As Napoleon struggles for power on the battlefields of Europe, so Hortense charts her way through the French court -- a chessboard world where the motives are jealousy and greed and the prizes are thrones of conquered countries. Despite attempts to retain her individuality, Hortense finds herself married to Napoleon's brother Louis, but her heart is with Charles de Flahaut, a gallant young officer. Unwilling to cross her stepfather, Hortense must wait and see if time will take her to her lover.

    A junior French general, refusing to accept defeat, made his way to England. On 18 June he spoke to his compatriots on the BBC, urging them rally to him in London. Through that broadcast, Charles de Gaulle entered into history. For the rest of the war, de Gaulle in London frequently bit the hand that fed him. Insisting on being treated as the true embodiment of France, he quarrelled violently with Churchill and Roosevelt. But through force of personality and willpower he managed to have France recognised as one of the victorious powers at the end of the War. For ten years after 1958 he was President of France's Fifth Republic, which he created and which endures to this day. Drawing on a vast range of published and unpublished documents, Julian Jackson's magnificent biography reveals this extraordinary figure as never before. The portrait which emerges is of a man of many paradoxes. Some considered him a delusional mystic and vainglorious showman; others a cynical Machiavellian with no fixed beliefs. The tension between reason and sentiment, ambition and moderation, visions of grandeur and respect for circumstance, lay at the core of his conception of political action. Few leaders have reflected more self-consciously on the nature of leadership. As he wrote of Napoleon: 'Once the balance between ends and means is snapped, the manoeuvres of a genius are in vain.' But although de Gaulle had a clear sense of what a leader should be, he was surprisingly flexible about what one should do. The man who did so much to make France what it is today was himself a battlefield on which the French fought out their history.

    Then there was the château itself: a sprawling palace once the residence of kings, its grounds the perfect place to play hide-and-seek. The curiosities of the small town and the time with his family as expats left such an impression on him that thirty years later Carhart returned to France with his wife to raise their two children. Touring Fontainebleau again as an adult, he began to appreciate its influence on French style, taste, art, and architecture. Each trip to Fontainebleau introduces him to entirely new aspects of the château's history, enriching his memories and leading him to Patrick Ponsot, the head of the château’s restoration, who becomes Carhart’s guide to the hidden Fontainebleau.           What emerges is an intimate chronicle of a time and place few have experienced. In warm, precise prose, Carhart reconstructs the wonders of his childhood as an American in postwar France, attending French schools with his brothers and sisters. His firsthand account brings to life nothing less than France in the 1950s, from the parks and museums of Paris to the rigors of French schooling to the vast château of Fontainebleau and its village, built, piece by piece, over many centuries. Finding Fontainebleau is for those captivated by the French way of life, for armchair travelers, and for anyone who has ever fallen in love with a place they want to visit over and over again.

    Six weeks later he made landfall on the coast of Chile and, after a chance meeting, embarked on a 1000-mile cruise southwards to survey channels and fjords in Patagonia, one of the last uncharted areas in the world. From Chile he sailed north on the Humboldt current, then west through the tropics on the return passage to New Zealand, arriving home some 18 months after he had left.

    Josephine was a widow. They met in a Paris ravaged by revolution and despairing of war. They fell in love and married. Their relationship became a legend. From those early days in Paris to the bitter divorce in 1809 the couple kept in touch through intimate letters. Napoleon's insatiable ambition took him from Italy to Egypt, from general to emperor, yet he and Josephine wrote frank, revealing letters to keep in touch. This collection of letters reveals much about the times through which Napoleon and Josephine prospered and about the forces which played upon a couple who rose at astonishing speed to the very height of prestige, power and success. This new edition has commentaries, a chronology and biographies of leading personalities. Here is their love, here are their squabbles. Napoleon and Josephine live on in the pages of this book.

    There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents’ elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time.

    Whether you have experienced the charm of Paris many times or dream of planning your first trip, here you will find the food that makes this city so beloved. Featuring classic recipes like Roast Chicken with Herbed Butter and Croutons, and Profiteroles, as well as newer dishes that reflect the way Parisians eat today, such as Ratatouille Pita Sandwich with Chopped Eggs and Tahini Sauce and Spiralized Zucchini Salad with Peach and Green Almonds. With 100 recipes, 125 evocative photographs, and native Parisian Clotilde Dusoulier's expertise, Tasting Paris transports you to picnicking along the Seine, shopping the robust open-air markets, and finding the best street food--bringing the flavors and allure of this favorite culinary destination to your very own kitchen.

    The author of The World Is Not Enough paints a vivid tale of chivalry, passion, and ruthlessness in 13th-century France, in the dramatic story of the struggle of the Medieval man for his soul, and of ultimate self-sacrifice for spiritual goals.

    Gothic, outrageous, yet tender and wise, Black Bird is as liberating as the dreams of its wayward characters, and as gripping as the insurgencies that split its heart.The Desouches have inhabited the same run-down house in working-class Montreal for years, much to the dismay of their landlord, and its ramshackle architecture perfectly mirrors that of the eccentric family living inside. Grandfather is a sour old grave-robber who relishes in the anguish he causes his wife and family. Uncle shares the same occupation, and otherwise spends much of his time drunk and alone. Neither is looking forward to the winter, which means lost work, due to the frozen ground. Father doesn’t share their gruesome job, but comes up with his own schemes anyway. Mother lies down to sleep away her grief when her father dies, and does not wake up for months. A plain French woman named Aline marries into the family, having been fooled by Grandfather’s smooth ways, only to find herself alienated in a household that chooses to speak English. Marie, the granddaughter and an FLQ terrorist, could share her language — she certainly resents that a part of her is English — but is too caught up in her politics and her anger to get involved. It falls to Marie’s twin brother, Jean-Baptiste, to play occasional translator, though as always he’d prefer to be upstairs in his attic room reading literature and writing awful poetry. Throw in a judgemental pet crow, a confused ghost, a mad doctor, peculiar neighbours, maverick policemen and the walking dead, and you’ve got the makings of the ultimate domestic drama, Montreal-style.When an FLQ bomb set by Marie kills not only the expected strangers but her anglo maternal grandfather (what was he doing out for a smoked-meat sandwich at that hour, anyway?) it sets the family off on a notably bad run of luck. Then again, not many stretches would stand out as stellar for this peculiar group. Which points to one of the wonderful truths that Basilières allows to guide his characters: that life is crummy and a struggle just as often as it’s not, but that doesn’t keep us from wanting to enjoy it in our own ways and hoping for a better tomorrow. As in life, there is a level of coincidence here that is too uncanny to not be believable. When the drunken premier runs down a man in the street, it is not only Marie’s boyfriend and fellow activist who is killed, but the crooked cops bring the fresh corpse to Grandfather’s door to be suitably dealt with. When some of Marie’s separatist pamphlets get mixed up with Jean-Baptiste’s poetry chapbooks, a prison term and a kidnapping are among the unexpected results. When Grandfather loses an eye, his vision improves. And as events spiral out of control, it seems that some of the Desouches are at their most content.With Black Bird, Michel Basilières has written a comic noir, a disturbing and hilarious study of how the October Crisis and the question of Canadian nationalism play out through the disjointed relationships within one family. And as with all of the best fiction, here the facts of our history do not get in the way of the truth, or of telling a good story. Compared to such disparate novels as One Hundred Years of Solitude, The Corrections, and Two Solitudes, Black Bird marks the fiction debut of a masterful and thoroughly entertaining storyteller.

    Young and handsome, laughing his way through difficulties and danger, Lupin is also the master of disguise and languages. His sense of humour and conceit make life difficult for the police who attribute most of the major crimes in France to Lupin and his gang of ruffians and urchins.Maurice Leblanc’s stories are lively and witty, occasionally taking on the air of burlesque, especially when Lupin pits his wits against the English detective named variously ‘Holmlock Shears’ and ‘Herlock Sholmes’These are significant tales in the history of crime fiction but, more importantly, they are great fun.Contents:Arsene Lupin vs Holmlock ShearsThe Confessions of Arsene LupinThe Golden TriangleThe Eight Strokes of the Clock

    She does not speak French. She knows it was wrong to accept the nanny position.You'll find this unusual true story, based on Linda's diary from 1979, even more engaging because it reads like a novel.Twenty-one-year-old Linda needs to learn a language fast in order to fulfill her lofty dreams. Broke yet determined, she pushes aside feelings of guilt, pretends to speak French on her application and secures a nanny position for a wealthy family in France.Will she be able to redeem herself once she arrives at the Château de Montclair? How will she communicate with the Dubois family, especially the children?When Linda meets Adam, a handsome young student, her life becomes more complicated - much more complicated.Join Linda on her adventure of discovery and romance in an extraordinary part of the world and follow up with the final book in the French Illusions Series - "From Tours to Paris."

    These women held sway in the salons, in the councils of state, in the ballrooms, in the bedrooms; they enchanted (or intimidated) the most powerful of men and presided over an extraordinary cultural flowering of unprecedented luxury and sophistication. It is this captivating world that Olivier Bernier recreates. A world in which the shrewdness of Madame de Pompadour or the beauty of Madame du Barry could change the course of great nations. A world that could encompass the piquant frankness of Abigail Adams and the dark plotting of the queen of Naples. This world has been swept away, but its great ladies, the first modern women, still speak to us.Fourteen dashing and sometimes tragic women—empress and dressmaker, bluestocking and courtesan—come to life here in a series of lavishly illustrated essays. Delightfully informative, this timely book charts the beginnings of women's liberation, illuminates the century for those who are unfamiliar with it, and provides new insights for those who know it well.ForewordDiana VreelandPrefaceOlivier BernierChapter 1: The Emergence of PowerMadame des UrsinsThe Duchesse de BerryChapter 2: The Sway of IntelligenceMadame du DeffandMadame de PompadourChapter 3: Writer and PublicistBetie WolffMadame NeckerChapter 4: The Flesh TriumphantMademoiselle ClaironMadame du BarryChapter 5: In Search of FreedomAbigail AdamsGeorgiana, Duchess of DevonshireChapter 6: Working WomenMademoiselle BertinMadame Vigée-LebrunChapter 7: To Rule a WorldThe Margravine of BayreuthQueen Maria CarolinaSource NotesSelected Bibliography

    As Canadian poet Christian Bök has realized, it all comes down to the durability of your materials."—The GuardianInternationally best-selling poet Christian Bök has spent more than ten years writing what promises to be the first example of "living poetry." After successfully demonstrating his concept in a colony of E. coli, Bök is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, "read" his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization.Book I of The Xenotext constitutes a kind of "demonic grimoire," providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the "orphic" volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term.Christian Bök is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada.

    The Roolands' home is an island of colour, good humour and easy living in drab 1950s Léopoldville, and soon Louise is working there as a maid. But once she is under her new employers' roof their model life starts to fall apart - painful secrets from their past emerge, cracks in their relationship appear and a dark obsession begins to grow, which will end in murder... Frédéric Dard (1921-2000) was one of the best known and loved French crime writers of the twentieth century. Enormously prolific, he wrote more than three hundred thrillers, suspense stories, plays and screenplays, under a variety of noms de plume, throughout his long and illustrious career, which also saw him win the 1957 Grand prix de littérature policière for >em>The Executioner Weeps, forthcoming from Pushkin Vertigo. Dard's Bird in a Cage, The Wicked Go to Hell and The Gravediggers' Bread are also available or forthcoming from Pushkin Vertigo.

    Through Morand's transcription of their conversations, Chanel tells us about her friendship with Misia Sert, the men in her life - Boy Capel, the Duke of Westminster, artists such as Diaghilev, her philosophy of fashion and the story behind the legendary Number 5 perfume...The memories of Chanel told in her own words provide vivid sketches and portray the strength of Coco's character, leaving us with an extraordinary insight into Chanel the woman and the woman who created Chanel.Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.