This new volume collects the author’s plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."—The Journal News), Sueño (a reworking for Pedro Calderón’s Life is a Dream) and Sonnets for an Old Century, the author’s most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."—Robert Brustein, New RepublicAlso available by José RiveraMarisol and Other Plays PB $15.95 1-55936-136-0 • USA

    A celebrity artist shining bright at the crest of the Restoration Ned, or Mr. K as he's called, is applauded onstage and off for his interpretations of Shakespeare's tragic ladies: Ophelia, Cleopatra, especially his Desdemona and his famous "death scene". He s the toast of the town and the very secret "mistress" of the powerful Duke of Buckingham. But when an unknown named Margaret Hughes plays Desdemona one night at an illegal theater, instead of stopping the show, the ever-game King Charles II changes the law to allow women to act. By the stroke of a pen, Kynaston's world is turned upside-down. He loses his cachet, his livelihood, his lover and his sense of self. And as such women as the king's own courtesan Nell Gwynn, and Kynaston s former dresser Maria, become stars, his own light disappears until fate and his desire for revenge give him a chance to take the stage again.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    But when history reveals a shocking truth about the man himself, the entire family is forced to confront questions of honesty and allegiance they thought had been resolved. AFTER THE REVOLUTION is a bold and moving portrait of an American family, thrown into an intergenerational tailspin, forced to reconcile a thorny and delicate legacy.

    Family secrets and lies will be revealed and lots of scheming surrounding the lives of these two sisters will surface. Once the drama ensues and lies are uncovered, you won't be able to handle what happens at each turning corner.

    

    For the past five years, she had been in love with the man of her dreams. A man who had given her the world. Because of that love, Charlie had a free ride to college, nice cars, an expensive home, and she owned her own business. In her eyes, life was as good as it could possibly be. She had the love of her life, and success. Now if she could just survive the next four years while he finished a bid for yet another parole violation. As hard as it made life, and as lonely as she was, Charlie loved her man, and was going to get through it. Calvin “Hawk” Cason Hawk was in the streets, but he wasn’t like your typical hustler. Hawk was about his money and loved his woman. So much so that everything he gave Charlie was hers. He never wanted her to feel like the things that he did were because he was buying Charlie’s affection or because he wanted to control her. Charlie owned the title to everything Hawk purchased for her, so with or without him, her life would always be financially stable. Hawk knew that Charlie loved him and not the things that he did, so he had no problem helping to secure her future. The perfect union, right? Sometimes things aren’t always what they seem. Hawk paid his way out of a five-year bid after only doing one year, and was coming home. The problem being, who is he coming home to? His secret life has caught up with him, and it’s time to make a decision. A decision that will possibly rock Charlie to the core. Yazmine Carter Yaz is your typical hood certified chick. She refused to work for anything, but feels like she’s owed everything. That attitude created a love hate relationship between Yaz and Charlie. Yaz claims Charlie as her best friend but secretly hates everything about her. With friends like that, who needs enemies? Yaz doesn’t understand how Charlie is always winning, while she has to struggle for every dime. Even when it comes to Charlie’s relationship with Hawk. Yaz feels like it should have been her. When Yaz finds out that the one person that she really wants has eyes for Charlie instead, Yaz is fed up. She makes some decisions that could cancel years of friendship, and after a one night stand with a man who Yaz doesn’t know but quickly finds out is a powerful ally, Yaz decides that sometimes you have to just go for yours. Will that one decision cost her not only her friendship with Charlie but also her life? Delvin “Fray” Simmons Fray is all about his money. Fray puts nothing before it, which is why he has a reputation of being a savage. It’s nothing for him to take the life of those who are disloyal or try to get in his way. Being the top solider on Hawk’s team, it just made sense that he would be the one to take charge when Hawk got sentenced to a five year bid. Fray was the type to just do what was necessary, and made no apologies for it. For that reason, while Hawk placed him in charge, Fray decided to make sure that when Hawk came home, Fray could walk and still be in charge. Not only did he build Hawk’s business, but he began building his own. Fray understood that money changed everything, and there was no way that he was going to go from running it all to being second in command when Hawk returned. It wasn’t a respect thing, it was simply code of the streets. Things eventually get even more complicated when Hawk asks Fray for a favor that would put him right in the middle of a tug of war between Charlie and Hawk. Not only was Fray preparing to be Hawk’s biggest competitor in the streets, he would now find himself being Hawk’s biggest competitor for Charlie’s heart.

     But when a casual fling turns serious, will they both be down for the ride? Riley Pratt is content living her quiet, less-than-thrilling life in the city minding her own business. Due to her hectic work schedule and self-made career as one of Savannah's up-and-coming interior designers, she's learned to keep her thoughts to herself and her eyes on the prize-- a fruitful, shining career in design. Until Cameron Alden waltzes into town.Always thinking up his next cocky comeback, Cameron is arrogant and annoyingly charming in all the wrong ways. Heir to the largest whiskey distillery in the South, he prides himself on being well-endowed but also claims he's prudish as hell. Official word around town? He's Savannah's hottest bachelor. And he takes complete advantage of it.Which... isn’t Riley’s glass of rosé. Though she can feel sparks flying rampant when they’re together, will Riley give him a chance? Or is she too sure that Cameron's old habits will die hard, making her just another one-night stand?

    Concludes the end of this series.

    Unfortunately, her imaginary friend Mr. Marmalade doesn't have much time for her. Not to mention he beats up his personal assistant, has a cocaine addic-tion, and a penchant for pornography and very long dildos. Larry, her only real friend, is the youngest suicide attempt in the history of New Jersey. MR. MARMALADE is a savage black comedy about what it takes to grow up in these difficult times.

    Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    Dennis is a hearse driver for an undertaker. They have robbed the bank next door to the funeral parlour and have returned to Hal's home to hide-out with the loot. Hal's mother has just died and the pair put the money in her coffin, hiding the body elsewhere in the house. With the arrival of Inspector Truscott, the thickened plot turns topsy-turvy. Playing with all the conventions of popular farce, Orton creates a world gone mad and examines in detail English attitudes of the mid 20th century. The play has been called a Freudian nightmare, which sports with superstitions about death - and life. It is regularly produced in professional and amateur productions. First produced in London in 1966, Loot was hailed as "the most genuinely quick-witted, pungent and sprightly entertainment by a new, young British playwright for a decade" (Sunday Telegraph).The Student Edition offers a plot summary, full commentary, character notes and questions for study, besides a chronology and bibliography.

    For his daughter Rivkele, however, Jack aspires for something more—respectability through her marriage to a religious scholar. But Rivkele’s tender love affair with Manke, one of Jack’s prostitutes, threatens to destroy the upcoming marriage, and with it, Jack’s dream of redemption. Pulitzer Prize-winning author Donald Margulies transforms Sholom Asch’s classic mortality tale into a work of spellbinding power.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.