers, you'll learn what paths have been taken--what has worked for these photographers--and you'll be equipped to begin the process of forging your own.

    By all accounts, Ernie was a phenomenon, selling an estimated 100,000 copies. Photographer Tony Mendoza had captured the mercurial character of that irascible, self-possessed, utterly lovable cat, telling the curiously moving story of their relationship in the voices of both himself and Ernie. Our beautifully produced hardcover edition of this classic tale is poised to charm legions of new readers. Featuring never-before-published pictures, and a few more private thoughts from Ernie himself, Ernie is sure to steal hearts all over again.

    We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world.While holding this to be true of authentic art, the author acknowledges the presence--overwhelming in our media-saturated age--of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival.Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

    Some pictures are easily appreciated at first glance, but others - often the most rewarding - require some explanation before they can be fully understood. This clearly written and enjoyable book is intended to increase pleasure and stimulate thought. It tackles many aspects of looking at paintings as well. Starting with familiar ideas, Dr Susan Woodford moves on to explore subtler, less obvious concepts. For example, she shows how paintings can be appreciated as patterns on a flat surface emotional effect; how ordinary objects can conceal hidden meanings and how knowledge of tradition improves our understanding of revolutionary works.

    A short illustrated survey of the use of photography in contemporary art since the mid-1980s.

    His collection, which he has protected and enlarged through both World War II and Czechoslovakia's years of Stalinism, numbers more than 1,000 pieces, all crammed into his two-room Prague flat. Utz is allowed to leave the country each year, and although he has considered defection, he always returns. He cannot take his precious collection with him, but he cannot leave it, either. And so Utz is as much owned by his porcelain as it is owned by him, as much of a prisoner of the collection as of the Communist state.A fascinating, enigmatic man, Kaspar Utz is one of Bruce Chatwin's finest creations. And his story, as delicately cast as one of Utz's porcelain figures, is unforgettable.

    In "Song of Herself", Kahlo expert and child psychiatrist Salomon Grimberg introduces and contextualizes an intimate, deeply introspective interview that Kahlo gave towards the end of her life to her friend the psychologist Olga Campos for an unpublished book on the creative process. Kahlo comments directly and starkly as never before on her life, her loves and her art, and expresses her attitudes towards sexuality, her body, friendship, politics and death, among other personal concerns.The most revealing autobiographical text known on this singular woman, this startling interview is accompanied here by Campos' reflections on her relationship with Kahlo and a psychological assessment of Kahlo by Dr James Bridger Harris. The book is illustrated with selected photographs and works by Kahlo, including previously unseen and rarely seen drawings.

    Now she’s going to scream out mine. Professor James Wilson: She brings out the bully in me. The person I left behind 4 years ago when I moved to the UK. When she walks into my classroom, so innocent and untouched… It burns me to the core. The waif I used to bully grew up, and now she’s the one torturing me with her curves. I need her. I need to tame her. Make her whimper my name and succumb to her dark lust. I know just the words to turn her into my submissive. Kit Chapman: This can’t be happening. The meathead jock who made my life a living hell is NOT my new teacher. I traveled 3,500 miles to escape my past… and landed in my bully’s classroom. He might have changed his last name and gotten a bad boy tattoo, but he’s the same cocky jerk. He thinks I’ll forget how he made my life a living hell and fall into the palm of his hand. When I’m framed as a drug dealer and kicked out of dorms, I have the devil’s choice. Do I move back to the states, or into my former bully’s home? Will I be able to resist his filthy, honeyed voice as he spells out my darkest needs? Dirty Talking Alpha is a standalone 55k enemies to lovers, bully to soulmate, hate to love steamy romance. Look inside because you'll get a preview!

    Or, more difficult yet, imagine an America unaffected by the cultural expressions and forms of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that express and helped shape them, The Art of Protest shows the vital importance of these movements to American culture. In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice ("Will the revolution be cybercast?") of the twenty-first century, T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture. The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world.

    But then the unthinkable happens: her sister and brother in law die in an accident, leaving her and her small niece behind. Soon, Felicity is in financial trouble. Her only way out is a mail order bride ad from a doctor in Montana. But when she and her niece arrive there, Felicity is in for a big surprise. The doctor never sent her those letters. Stuck in a dead end all the way in the West, Felicity has to adapt to life once again. Andrew loves his job and lives a fulfilling life. He is happy, but something is missing: A wife and a family to call his own. Now a mail order bride shows up on his doorstep unexpectedly. What is he supposed to do? But when Andrew’s surprise and anger ebb away, he starts to see Felicity for the wonderful woman that she is, and starts caring deeply for the child, too. When Andrew finally realizes what Felicity means to him, another man has his eye on her and she, fed up with Andrew’s supposed indifference, seems interested. Which man will Felicity choose? Is it too late for her and the doctor? Or will true love follow its own path? This is a 72-page stand-alone story with an HEA, so no cliff-hangers.

    Book #1 [1NS-002]: ~ The Virgin and the Playboy ~Julie, accidental virgin, has waited longer than she ever planned to lose her virginity and join everyone else she knows in dating reality. Embarrassed at her plight, she has made arrangements with 1NightStand.com to meet with a handsome stranger for one night of no commitment required sexuality, without having to admit she'd never made love before. Mark is the one single guy left in his group of friends. As such, he is known for the bevy of lovelies he dates, and his stories of wild exploits between the sheets. His participation in 1NightStand.com is on a dare, and he has no idea that his date is...less experienced than he is used to. And so much more... When they enter the penthouse suite in Las Vegas, they enter a chamber designed for luxury and booked for a 1NightStand . . .*-*Book #2 [1NS-142]: ~ The Virgin and the Best Man ~Mark and Julia from The Virgin and the Playboy have set the date! They are to be married at The Castillo Las Vegas, where they met on their 1Night Stand. All their family and friends are invited and they have planned a special surprise for their maid of honor and best man.Karin, Julia’s cousin, a small town librarian, chose family obligations over her dreams of the stars. She loves them all, but wonders when it will be her turn to live as she wishes…if it isn’t too late.Ray, commercial pilot, is every bit as much a playboy as his brother Mark used to be. He isn’t opposed to finding The One, but fears his brother has collected the only perfect jewel.What more appropriate gift for these two than a 1Night Stand with a date personally selected for them by Madame Evangeline . . .*-*Book #3 [1NS-154]: ~ Virgin Under Ground ~Doctorate in hand, Jane Ann Summers is ready to return to the South Seas paradise of her youth, when the director of the institute—her mother—drops a bomb. She cannot return until she experiences more of life...a social life.Determined to waste no time, Jane searches for a shortcut and discovers the 1Night Stand dating service. A single night with geologist Dr. Lukas Gerard, and she can go home and get on with her fascinating study of world weather trends. The only question is whether to have sex with him…after all, it would be her first, and maybe only, time. Lukas’s own field of study has shown him some alarming trends. He believes a killer earthquake may rattle the western half of the United States in the near future. In preparation, he converts an abandoned gold mine to a secret bunker, loaded with supplies and all the comforts of home. Only thing he needs now is company in his hideaway. Unsure how to find the right companion, he turns to 1Night Stand, but neither he nor Jane are prepared for the sudden impact of one of Madame Eve’s connections. One night teaches them there is more to life than science…for both of them . . .

    Learn how the drama all began in this prequel to the wildly popular novel, Been So Long.Mona-Lisa followed her boyfriend, Corey, to college with dreams of building a stable future with him and leaving her troubled past behind, but a chance meeting with a handsome stranger threatens to derail their relationship and send her right down a path she has tried to avoid.

    Thisoften leads exasperated viewers to exclaim--is this really art?In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts, and highlights the continuities of tradition that stretch from modern, often sensational, works back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. In addition, Freeland guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Lastly, throughout this nuanced account of theories, artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor.It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art.