. . as when iron is drawn to a magnet, camphor is sucked into hot air, crystal lights up in the Sun, sulfur and a volatile liquid are kindled by flame, an empty eggshell filled with dew is raised towards the Sun . . .' The Bible is full of stories featuring forms of magic and possession - from Moses battling with Pharaoh's wizards to the supernatural actions of Jesus and his disciples. As, over the following centuries, the Christian church attempted to stamp out 'deviant' practices, a persistent interest in magic drew strength from this Biblical validation. A strange blend of mumbo-jumbo, fear, fraud and deeply serious study, magic was at the heart of the European Renaissance, fascinating many of its greatest figures.This is a book filled with incantations, charms, curses, summonings, cures and descriptions of extraordinary, shadowy, only half-understood happenings from long ago. It features writers as various as Thomas Aquinas, John Milton, John Dee, Ptolemy and Paracelsus along with anonymous ancient and medieval works which were, in some cases, viewed as simply too dangerous even to open.Brian Copenhaver's wonderful anthology will be welcomed by everyone from those with the most casual interest in the magical tradition to anyone drawn to the Renaissance and the tangled, arcane roots of the scientific tradition.

    Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified. Wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, and with lots of four-letter words. Skeptical? Here are just a few gems to consider: � Zeus once stuffed an unborn fetus inside his thigh to save its life after he exploded its mother by being too good in bed. � The entire Egyptian universe was saved because Sekhmet just got too hammered to keep murdering everyone. � The Hindu universe is run by a married couple who only stop murdering in order to throw sweet dance parties…on the corpses of their enemies. � The Norse goddess Freyja once consented to a four-dwarf gangbang in exchange for one shiny necklace. And there’s more dysfunctional goodness where that came from.

    There are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures, resourceful witches and the origins of birds and animals. This is a world of extremes, and one that resonates deeply with our own: mysterious diseases devastate cities; environmental disasters tear lives apart; women habitually suffer violence at the hands of men.Unlike in many previous collected myths, female characters take centre stage - Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation, their tales combine to form a dazzling, sweeping epic of storytelling, and a magnificent work of scholarship and imagination.'Startlingly fresh... This excellent book should delight many generations of story lovers to come.' Guardian

    The result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts, the classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America.

    The runes have deep resonances within the pagan Norse world of gods and goddesses, giants, dwarves, warriors, and wizards, which have greatly influenced the work of J.R.R. Tolkien, among others. Norse tradition attributes the discovery of the runes to the "All-Father" Odin--a god of inspiration and secret wisdom and the mythical prototype for runecasters, who established the pattern for gaining his knowledge.Nordic Runes addresses three major areas: Runelore, the history of this 2000-year-old Norse oracle; Runestaves, the meaning of the individual runes of the Elder Futhark alphabet and their powerful mythological, magical, and practical lessons for daily life; and Runecasting, a comprehensive guide to the oracular application of the ancient runes, including their crafting, divination, and self-development. As Nordic Runes shows, the runes do more than simply reflect the path of fate; they help develop and enhance intuition. By learning to cast and interpret the runes, the user becomes receptive to the energy currents in material reality and empowered in the arts of its transformation.

    "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    In Anam Cara, Gaelic for soul friend, the ancient teachings, stories, and blessings of Celtic wisdom provide such profound insights on the universal themes of friendship, solitude, love, and death as: Light is generous The human heart is never completely born Love as ancient recognitionThe body is the angel of the soul Solitude is luminous Beauty likes neglected places The passionate heart never ages To benatural is to be holy Silence is the sister of the divine Death as an invitation to freedom

    This collection of ancient images of women as goddesses and heroines brings together legends, rituals, and prayers from China, Celtic Europe, South America, Africa, India, North America, Scandinavia, Japan, and elsewhere.

    Travel via Thermopylae, the Oracle at Delphi, and the site of the epic Battle of Marathon to the city of Athena, goddess of wisdom. Meet Socrates, Thucydides, Phidias, and others who are among the greatest philosophers, writers, and artists who ever lived. Encounter ordinary Athenians in the marketplace and at the theater and learn the true character of one of the most extraordinary cities of any age.Of course, ancient Athens was not all art, intellect, and politics. This well-researched yet irreverently unacademic guide also plunges gleefully into the hedonistic side of Athenian life with wine-sodden symposiums, brothels, and brawls, advising the reader to avoid slatternly prostitutes and inns where the beds are infested with bugs, and warning that both torches and an escort are needed to avoid muggers after an evening on the town.Ancient Athens on 5 Drachmas a Day takes you through the raucous city crowds to the serene heights of the Parthenon and evokes the wonder of a city where the monuments and ideas that form the bedrock of Western culture are as fresh and new as the garlands of flowers on Athena's altar.

    Set in the fourteenth century in Europe’s most far-flung outpost, a land of glittering fjords, blasting winds, sun-warmed meadows, and high, dark mountains, The Greenlanders is the story of one family–proud landowner Asgeir Gunnarsson; his daughter Margret, whose willful independence leads her into passionate adultery and exile; and his son Gunnar, whose quest for knowledge is at the compelling center of this unforgettable book. Jane Smiley takes us into this world of farmers, priests, and lawspeakers, of hunts and feasts and long-standing feuds, and by an act of literary magic, makes a remote time, place, and people not only real but dear to us.

    Trees felled in the wrong season breed termites. If eels are drowned in wine, those who drink it get a loathing for liquor.These and similar flights of fancy were articles of faith in the twelfth century — the era of the fascinating Latin prose bestiary translated in this volume. The translator is T. H. White, author of The Once and Future King and outstanding medievalist. Of The Book of Beasts, White writes: "No Latin prose bestiary has ever before been printed, even in Latin. This is the first and only English translation in print."The bestiary was a bestseller in the Middle Ages, a kind of natural history cum-zoological survey that presumed to describe the animals of the world and to point out the human traits they exemplified. Combining the surprisingly accurate with the endearingly phantasmagorical, the bestiarists came up with a bewildering array of real and exotic creatures. The behavior or attributes of the animals often functioned as a metaphor for teaching religious, moral, and political precepts.In addition to a multitude of real mammals, birds, reptiles, and fish, described here with varying degrees of zoological accuracy, the bestiarist introduces a swarm of fanciful denizens thought to haunt the Dark Ages: manticore, a creature with a man's face, a lion's body, and a ravenous appetite for human flesh; dragon or draco, the biggest serpent and the embodiment of the Devil; amphivia, a fish that could walk on land and swim in the sea; jaculus, a flying serpent; the familiar phoenix; the griffin; and other exotic fauna.Much of the charm of this edition lies in the copious footnotes compiled by T. H. White. With immense erudition, wit, grace, and a singular lack of condescension, the author illuminates literary, scientific, historical, linguistic, and other aspects of the bestiarist's catalog. He further enhances the volume with informative discussions of the history of the bestiary from its origins in remote oral traditions; through Herodotus, Pliny and Aristotle; during the medieval period and the Renaissance; and up to Sir Thomas Browne's Vulgar Errors (1646). Both amusing and amazing, The Book of Beasts is not only a rich survey of the proto-zoology on which much of our later science is based, but also a revealing, illustrated examination of how pre-scientific man perceived the earth's creatures.