For Arthur Dent, who has only just had his house demolished that morning, this seems already to be more than he can cope with. Sadly, however, the weekend has only just begun, and the Galaxy is a very very very large and startling place.THE RESTAURANT AT THE END OF THE UNIVERSE.When all questions of space, time, matter and the nature of being have been resolved, only one question remains --- "Where shall we have dinner?" The Restaurant at the End of the Universe provides the ultimate gastronomic experience, and for once there is no morning after to worry about.LIFE, THE UNIVERSE AND EVERYTHING.In consequence of a number of stunning catastrophes, Arthur Dent is surprised to find himself living in a hideously miserable cave on prehistoric Earth. However, just as he thinks that things cannot possibly get any worse, they suddenly do. He discovers that the Galaxy is not only mind-boggling big and bewildering but also that most of the things that happen in it are staggeringly unfair.SO LONG, AND THANKS FOR ALL THE FISH.Just as Arthur Dent's sense of reality is in its dickiest state he suddenly finds the girl of his dreams. He finds her in the last place in the Universe in which he would expect to find anything at all, but which 3,976,000 people will find oddly familiar. They go in search of God's Final Message to His Creation and, in a dramatic break with tradition, actually find it.

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    It tells the story of Armon Jarles, a man on the edge, living amidst the disputes of two rival powers at large in the world. 360 years after a nuclear holocaust ravaged mankind, throwing society back into the dark ages, the world is fraught with chaos and superstition. The new rulers over the masses of humanity are the techno-priests of the Great God, endowed with scientific knowledge lost to the rest of humanity. Jarles, originally of peasant descent, rises to become a priest of the Great God. He knows the gospel propagated by the priests to be a fraud, based on illusion and trickery. Even more offensive to him is the paucity of true believers among the priesthood. One day he rebels against his priestly training and attempts to incite the peasants to rise up and demand freedom, but they are not ready. Jarles is not the only dissenter trying to sabotage and expose the false theocracy of the priesthood witchcraft is slowly gaining strength and support among the populace. about to throw him headlong into the middle of the greatest holy war the world has ever seen.

    During her bumbling quest to unveil the truth, she crosses paths with Terry and Geldof, and together they set out to escape a quarantined Britain with the evidence and vital data that could unlock a cure for the virus.Standing in the way are rampaging hordes of animals, a ruthless security agent and an army ready to shoot anybody with a case of the sniffles on the off-chance the virus has mutated.Three losers. Overwhelming odds. A single outcome: the world is screwed.

    Man is reduced to salvaging the ruins of a broken world. One man’s most prized possession is Hemingway’s Classic ‘The Old Man and the Sea.’ With the words of the novel echoing across the wasteland, a survivor of the Nuclear Holocaust journeys into the unknown to break a curse. What follows is an incredible tale of survival and endurance. One man must survive the desert wilderness and mankind gone savage to discover the truth of Hemingway’s classic tale of man versus nature.Part Hemingway, part Cormac McCarthy’s The Road, a suspenseful odyssey into the dark heart of the Post-Apocalyptic American southwest.A book lover’s action flick.

    In the Country of Last Things takes the form of a letter from a young woman named Anna Blume to a childhood friend. Anna has ventured into an unnamed city that has collapsed into chaos and disorder. In this bleak environment, no industry takes place and most of the population collects garbage or scavenges for objects to resell. City governments are unstable and are concerned only with collecting human waste and corpses for fuel. Anna has entered the city to search for her brother William, a journalist, and it is suggested that the Blumes come from a world to the East which has not collapsed.

    Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just--and lost--causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . .

    Ed Means is a man who loves his country. He loves beer and Johnny Cash and his sparkling beloved Ford Trinidad SUV. He is a good American, a good consumer and a good husband in a troubled--and of course--childless marriage. A former boxing champion, known to most as simply Champ, he now works in a hospital, doing a job most people despise him for. He is, like many others of his ilk, employed by the United States government; fully licensed and registered and carrying the badge to prove it. He doesn't relish his job but knows that it needs to be done and knows that he is the best one to do it. He is a Mother Puncher. A fair, firm and uncompromising Mother Puncher. Breeders beware.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

    But when news of the encroaching chaos in the outside world reaches the inmates and disorder begins to strike, the prison becomes the least of their worries.It's Luka Kane's sixteenth birthday and he's been inside The Loop for over two years. Every inmate is serving a death sentence with the option to push back their execution date by six months if they opt into "Delays", scientific and medical experiments for the benefit of the elite in the outside world. But rumors of a war on the outside are spreading amongst the inmates, and before they know it, their tortuous routine becomes disrupted. The government issued rain stops falling. Strange things are happening to the guards. And it's not long until the inmates are left alone inside the prison. Were the chains that shackled Luka to his cell the only instruments left to keep him safe? He must overcome fellow prisoners hell-bent on killing him, the warden losing her mind, the rabid rats in the train tunnels, and a population turned into murderous monsters to try and break out of The Loop, save his family, and discover who is responsible for the chaos that has been inflicted upon the world.

    The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.

    Where I come from, the children sing a song:Oh, the motherfucking sharks; Oh, they're gonna come to town.Oh, they're gonna kill the babies; Oh, they're gonna make you drowned in your blood.Oh, the motherfucking sharks; Oh, they're gonna mince the flesh.They're gonna swim up and surround you; Don't you know you'll never pass the test, it's over.Oh, the motherfucking sharks; Oh, they don't care about the gods.And they don't care about the familiesAnd they don't care about the cries or tears they're killers.Motherfucking sharks.Motherfucking sharks.Motherfucking sharks.Motherfucking sharks.

    There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset.As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

    It is also a novel about equality and what happens when the hierarchical structures by which we arrange our daily lives disappear.

    Yes, that seemed normal enough---but what was this talk about "death trauma"?Thus was Thomas Blaine introduced to the year 2110, where science had discovered the technique of transferring a man's consciousness from one body to another. Where a man's mind could be snatched from the past, when his body was at the point of death, and brought forward into a "host body" in this fantastic future world. But that was only a small part of it. For the future had proved the reality of life after death, and discovered worlds beyond or simultaneous with our own---worlds where, through scientific techniques, a man could live again, in another body, when he died here. And in the process, the reality of ghosts, poltergeists, and zombies was also established. What did it all mean? How had this discovery of what they called the "hereafter" shaped the world of 2110? Thomas Blaine found himself living in a future where the discoveries and techniques imagined by people of his time, while having come about, were completely overwhelmed by discoveries no one had ever dreamed of.