Even though your worker bots have staged a mutiny, and your tour guide speaks only in memes, you can always sell your native language if you need some extra cash.The avant-garde of science fiction have arrived in this space-age sequel to the 2018 award-winning anthology, The New Voices of Fantasy. In The New Voices of Science Fiction you'll find the rising stars of the last five years: Rebecca Roanhorse, Amal El-Mohtar, Sam J. Miller, E. Lily Yu, Rich Larson, Vina Jie-Min Prasad, Sarah Pinsker, Alice Sola Kim, Darcie Little Badger, Nino Cipri, S. Qiouyi Lu, Kelly Robson, Suzanne Palmer, and more. Their extraordinary stories have been hand-selected by cutting-edge author Hannu Rajaniemi (The Quantum Thief) and genre expert Jacob Weisman (Invaders).So go ahead, join the starship revolution. The new kids have already hacked the AI.--back coverContents:- Introduction by Jacob Weisman- Foreword by Hannu Rajaniemi- Openness (2016) by Alexander Weinstein- The Shape of My Name (2015) by Nino Cipri- Utopia, LOL? (2017) by Jamie Wahls- Mother Tongues (2018) by S. Qiouyi Lu- In the Sharing Place (2018) by David Erik Nelson- A Series of Steaks (2017) by Vina Jie-Min Prasad- The Secret Life of Bots (2017) by Suzanne Palmer- Ice (2015) by Rich Larson- One Hour, Every Seven Years (2017) by Alice Sola Kim- Toppers (2016) by Jason Sanford- Tender Loving Plastics (2018) by Amman Sabet- Welcome to Your Authentic Indian Experience™ (2017) by Rebecca Roanhorse- Strange Waters (2018) by Samantha Mills- Calved (2015) by Sam J. Miller- The Need for Air (2018) by Lettie Prell- Robo-Liopleurodon! (2018) by Darcie Little Badger- The Doing and Undoing of Jacob E. Mwangi (2019) by E. Lily Yu- Madeleine (2015) by Amal El-Mohtar- Our Lady of the Open Road (2015) by Sarah Pinsker- A Study in Oils (2018) by Kelly Robson

    These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author’s note exploring the background and genesis of each story.   Howey’s incisive mind makes Machine Learning: New and Collected Stories a compulsively readable and thought-provoking selection of short works—from a modern master at the top of his game.

    There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother’s ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there’s a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez’s stories are prayers for self-sovereignty.

    From Spenser's The Fairie Queene to Wells's The Time Machine to Murakami's 1Q84 it explores the timeless and captivating features of fiction's imagined worlds including the relevance of the writer's own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. With hundreds of pieces of original artwork, illustration and cartography, as well as a detailed overview of the plot and a "Dramatis Personae" for each work, Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction.

    A scathingly funny reinterpretation of the Ten Commandments from the larger, louder half of world-famous magic duo Penn and Teller reveals an atheist's experience in the world: from performing on the Vegas strip with Siegfried and Roy to children and fatherhood to his ongoing dialogue with proselytizers of the Christian Right and the joys of sex while scuba-diving, Penn has an outrageous sense of humor and a brilliantly entertaining opinion on, well, anything you care to think of.

    Fiction by Hugo and Nebula award winners and nominees as well as talented newcomers. Stories were selected by the Unidentified Funny Objects series curator Alex Shvartsman.

    Even when you probably should.

    In Demigods and Monsters, YA authors take on the series' Greek gods, demigods, monsters, and prophecy, to add insight and even more fun to Riordan’s page-turner series.The book also includes an introduction by Percy Jackson series author Rick Riordan that gives further insight into the series and its creation, and a glossary of ancient Greek myth, with plenty of information on the places, monsters, gods, and heroes that appear in the series.

    Now, two hundred years after Mary Shelley's Frankenstein, SF-expert Lisa Yaszek presents the best of the female tradition in American science fiction, in the most comprehensive collection of its kind ever published. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone ("The Conquest of Gola," 1931), Judith Merril ("That Only a Mother," 1948), Leigh Brackett ("All the Colors of the Rainbow," 1957), Kit Reed ("The New You," 1962), Joanna Russ ("The Barbarian," 1968); Ursula K. Le Guin ("Nine Lives," 1969), and James Tiptree Jr. ("Last Flight of Dr. Ain," 1969). Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery.Contents:Introduction / Lisa Yaszek --The miracle of the lily / Clare Winger Harris --The conquest of Gola / Leslie F. Stone --The black god's kiss / C. L. Moore --Space episode / Leslie Perri --That only a mother / Judith Merril --In hiding / Wilmar H. Shiras --Contagion / Katherine Maclean --The inhabited men / Margaret St. Clair --Ararat / Zenna Henderson --All cats are gray / Andrew North --Created he them / Alice Eleanor Jones --Mr. Sakrison's halt / Mildred Clingerman --All the colors of the rainbow / Leigh brackett --Pelt / Carol Emshwiller --Car pool / Rosel George Brown --For sale, reasonable / Elizabeth Mann Borgese --Birth of a gardener / Doris Pitkin Buck --The tunnel ahead / Alice Glaser --The new you / Kit Reed --Another rib / John Jay Wells & Marion Zimmer Bradley --When I was Miss Dow / Sonya Dorman --Baby, you were great / Kate Wilhelm --The barbarian / Joanna Russ --The last flight of Dr. Ain / James Tiptree Jr --Nine lives / Ursula K Le Guin --Biographical notes.

    Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island.These are the facts.Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice.

    In 2013, the New York Times published an obituary for Yvonne Brill. It began: “She made a mean beef stroganoff, followed her husband from job to job, and took eight years off from work to raise three children.” It wasn’t until the second paragraph that readers discovered why the Times had devoted several hundred words to her life: Brill was a brilliant rocket scientist who invented a propulsion system to keep communications satellites in orbit, and had recently been awarded the National Medal of Technology and Innovation. Among the questions the obituary—and consequent outcry—prompted were, Who are the role models for today’s female scientists, and where can we find the stories that cast them in their true light?      Headstrong delivers a powerful, global, and engaging response. Covering Nobel Prize winners and major innovators, as well as lesser-known but hugely significant scientists who influence our every day, Rachel Swaby’s vibrant profiles span centuries of courageous thinkers and illustrate how each one’s ideas developed, from their first moment of scientific engagement through the research and discovery for which they’re best known. This fascinating tour reveals these 52 women at their best—while encouraging and inspiring a new generation of girls to put on their lab coats.

    Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    On the distant world of Erna, four people--Priest, Adept, Sorcerer, and Apprentice--are drawn together to battle the forces of evil, led by the demonic fae, a soul-destroying force that preys on the human mind.

    The Mars of the movies and the imagination, an endless bastion of opportunities for a colonist with some guts. But she’s trapped in Mexico City, enduring the drudgery of an unkind metropolis, working as a rent-a-friend, selling her blood to old folks with money who hope to rejuvenate themselves with it, enacting a fractured love story. And yet there’s Mars, at the edge of the silver screen, of life. It awaits her.Note: official publication date is December 2017 but only for IndieGoGo backers. Wide release for everyone else on July 2018.

    When you realize that the 33 stories are ordered chronologically, you begin to grasp the scale of Cordwainer Smith's creation. Regimes, technologies, planets, moralities, religions, histories all rise and fall through his millennia.These are futuristic tales told as myth, as legend, as a history of a distant and decayed past. Written in an unadorned voice reminiscent of James Tiptree Jr., Smith's visions are dark and pessimistic, clearly a contrast from the mood of SF in his time; in the 1940s, '50s, and '60s it was still thought that science would cure the ills of humanity. In Smith's tales, space travel takes a horrendous toll on those who pilot the ships through the void. After reaching perfection, the lack of strife stifles humanity to a point of decay and stagnation; the Instrumentality of Mankind arises in order to stir things up. Many stories describe moral dilemmas involving the humanity of the Underpeople, beings evolved from animals into humanlike forms.Stories not to be missed in this collection include "Scanners Live in Vain", "The Dead Lady of Clown Town", "Under Old Earth", "The Crime and the Glory of Commander Suzdal", "Mother Hitton's Littul Kittons", and the truly disturbing "A Planet Called Shayol". Serious SF fans should not pass up the chance to experience Cordwainer Smith's complex, distinctive vision of the far future.--Bonnie BoumanContents:- Introduction by John J. Pierce- Editor’s Introduction by James A. Mann• Stories of the Instrumentality of Mankind- No, No, Not Rogov! (1959)- War No. 81-Q (rewritten version) - Mark Elf (1957)- The Queen of the Afternoon (1978)- Letter to Editor, Fantasy Book (March 9, 1948)- Scanners Live in Vain (1950)- The Lady Who Sailed The Soul (1960)- When the People Fell (1959)- Think Blue, Count Two (1963)- The Colonel Came Back from Nothing-at-All (1979)- The Game of Rat and Dragon (1955)- The Burning of the Brain (1958)- From Gustible’s Planet (1962)- Himself in Anachron- The Crime and the Glory of Commander Suzdal (1964)- Golden the Ship Was — Oh! Oh! Oh! (1959)- The Dead Lady of Clown Town (1964)- Under Old Earth (1966)- Drunkboat (1963)- Mother Hitton’s Littul Kittons (1961)- Alpha Ralpha Boulevard (1961)- The Ballad of Lost C’Mell (1962)- A Planet Named Shayol (1961)- On the Gem Planet [Casher O'Neill] (1963)- On the Storm Planet [Casher O'Neill] (1965)- On the Sand Planet [Casher O'Neill] (1965)- Three to a Given Star [Casher O'Neill] (1965)- Down to a Sunless Sea (1975)• Other Stories- War No. 81-Q (original version) (1928)- Western Science Is So Wonderful (1958)- Nancy (1959)- The Fife of Bodidharma (1959)- Angerhelm (1959)- The Good Friends (1963)Cover art by Jack Gaughan