Chapman's fine new edition has, among its other merits, the advantage of waking the Jane Austenite up.... The novels continue to live their own wonderful internal life...freshened and enriched by contact with the life of facts. His illustrations are beyond all praise.--E.M. Forster, Abinger Harvest.This beautiful set provides the definitive text of Austen's six great comic masterpieces and her minor works (the latter include three high-spirited efforts written at about age fifteen; a charming fragment, The Watsons, which has been thought to be a sketch for Emma; and a tantalizing fragment, Sanditon, written in the last year of her life). All six volumes feature splendid early 19th-century illustrations as well as Chapman's detailed explanatory notes. Chapman has collated all the editions published in the author's lifetime and previously unpublished manuscripts, establishing an authoritative text that retains the punctuation, the spelling, and division into volumes of the originals. In addition, at the end of each work he supplies notes on textual matters and appendixes on such matters as the modes of address, or characters, or carriages and travel, as these seem warranted by the text. Additional changes have been incorporated by Mary Lascelles.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    The towering figure of Adam Trask dominates the story--a good man whose satanic wife revealed to him the shuddering ecstasies of lustful evilKate came into Adam's life unannounced, and left amidst the ringing echo of gunfire. Behind her were a shattered man and a shattered world, and two infant boys doomed to play out, once again, the tragic roles of another Adam's offspring. Ahead of her was a frenzied life of depravity and perversion, wealth..and terror.THE WAYWARD BUS traveled the back roads through lush California countryside. Its driver was a man of the land--lusty, hot-blooded, uninhibited. On the bus were a magnificent creature cursed with a heart of gold an an irresistible allure for men, a traveling salesman out strictly for laughs, a boy with the sweet sap of manhood urgent in him, a college girl pursuing a secret, passionate quest...In one climactic day--and night--the lives of these and all the other passengers on the wayward bus were changed. And the electricity that John Steinbeck creates in their relation ships provides both power and shock.--jacket description

    Each piece of narration is invested with gristliness and wit. Talking Book World

    Includes the following stories: Head and Shoulders, Bernice Bobs Her Hair, Dalyrimple Goes Wrong, The Curious Case of Benjamin Button, and The Diamond as Big as the Ritz.

    Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.Written to be sold under the pseudonym of “Mark Harvey,” Basic Training was never published in Vonnegut’s lifetime. It appears to have been written in the late 1940s and is therefore Vonnegut’s first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haley’s only means of survival will lead him to unflagging defiance of the General’s deranged (but oh so American, oh so military) values. This story and its thirtyish author were no friends of the milieu to which the slick magazines’ advertisers were pitching their products.When Vonnegut passed away in 2007, he left his last novel unfinished. Entitled If God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the world’s major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, “the stand-up comedian on Doomsday,” Gil is a character formed from Vonnegut’s own rich experiences living in a reality Vonnegut himself considered inevitable.Along with the two works of fiction, Vonnegut’s daughter, Nanette shares reminiscences about her father and commentary on these two works—both exclusive to this edition.In this fiction collection, published in print for the first time, exist Vonnegut’s grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.

    As the villagers & the Castle officials block his efforts at every turn, K’s consuming quest–quite possibly a self-imposed one–to penetrate the inaccessible heart of the Castle & take its measure is repeatedly frustrated. Kafka once suggested that the would-be surveyor in The Castle is driven by a wish “to get clear about ultimate things,” an unrealizable desire that provided the driving force behind all of Kafka’s dazzlingly uncanny fictions. The Trial: Written in 1914, The Trial is the terrifying tale of Josef K, a respectable bank officer who is suddenly arrested & must defend himself against a charge about which he can get no information. Kafka’s nightmare has resonated with chilling truth for generations of readers.

    

    As the hottest summer in fifteen years unfolds and bills pile up, Alice is torn between dreams of escaping the loneliness of her duty-filled life and a longing to help her father mend their family and the ranch.To make ends meet, the Winstons board the pampered horses of rich neighbors, and for the first time Alice confronts the power and security that class and wealth provide. As her family and their well-being become intertwined with the lives of their clients, Alice is drawn into an adult world of secrets and hard truths, and soon discovers that people -- including herself -- can be cruel, can lie and cheat, and every once in a while, can do something heartbreaking and selfless. Ultimately, Alice and her family must weather a devastating betrayal and a shocking, violent series of events that will test their love and prove the power of forgiveness.A wise and astonishing novel about the different guises of love and the often steep tolls on the road to adulthood, The God of Animals is a haunting, unforgettable debut.

    

    

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.