Jones,   Walter Kirn,  Sheila Kohler,   Maxine Kumin,  Natalie Kusz,  Anne Lamott,   Gordon Lish,  Ralph Lombreglia, Merrill Markoe,  Pearson Marx,  Erin McGraw,  Heather McHugh,   Arthur Miller,  George Minot,  Susan Minot,   Honor Moore, Mary Morris,  Alicia Muñoz,  Elise Paschen,  Padgett Powell,  Wyatt Prunty,  Lawrence Raab,  Mark Richard,   John Rybicki, Jeanne Schinto,  Bob Shacochis,  Jim Shepard,   Karen Shepard,  Lee Smith,  Ben Sonnenberg,  Kate Clark Spencer,  Gerald Stern,Terese Svoboda,  William Tester,  Abigail Thomas,  Lily Tuck,  Sidney Wade,  Kathryn Walker,  William Wegman

    A young poet named Liao Yiwu, who had up until then lead an apolitical bohemian existence, found his voice in that moment, and, like the solitary man who stood firmly in front of a line of tanks, Liao proclaimed his outrage—only his weapon would be his words. Liao's memoir, For a Song and a Hundred Songs, captures the four dehumanizing years he spent in jail for writing the incendiary poem "Massacre." Through the power and beauty of his prose, he reveals the brutal reality of crowded Chinese prisons—the harassment from guards and fellow prisoners, the torture, the conflicts among human beings in close confinement, and the boredom of everyday life. Hailed by Philip Gourevitch as "one of the most original and remarkable Chinese writers of our time," Liao presents a stark and devastating portrait of a nation in flux, exposing a side of China that outsiders rarely ever get to see. This honest account and witness to history will forever change the way you view the rising superpower of China.

    He is proof that poetry will find its writer."—Mary-Louise Parker, actress"Ryan Adams, one of America's most consistently interesting singer/songwriters, has written a passionate, arresting, and entertaining book of verse. Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality."—Stephen King, on Infinity BluesRyan Adams may be acclaimed primarily for albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs "When the Stars Go Blue" and "New York, New York"), and Easy Tiger, but the world-renowned singer/songwriter has always been a poet and fiction writer at heart.With the release of Hello Sunshine, Ryan continues to break literary ground beyond what he established with his wildly popular first book, Infinity Blues. Ryan's new work provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans.Where his debut was characterized by the bitterness of heartbreak, Hello Sunshine is a graceful, sensual assertion of the other side of the emotional coin. This is a 2009 fever dream—inside Ryan's heart and mind—replete with unforgettable verse that will shock and delight those expecting a mere continuation of where Infinity Blues left off.Ryan Adams is known for his prolific nature, which in the last ten years has resulted in various international hit albums. Ryan has also produced Willie Nelson's album Songbird and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT's Crossroads with Elton John.

    He is considered "a modern saint" who offered protection to his people during the Cultural Revolution; an admirable figure in an otherwise traumatic and bloody era. Works about Zhou in China are heavily censored, and every hint of criticism is removed—so when Gao Wenqian first published this groundbreaking, provocative biography in Hong Kong, it was immediately banned in the People's Republic. Using classified documents spirited out of China, Gao Wenqian offers an objective human portrait of the real Zhou, a man who lived his life at the heart of Chinese politics for fifty years, who survived both the Long March and the Cultural Revolution not thanks to ideological or personal purity, but because he was artful, crafty, and politically supple. He may have had the looks of a matinee idol, and Nixon may have called him "the greatest statesman of our era," but Zhou's greatest gift was to survive, at almost any price, thanks to his acute understanding of where political power resided at any one time.

    W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry.Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

    These reminders cover all aspects of life: graduating, growing up, feeling lost, loving too much, struggling to find love, struggling to move on, trying to let go or going through a quarter life crisis. We all need uplifting reminders to keep us going and make us feel like we’re not alone. This book is more of a manual on how to navigate the hurdles of life and overcome them.

    My name is Little Green, my country Zhong Guo, the Middle Kingdom. When I was ten years old, our leader had died and the revolution ended. And this is how I remember it. When Chun Yu was born in a small city in China, she was born into a country in revolution. The streets were filled with roaming Red Guards, the walls were covered with slogans, and reeducation meetings were held in all workplaces. Every family faced danger and humiliation, even the youngest children. Shortly after Chun's birth, her beloved father was sent to a peasant village in the countryside to be reeducated in the ways of Chairman Mao. Chun and her brother stayed behind with their mother, who taught in a country middle school where Mao's Little Red Book was a part of every child's education. Chun Yu's young life was witness to a country in turmoil, struggle, and revolution -- the only life she knew. This first-person memoir of a child's view of the Chinese Cultural Revolution is a stunning account of a country in crisis and a testimony to the spirit of the individual -- no matter how young or how innocent.

    This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('flèche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world.Central to the collection is the figure of the poet's mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan's childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.

    Use no other words.The Tao is constantly moving, the path that all life and the whole universe takes. There is nothing that is not part of it—harmonious living is to know and to move with the Tao—it is a way of life, the natural order of things, a force that flows through all life.365 Tao is a contemporary book of meditations on what it means to be wholly a part of the Taoist way, and thus to be completely in harmony with oneself and the surrounding world.Deng Ming-Dao is the author of eight books, including The Living I Ching, Chronicles of Tao, Everyday Tao, and Scholar Warrior. His books have been translated into fifteen languages. He studied qigong, philosophy, meditation, and internal martial arts with Taoist master Kwan Saihung for thirteen years, and with two other masters before that.

    Anyone wanting a primer on the secret of China's economic success need look no further than China Development Bank (CDB)--which has displaced the World Bank as the world's biggest development bank, lending billions to countries around the globe to further Chinese policy goals. In "China's World Bank," Bloomberg authors Michael Forsythe and Henry Sanderson outline how the bank is at the center of China's domestic economic growth and how it is helping to expand China's influence in strategically important overseas markets.100 percent owned by the Chinese government, the CDB holds the key to understanding the inner workings of China's state-led economic development model, and its most glaring flaws. The bank is at the center of the country's efforts to build a world-class network of highways, railroads, and power grids, pioneering a lending scheme to local governments that threatens to spawn trillions of yuan in bad loans. It is doling out credit lines by the billions to Chinese solar and wind power makers, threatening to bury global competitors with a flood of cheap products. Another $45 billion in credit has been given to the country's two biggest telecom equipment makers who are using the money to win contracts around the globe, helping fulfill the goal of China's leaders for its leading companies to "go global."Bringing the story of China Development Bank to life by crisscrossing China to investigate the quality of its loans, "China's World Bank" travels the globe, from Africa, where its China-Africa fund is displacing Western lenders in a battle for influence, to the oil fields of Venezuela.Offers a fascinating insight into the China Development Bank (CDB), the driver of China's rapid economic developmentTravels the globe to show how the CDB is helping Chinese businesses "go global"Written by two respected reporters at Bloomberg NewsAs China's influence continues to grow around the world, many people are asking how far it will extend. "China's World Bank" addresses these vital questions, looking at the institution at the heart of this growth.

    In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: I stand by the convictions I expressed in my June Second Hunger Strike Declaration twenty years ago I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissident s struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCP s Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Vaclav Havel.This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland.

    It was feared that sorcerers were roaming the land, clipping off the ends of men's queues (the braids worn by royal decree), and chanting magical incantations over them in order to steal the souls of their owners. In a fascinating chronicle of this epidemic of fear and the official prosecution of soulstealers that ensued, Philip Kuhn provides an intimate glimpse into the world of eighteenth-century China.Kuhn weaves his exploration of the sorcery cases with a survey of the social and economic history of the era. Drawing on a rich repository of documents found in the imperial archives, he presents in detail the harrowing interrogations of the accused--a ragtag assortment of vagabonds, beggars, and roving clergy--conducted under torture by provincial magistrates. In tracing the panic's spread from peasant hut to imperial court, Kuhn unmasks the political menace lurking behind the queue-clipping scare as well as the complex of folk beliefs that lay beneath popular fears of sorcery.Kuhn shows how the campaign against sorcery provides insight into the period's social structure and ethnic tensions, the relationship between monarch and bureaucrat, and the inner workings of the state. Whatever its intended purposes, the author argues, the campaign offered Hungli a splendid chance to force his provincial chiefs to crack down on local officials, to reinforce his personal supremacy over top bureaucrats, and to restate the norms of official behavior.This wide-ranging narrative depicts life in imperial China as it was actually lived, often in the participants' own words. Soulstealers offers a compelling portrait of the Chinese people--from peasant to emperor--and of the human condition.

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    Recognized as THE book for teaching academic reading skills, the fifth edition continues to introduce students in the humanities, arts, and social sciences to a basic knowledge of German that they can use independently to begin to read specialized literature in their respective fields.

    foreign policy. Many view it as the unfortunate stage upon which American and Communist forces battled during the Vietnam War in a savage struggle that tore up the land and shattered the fragile populace. Starting with the overthrow of Prince Norodom Sihanouk in 1970, South East Asia correspondent and Pulitzer Prize winner Henry Kamm recalls 30 years of revolution and genocide in Cambodia. He begins with the establishment of the Khmer Rouge, detailing the vicious Communist occupation that took place between 1975 to 1979, then moves on to the Vietnamese invasion, the 1991 Paris peace settlement, and the demise of Pol Pot. Kamm pays special attention to the foreign influences that played a significant role in crippling the evolution of the Cambodian people. This sobering perspective on Cambodia's recent, often tragic, history explains how years of political turbulence and violence has strangled the economy and stagnated the social growth of the people to this day. Kamm intrepidly attempts to answer the questions of "why" and "how" even as he contemplates the uncertain future of the country as the new millennium approaches. Kamm writes with poise and grace, while his 30 years of experience in the region gives him unique insight into the plight of the Cambodians. Those who were moved by The Killing Fields, will find Cambodia a gripping read. --Jeremy Storey Cambodia has long been regarded as one of the lost causes of U.S. foreign policy. Many view it as the unfortunate stage upon which American and Communist forces battled during the Vietnam War in a savage struggle that tore up the land and shattered the fragile populace. Starting with the overthrow of Prince Norodom Sihanouk in 1970, South East Asia correspondent and Pulitzer Prize winner Henry Kamm recalls 30 years of revolution and genocide in Cambodia. He begins with the establishment of the Khmer Rouge, detailing the vicious Communist occupation t